Fairy godmother: Difference between revisions
No edit summary |
No edit summary |
||
| Line 43: | Line 43: | ||
* [[Godparent]] |
* [[Godparent]] |
||
* [[Wicked fairy godmother]] |
* [[Wicked fairy godmother]] |
||
* [[Hag]] |
|||
[[Category:Characters in fairy tales]] |
[[Category:Characters in fairy tales]] |
||
Revision as of 04:02, 9 October 2010
In fairy tales, a fairy godmother is a fairy with magical powers who acts as a mentor or parent to someone, in the role that an actual godparent was expected to play in many societies. In Perrault's Cinderella, he concludes the tale with the cynical moral that no personal advantages will suffice without proper connections. The fairy godmother is a special case of the donor.
In Fairytale and Legend
Actual fairy godmothers are rare in fairy tales, but became familiar figures because of the popularity of the literary fairy tales of Madame d'Aulnoy and other précieuses, and Charles Perrault. Many other supernatural patrons feature in fairy tales; these include various kinds of animals and the spirit of a dead mother.[1] The fairy godmother has her roots in the figures of the Fates; this is especially clear in Sleeping Beauty, where they decree her fate, and are associated with spinning.[2]
In the tales of précieuses and later successors, the fairy godmother acts in a manner atypical of fairies in actual folklore belief; they are preoccupied with the character and fortunes of their human protegees, whereas fairies in folklore had their own interests.[3]
Typically, the fairy godmother's protégé is a prince or princess and the hero of the story, and the godparent uses her magic to help or otherwise support them. The most well-known example is probably the fairy godmother in Charles Perrault's Cinderella. Multiple fairy godmothers appear in Sleeping Beauty, in both Charles Perrault's and the Grimm Brothers's variants, including one evil, offended one. The popularity of these versions of these tales led to this being widely regarded as a common fairy-tale motif, although they are less common in other tales.
Indeed, the fairy godmothers were added to Sleeping Beauty by Perrault; no such figures appeared in his source, "Sole, Luna, e Talia" by Giambattista Basile.[4] In the Grimm Brothers' variant of Cinderella, Aschenputtel is aided not by her fairy godmother but by her dead mother.[5] A great variety of other figures may also take this place. She is portrayed as kind, gentle and loving.
Précieuses
In the works of the précieuses, French literary fairy tales, fairy godmothers act much as actual godmothers did among their social circles, exerting their benefits for their godchildren, but expecting respect in return.
Madame d'Aulnoy created a fairy godmother for the evil stepsister in her fairy tale The Blue Bird; in this position, the fairy godmother's attempts to bring about the marriage of her goddaughter and the hero are evil attempts to impede his marriage with the heroine. Likewise, in her The White Doe, the fairy godmother helps the evil princess get revenge on the heroine. In Finette Cendron, the fairy godmother is the heroine's, but after helping her in the early portion of the tale, she is offended when Finette Cendron does not take her advice, and Finette must work through the second part with little assistance from her.
In Henriette-Julie de Murat's Bearskin, the heroine has a fairy godmother, but she is offended that the heroine's marriage was arranged without consulting her, and refuses to assist.
In fiction
Fairy godmothers appear frequently in fairytale fantasy, especially comic versions and retellings of Cinderella and Sleeping Beauty. Mercedes Lackey presents a gently lampooned version of the concept in her Tales of the Five Hundred Kingdoms series, in which Fairy Godmother and White Wizard are career options for young women and men who have access to magic, the blessing of the Fae folk, and a certain depth of character.
In William Makepeace Thackeray's The Rose and the Ring, the fairy Blackstick concludes that her gifts have not done her godchildren good; in particular, she has given two of her goddaughters the title ring and the title rose, which have the power to make whoever owns them beautiful, which have ruined the character of those goddaughters; with the next prince and princess, she gives them "a little misfortune", which proves the best gift, as their difficulties form their characters.[6]
In C. S. Lewis's The Magician's Nephew, when Uncle Andrew explains how he made the magical rings from dust left to him by his godmother, he points out that she may have had fairy blood, and so he might have been the last man to have a fairy godmother.[7]
The Fairly OddParents is a humorous cartoon where the fairies Cosmo and Wanda are (rather incompetent) godparents.
In Shrek 2, the fairy godmother turns out to be a conniving, crooked businesswoman (with a personality rather like that of the Stepmother in Cinderella), who is quite willing to resort to blackmail and/or murder to further her own interests. The pure reason for helping princesses gain a happily ever after with Prince Charming is the fact that Prince Charming is actually the Fairy Godmother's son, and through the marriage he will gain the throne.
The Discworld novel Witches Abroad also features a plotting fairy godmother, Lady Lilith de Tempscire, who uses the power of stories to control the city of Genua. During the book Magrat Garlick also takes on the role, but throws away the magic wand at the end.
In The Dresden Files novels (primarily Grave Peril and Summer Knight), the main character, a modern wizard named Harry Dresden is revealed to have a faerie godmother by the name of Leanansidhe who enjoys ensnaring Harry in one-sided deals.
The first King's Quest game features a fairy godmother of the main character Graham who can grant him invincibility.
Another fairy godmother is Mama Odie, the 197-year-old, blind Voodoo lady of the Bayou who appears in Disney's The Princess and the Frog. She helps Tiana and Prince Naveen find what is really important, not always what you want, but what you need. As a fairy godmother, she shows motherly actions, in showing Tiana and Naveen the right path. Mama Odie also uses her good voodoo to counter Dr. Facilier's dark voodoo magic, saving frog Tiana and Naveen from near disaster. Mama Odie also has her "Seeing Eye" snake, Juju, who helps her with her daily activities. Also referred to as "The Fairy Godmother of the Bayou", Mama Odie is also the one who weds Princess Tiana and Prince Naveen at the end of the movie. She is kind, loving, and is very motherly.
See also
References
- ^ Katharine Briggs, An Encyclopedia of Fairies, Hobgoblins, Brownies, Boogies, and Other Supernatural Creatures, "Fairy godmother", p147. ISBN 0-394-73467-X
- ^ John Grant and John Clute, The Encyclopedia of Fantasy, "Fairy godmother" p 330 ISBN 0-312-19869-8
- ^ K.M. Briggs The Fairies in English Tradition and Literature. p.177 Chicago, University of Chicago Press. 1967
- ^ Jane Yolen, p 23, Touch Magic ISBN 0-87483-591-7
- ^ Max Lüthi, Once Upon A Time: On the Nature of Fairy Tales, p 60, Frederick Ungar Publishing Co., New York, 1970
- ^ Stephen Prickett, Victorian Fantasy p 69-70 ISBN 0-253-17461-9
- ^ Janice Daurio, "Is It Good to be Bad?" p 123 Gregory Bassham ed. and Jerry L. Walls, ed. The Chronicles of Narnia and Philosophy ISBN 0-8126-9588-7