English: This composition, a copy of a replica of around 1730 by the great Neapolitan artist Solimena after his own earlier painting of 1701, represents a scene adapted from "The Metamorphoses," the famous poem on the loves of the gods by the 1st-century Roman author Ovid. The north wind Boreas was in love with Orithya, the daughter of the king of Athens. She refused him, and, in anger, the god abducted the frightened young woman from amid her maidens-in-waiting. Flying cupids (little gods of love) symbolize the passion that motivated Boreas. The dramatic use of flickering patches of light and shadow is characteristic of Solimena's style although the color is less intense. Copies of popular compositions were avidly bought for inclusion in decorative arrangements.
Date
circa 1730
date QS:P571,+1730-00-00T00:00:00Z/9,P1480,Q5727902
Flight, Fantasy, Faith, Fact. Dayton Art Institute, Dayton. 1953-1954. A Taste for Angels: Neapolitan Painting in North America, 1650-1750. Yale University Art Gallery, New Haven; The John and Mable Ringling Museum of Art, Sarasota; The Nelson-Atkins Museum of Art, Kansas City. 1987-1988. Going for Baroque. The Walters Art Gallery, Baltimore. 1995-1996.
Credit line
Acquired by Henry Walters with the Massarenti Collection, 1902
References
Federico Zeri (1976) (in English) Italian paintings in the Walters Art Gallery, Baltimore: Walters Art Gallery, no. 431 , pp. 543 OCLC: 2463997.
This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.
The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The correspondence is available to trusted volunteers as ticket #2012021710000834.
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.
You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
This digital reproduction has been released under the following licenses:
Public domainPublic domainfalsefalse
This work has been released into the public domain by its author, Walters Art Museum. This applies worldwide. In some countries this may not be legally possible; if so: Walters Art Museum grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
Public domainPublic domainfalsefalse
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.
Captions
Add a one-line explanation of what this file represents
== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Francesco Solimena}} |title = ''The Abduction of Orithyia'' |description = {{en|This composition, a copy of a replica of around 1730 by the great Neapolit...