Pantages Theater (Tacoma, Washington)

Pantages Theatre
U.S. National Register of Historic Places
The Pantages Theater in Tacoma, Washington
Location	901 and 909 Broadway, Tacoma, Washington
Coordinates	47°15′19″N 122°26′22″W
Area	less than one acre
Built	1916 (1916)
Architect	B. Marcus Priteca
Architectural style	Late 19th And 20th Century Revivals, Second Renaissance Revival
NRHP reference No.	76001902
Added to NRHP	November 7, 1976

The Pantages Theatre or Jones Building in Tacoma, Washington was designed by the architect B. Marcus Priteca. The unusual structure opened in January 1918. However, the theatre was commissioned in 1916 by the theatre manager Alexander Pantages. It was designed to be an office building and a vaudeville theatre. The theater's Second Renaissance Revival style is juxtaposed with the Commercial style. The exterior above the ground floor is largely unaltered. The building still houses entertainment and commercial activities (Tacoma City Theaters) A brief overview of the owner and renovation history, in 1916–1918, B. Marcus Priteca with Edwin W. Houghton; 1955 remodel, Carlson, Eley, and Grevstad; 1982–1983 renovation, Richard F. McCann; 2006 entrance/lobby renovation, Korth Sunseri Hagey and Grulich Architecture and Planning; 2014 stage expansion and structural renovations, BCRA. 901 Broadway.

Exterior

It stands at the end of a block formed by Commerce Street, Ninth Street, and Broadway Plaza. The setting is characterized of downtown commercial activities and remains faithful to late 19th and early 20th century streetscapes. The theatre-office building measures 100 feet (30 m) on the north (Ninth Street) by 115 feet (35 m) along the west (Broadway). The building uses a steel framed with reinforced concrete walls. The Ninth Street and Broadway facades are white, glazed terra cotta in a matt finish. The Commerce Street façade is yellowish-toned brick. The Ninth Street facade of the Theater is divided horizontally into three major sections, and vertically into five bays. The lower level of the facade, which conforms to the steep Ninth Street grade, has received a minimum of elaboration - typical of a Renaissance, palazzo base. The central level of this elevation, equivalent to three stories in height, features a triple-arched blind arcade set within the three central bays. Each individual archway: is punctuated by a pedimented, structural opening with a large ornamental cartouche above. These central bays are each framed by imposing, pseudo-Corinthian pilasters and half pilasters, full three stories, in height. The blind arcade is solidly flanked by sparsely-decorated outermost bays. Structural openings on the same level as those of the central bays are capped with segmental-arched pediments. Five bracketed balconettes underline these openings, creating a strong horizontal course, which firmly ties the variant bays together. A heavily proportioned entablature repeats the-horizontal movement across the full five bays on this facade. The entablature has a simple architrave, festooned frieze, and cornice with a boldly projecting dentil course. A substantial parapet above the cornice is simply ornamented with raised terra cotta rosettes, and rectangles.

Interior

1918| The theatre was designed as a combination office and Theatre. The setup of the main auditorium has seating accommodations for 900 with three boxes on each side.

In March 1976, a proposal was prepared for the “Adaptation of the Tacoma Pantages Theatre”, by Richard F. McCann, A.I. A. M.H. Company P. S. that prepared and did the architecture renovations is the joint practice of Richard F. McCann and George T. Howard, formerly associates of the late B. Marcus Priteca, F.A.I.A., since his passing in 1971, was the original architect of the starting of the Patanges. The stage area in 1976, was presented with a curtain line, the existing upstage wall is 26 ½ feet, with the playing area on stage is 34 feet.

The auditorium is elliptical, the proscenium arch and stage located on the south wall. The small orchestra pit can be entered through the greenroom below the stage. Dressing rooms flank the greenroom at that level. Because of the very steep grade on Ninth Street, large spaces below the auditorium level were available for rehearsals and storage. At the lowest level on Commerce Street, the heating and electrical systems were installed.

The Gridiron| In 1971 the gridiron was documented as an open steel flooring over the stage area, the gridiron was installed in order to support scenery and the rigging equipment necessary to “fly” or suspend this scenery within the stage area, to make access to rigging equipment easy, and safe. Iron weight was used to help support lighting border lights. The gridiron was framed to accommodate for hemp rigging. There were proposed plans to expand the gridiron completely covering the performing stage area.

The Pantages Theatre | Acoustics. Notably, in their orchestra pit configuration, the pit is under the soffit of the stage, allowing sound to flow from the aperture in between the pit rail and the edge of the forestage.

Additions to the theater| Roxy Theatre remodel; in 1955 tile ceilings were added for acoustics, terrazzo marble was added to the entrance, and glass panel doors and walls were updated. Custom-built entrance doors with polished aluminum frames with the doors being solid glass panels were included in the remodel for the grand opening of The Roxy.

Decorative features of the auditorium rely upon the lavish use of. The proscenium arch is covered with classical motifs executed in plaster by European craftsmen. At the center is an elaborate floral cartouche. Projecting from the cartouche is a torch. Fluted, engaged columns flank the proscenium. The auditorium's entablature has a dentil led cornice with shell finials. Above the entablature is the coved ceiling with gutter lighting. At the center of the ceiling is an art glass sunburst, instead of a traditional crystal chandelier. Boxes are located on either side in the ante-proscenium area. Each is an arch-shaped niche ornamented on its interior by rosettes and a large shell motif. The box entrance is enframed by a complex arrangement of pilasters, entablature, and broken pediment.

• 
  Jones Building Entrance, West side
• 
  North Front
• 
  Triple-arched blind arcade on the Ninth Street facade
• 
  Stage Front and Proscenium Arch
• 
  Pantages Theater
• 
  Pantages Theater, North facade

Entertainment

The entertainment style of vaudeville acts at The Pantages were seen as an array of comedic styles such as tap dancing, comedy shows, ventriloquists, vocalists, and trick cyclists. The vaudeville acts thrived under Pantages ownership until 1930. Specific examples can be seen through orchestra, musical comedy, circus acts, and the occasional random appearance (Franklin D. Roosevelt in 1920). In 1929 the Pantages Theatre was bought by RKO Pictures (Radio Keith Operations) and was renamed the RKO Orpheum in 1930. The RKO Orpheum was open from 1929 to 1932. During this transition, the entertainment style changed to traditional singers, radio stars, organists, and silent film showings. Entertainment can be seen as radio shows, performances, and talkies. The Roxy was bought by John Hamrick and Ned Edris in 1932 to fulfill Tacoma’s need for a film theater. Between 1932-1975, the Roxy focused on showing films and the occasional performance. The Roxy was known for incorporating 3D aspects into their film showings. In the 1970s, the City of Tacoma was bought the theatre and declared it an historic site. The Roxy changed ownership and was reopened as The Pantages in 1979 and chartered as a traditional performance center. From 1979 to today The Pantages Theatre has put on performances in ballet, comedy, Broadway musicals, celebrity shows, orchestras, live musical concerts, and vaudeville revival.

Some Performances and Performers:

The Tacoma Pantages Theatre (1918-1928)

- The Ingleside Orchestra, 10/24/1923

- Monte Carter, 1918.

- Franklin D. Roosevelt, 1920.

The RKO Orpheum (1929-1932)- Fast Life, 1929.

The Roxy (1932-1975)

- House on Haunted Hill, 1959.

- Tugboat Annie Sails Again, 1940.

The Pantages Theatre (1975- Now)

- Della Reese, 1983.

- Gregory Peck, 1995.

- Debbie Reynolds, 1998.

- Queen Latifa, 2007.

- Chicago, 2013.

- Jeff Bridges, 2014.

- Cabaret Show, 2017.

Bibliography

• Richard F. McCann, A.I.A. - Adaptation of Tacoma Pantages Theatre - to serve the Existing Need for a City Center Performance Facility. M.H. Co. P.S. - Seattle and Hollywood, March, 1976, unpublished. (File Copy - City Clerk's Office)
• Bonney, W.P. A History of Pierce County. 3 vols. Chicago. Pioneer Historical Publishing Company. 1927
• Harvey, Paul W. Tacoma Headlines. Tacoma, Washington; The News Tribune, 1962
• Hunt, Herbert (1916). Tacoma Its History and Its Builders, A Half Century of Activity. Chicago, Illinois: S. J. Clarke Publishing Company. (Volume 2)
• Scully Jr., Vincent (1961). Modern Architecture. N.Y.: George Braziller. LCCN 61-13689. OCLC 710751.
• McCann, Richard F., A.I.A.: a series of conversations, personal interviews during January and February and March 1976
• Priteca, B. Marcus A.R.C.A., F.A.I.A.; Specifications for the Pantages/Jones Building, Tacoma, Washington dated September 1, 1916
• Seattle Post-Intelligencer, October 3, 1975, page A 7
• Blecha, Peter. Britten, Patsy (1923-2013), December 23, 2014. https://www.historylink.org/File/10977.
• Johnson, Blaine et al. Now Playing : Showtime in Tacoma. Tacoma, WA: Tacoma Historical Society Press, 2017. Print.
• Kamens, Brian G. Tacoma Pantages Theatre. Tacoma, Washington: Tacoma Public Library, 1990.
• Tacoma Public Library. n.d. “Marvin D. Boland Collection BOLAND-B8770.” Tacoma Public Library Digital Collections Northwest Room 36797.jpg. Accessed October 12, 2024

External links

Media related to Pantages Theater, Tacoma, Washington at Wikimedia Commons