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The Seagull's Laughter

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(Redirected from Mávahlátur)

The Seagull's Laughter
Directed byÁgúst Guðmundsson
Written byKristin Marja Baldursdóttir
Ágúst Guðmundsson
Produced byKristín Atladóttir
Andy Paterson
Raphael Socha
Helgi Toftegard
CinematographyPeter Krause
Edited byHenrik D. Moll
Production
companies
Isfilm
Archer Street Productions
Hope & Glory Film Productions GmbH
Hope & Glory Pictures International
Hope & Glory Pictures
Distributed byEpix Media
Sam-Myndbönd
The Cinema Guild
Release date
  • 20 October 2001 (2001-10-20) (Iceland)
CountriesIceland
Germany
United Kingdom

The Seagull's Laughter (Icelandic: Mávahlátur) is a 2001 Icelandic film directed by Ágúst Guðmundsson. It stars Ugla Egilsdóttir as Agga, an orphaned preteen distrusting of her cousin Freyja, played by Margrét Vilhjálmsdóttir, who turns heads on her return from America, no longer the chubby teen that the Icelandic townspeople remember.[1]

Set around 1950, the story portrays a pivotal moment in Iceland’s recent history: newly independent, with the legacy of the Second World War still prominent, Iceland is modernising and internationalising. The film is set in Hafnarfjörður, now effectively a suburb of Reykjavík, then a fishing town outside it. It is a close adaptation of the novel Mávahlátur by Kristín Marja Baldursdóttir, published in 1995 by Mál og menning.

It was Iceland's submission to the 74th Academy Awards for the Academy Award for Best Foreign Language Film, but was not accepted as a nominee.[2]

Plot

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The story is set around the 1950s, not very long after Iceland's independence from Denmark. The arrival of modernity in Iceland, including democracy, feminism, and new technologies and fashions, is an implicit theme throughout the text.

The narrative is presented from the perspective of Agga (played by Ugla Egilsdóttir), who during the three or so years covered by the story goes from being a preteen girl to being a young woman. The main agent in the story, however, is Agga's older step-cousin Freyja (played by Margrét Vilhjálmsdóttir). Freyja returns to Iceland from America after her American army officer husband died of a heart attack two months before. Freyja, who is dressed in American clothing, brought back 7 luggages of clothes with her from America, and amazes her Icelandic family - Agga's grandmother and her aunts Ninna and Dódó - with her clothes, perfumes, and her having a fridge in America. Agga becomes suspicious, suspecting that Freyja is an evil woman or indeed a witch, and should be sent back to America. However, no one believes her.

Regardless of her suspicion, Agga told Dísa (played by Bára Lyngdal Magnúsdóttir) about Freyja's return. Dísa was excited about the news, so she ran to where Freyja is staying to meet her. The family of girls then tried on Freyja's clothes from America, and held a mini fashion show inside their house.

Agga then decided to report her suspicion to the local policeman Magnús (played by Hilmir Snær Guðnason), telling him that Freyja is heartless and evil, and that she is a liar. Magnús did not take Agga seriously, laughed her accusations off, and sent her out of the police station. With no one on her side, Agga began to follow Freyja, hoping to find out more about her. Freyja was found frequently visiting the rocks near the sea, disappearing behind the rocks and only reappearing many hours later. As Agga found the rocks intimidating, she dared not follow Freyja behind the rocks, and therefore no one knows what Freyja does behind the rocks.

Agga realizes that Magnús doesn't take her seriously because she is dressed as a child, after some difficulties with the other women in the house she obtains a trench coat; dressed like an adult she returns to the station where Magnús finally hears her out.

Cast

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See also

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References

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  1. ^ Kehr, Dave (2004-02-13). "FILM IN REVIEW; 'The Seagull's Laughter'". The New York Times. Retrieved 2018-02-10.
  2. ^ "51 Countries In Race For Oscar". Academy of Motion Picture Arts and Sciences. 2001-11-19. Archived from the original on July 4, 2008. Retrieved 2008-08-12.
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