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File:Anne Bancroft 1952.jpg

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Summary

Description
English: Publicity photo of Anne Bancroft in Don't Bother to Knock
Date
Source ebay
Author Twentieth Century-Fox studio

Licensing

This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art.

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Public domain
This work is in the public domain because it was published in the United States between 1929 and 1963, and although there may or may not have been a copyright notice, the copyright was not renewed. For further explanation, see Commons:Hirtle chart and the copyright renewal logs.

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Additional source information: This is a publicity photo taken to promote a film actor. As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):

"Publicity photos have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

Nancy Wolff, includes a similar explanation:

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."

Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]

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Date/TimeThumbnailDimensionsUserComment
current06:30, 30 September 2021Thumbnail for version as of 06:30, 30 September 20214,604 × 5,756 (909 KB)LemonreaderReduce file size
06:27, 30 September 2021Thumbnail for version as of 06:27, 30 September 20214,604 × 5,756 (4.23 MB)LemonreaderHigher resolution
05:06, 29 September 2016Thumbnail for version as of 05:06, 29 September 2016904 × 1,205 (248 KB)Light showcropped
05:06, 29 September 2016Thumbnail for version as of 05:06, 29 September 20161,213 × 1,519 (97 KB)Light showUser created page with UploadWizard

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