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Bizarre Magic, or Bizarre Magick, is a branch of stage magic, or conjuring, like stage illusions, sleight of hand, or children's magic. The major difference is that bizarre magic uses storytelling and word play to a much greater degree, and less emphasis is placed on the manual dexterity of the performer or the complexity of his equipment.^[1] The experience is more akin to small, intimate theater than image of the traditional magic show. Bizarre Magicians often use authentic antique or simulated artifacts to enhance their presentations. Storytelling is also employed for a greater sense of theatrical authenticity. Techniques such as these are important factors in distinguishing Bizarre from other types of magic performance in that Bizarre “references a larger magical world beyond the boundaries of the performance.” ^[2]

Misinterpretation

Among many people, there is often the mistaken impression that bizarre magic must be ghoulish, ghostly, or ghastly. That is not necessarily true. Bizarre magic can be funny, comical, and downright slapstick. It can also be emotionally touching and philosophically provoking. A key feature is that it must touch the audience on a deeper emotional level than ordinary magic. That is done with a focus on the theatrical. It is often accomplished by simulating or re-enacting occult, pagan or shamanic magick, however unlike Gospel Magic, it is not designed with the promotion of religion but entertainment. As Bizarre Magic embraces horror and the supernatural as viable entertainment choices in addition to the standard commercial magic approaches of comedy and wonder. "Magic should be disturbing sometimes. It should make people uncomfortable. Of course, that's not an easy goal. It's not a commercial goal. The audience doesn't necessarily walk away smiling and admiring how clever and adroit you are. Instead they have a creepy feeling that what they've just experienced might have been real." ^[3] Another methodology employed in performance is the integration of storytelling enhanced by magic^[4].

Presentational Style

Bizarre Magic is often performed as close-up magic, for a few people at a time, but it can also be performed as a club show or even as a stage act, depending on the routine, the props, and the performer. More so than other forms of magic, the community of Bizarre Magic encourages the artistry of the individual and the creation of unique presentation pieces instead of mimicking performance styles or the performance of standard effects that is common in commercial magic.

History

The movement of the art of Bizarre Magic began in the late 60s with Charles Cameron and Tony "Doc" Shiels. Some of the significant artists since that time have been Tony Andruzzi (aka Maskelyn ye Mage), Jim Magus, Carl Herron (aka Brother Shadow), Tony Raven, Joe Lantiere, Eugene Burger, Eugene Poinc, Larry White, Christian Chelman, Robert Neale, Jeff McBride, Denomolos (Ed Solomon) Roni (Roni Shachnaey) and Ulf Bolling (aka Borodin).

Most of the material on the subject is published privately within the Bizarre Magic community and is not readily available through normal distribution. And many of the important works were either hand-made and or published on a very limited basis. So despite being relatively recent publications, many have significant collectible values into the hundreds or thousands of dollars.

Annual events

There are a few annual events focused on Bizarre Magic. The first event was the now defunct "Invocational" which started a tradition of annual gatherings in honor of the Bizarre.

The current offerings:

The Odd Gathering presented by The Society for Unusual Manifestations which is held in the Spring.
Inner Circle of Bizarre Magick (ICBM) Annual Gathering in Connecticut which is held in November.
Annual Charles Cameron Gathering in Edinburgh, Scotland which is held in October.
Magic and Meaning Conference in Las Vegas, Nevada which is held in October.
Bizarre Magick UK Annual UK Gathering which is held in May.
PSYCRETS : British Society of Mystery Entertainers 'Tabula Mentis' Bi annual UK event dedicated to mentalism and bizarre.

References

^ Nigel Gordon, Making It Bizarre Vol 1, hi this is simon skii i love Amagarion Press, Coalville, UK
^ Maven, Max. Quoted in Burger, Eugene (1991). “Strange Ceremonies.” Published by Kaufman and Company, Washington D.C. (p, 38).
^ David Parr, Genii Magazine, Oct 2000
^ What is Bizarre? Nigel Gordon 1998, The Amagarion Press, Coalville UK

[1] Nigel Gordon, Making It Bizarre Vol 1, hi this is simon skii i love Amagarion Press, Coalville, UK

[2] Maven, Max. Quoted in Burger, Eugene (1991). “Strange Ceremonies.” Published by Kaufman and Company, Washington D.C. (p, 38).

[3] David Parr, Genii Magazine, Oct 2000

[4] What is Bizarre? Nigel Gordon 1998, The Amagarion Press, Coalville UK

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-'''Bizarre Magic''', or Bizarre Magick, is a branch of [[stage magic]], or conjuring, like [[stage illusions]], [[sleight of hand]], or [[children's magic]]. The major difference is that bizarre magic uses storytelling and word play to a much greater degree, and less emphasis is placed on the manual dexterity of the performer or the complexity of his equipment.<ref>Nigel Gordon, Making It Bizarre Vol 1, 1999, The Amagarion Press, Coalville, UK</ref> The experience is more akin to small, intimate theater than image of the traditional magic show. Bizarre Magicians often use authentic antique or simulated artifacts to enhance their presentations. Storytelling is also employed for a greater sense of theatrical authenticity. Techniques such as these are important factors in distinguishing Bizarre from other types of magic performance in that Bizarre “references a larger magical world beyond the boundaries of the performance.” <ref>Maven, Max. Quoted in Burger, Eugene (1991). “Strange Ceremonies.” Published by Kaufman and Company, Washington D.C. (p, 38).</ref>
+'''Bizarre Magic''', or Bizarre Magick, is a branch of [[stage magic]], or conjuring, like [[stage illusions]], [[sleight of hand]], or [[children's magic]]. The major difference is that bizarre magic uses storytelling and word play to a much greater degree, and less emphasis is placed on the manual dexterity of the performer or the complexity of his equipment.<ref>Nigel Gordon, Making It Bizarre Vol 1, hi  this is simon skii i love  Amagarion Press, Coalville, UK</ref> The experience is more akin to small, intimate theater than image of the traditional magic show. Bizarre Magicians often use authentic antique or simulated artifacts to enhance their presentations. Storytelling is also employed for a greater sense of theatrical authenticity. Techniques such as these are important factors in distinguishing Bizarre from other types of magic performance in that Bizarre “references a larger magical world beyond the boundaries of the performance.” <ref>Maven, Max. Quoted in Burger, Eugene (1991). “Strange Ceremonies.” Published by Kaufman and Company, Washington D.C. (p, 38).</ref>
 ==Misinterpretation==

v t e Magic and illusion
General	Assistants Clubs Conventions Exposure Stores
Genres	Bizarre Card (techniques) Cardistry (history) Children's Close-up magic Coin Escapology Gospel Mathemagic Mental Platform Séance Stage Street
Tricks and techniques	Levitation Equivocation Misdirection Sleight of hand Pepper's ghost
Guidebooks	The Discoverie of Witchcraft (1584) Modern Magic (1876) The Expert at the Card Table (1902) Tarbell Course (1928–) Thirteen Steps to Mentalism (1961) Mark Wilson's Complete Course In Magic (1975) Conjuring (1992)
Periodicals	Abracadabra Genii Hugard's Magic Monthly The Jinx The Linking Ring Magic Magigram Mahatma Smoke & Mirrors The Sphinx
Lists	Conjuring terms Films about magicians Magicians Museums Publications Timeline Tricks
Related	Indian magicians Midnight ghost show