Portal:Rock music
The Rock Music Portal
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, Southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.
From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)
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The Who evolved from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, "I Can't Explain" (1965), reached the UK top ten, and was followed by a string of hit singles including "My Generation" (1965), "Substitute" and "Happy Jack" (both 1966). In 1967, they performed at the Monterey Pop Festival and released "I Can See for Miles", their only US top-ten single. The group's 1969 concept album Tommy included the single "Pinball Wizard" and was a critical and commercial success.
Further festival appearances at Woodstock and the Isle of Wight, along with the concert album Live at Leeds (1970), established their reputation as a respected rock act. The success put pressure on lead songwriter Townshend, and the follow-up to Tommy, Lifehouse, was abandoned. Songs from the project made up the album Who's Next (1971), including the hits "Won't Get Fooled Again", "Baba O'Riley", and "Behind Blue Eyes". The group released another concept album, Quadrophenia (1973), as a celebration of their mod roots, and oversaw the film adaptation of Tommy (1975). They continued to tour to large audiences before semi-retiring from live performances at the end of 1976. The release of Who Are You (1978) was overshadowed by Moon's death shortly after.
Kenney Jones replaced Moon and the group resumed touring, and released a film adaptation of Quadrophenia and the retrospective documentary The Kids Are Alright (both 1979). After Townshend became weary of the group, they split in 1983. The Who occasionally re-formed for live appearances such as Live Aid in 1985, a 25th-anniversary tour in 1989 and a tour of Quadrophenia in 1996–1997. A full reunion began in 1999, with drummer Zak Starkey. After Entwistle's death in 2002, plans for a new album were delayed until 2006, with Endless Wire. Since Entwistle's death, the Who have continued to perform and tour, most commonly with Starkey on drums, Pino Palladino on bass, and Pete's brother Simon Townshend on second guitar and backing vocals. In 2019, the group released the album Who and toured with a symphony orchestra. (Full article...)
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Lydia Canaan is a Lebanese singer-songwriter, poet, humanitarian activist, and diplomat. She is noted for her four-octave vocal range, unique vocal stylings, songwriting, and for being the first Lebanese artist in music history to achieve global success. Widely regarded as the first "rock star" of the Middle East, she is cataloged in the Rock and Roll Hall of Fame and Museum's Library and Archives.
Canaan is also credited as the first artist in the Middle Eastern region to release English-language music only, and the first to have music videos featured on MTV Global, MTV Russia, MTV Southeast Asia, and MTV Middle East.
Canaan rose to fame in the mid-1980s as an adolescent rock singer performing amid enemy attacks during the Lebanese Civil War, holding concerts in vicinities of Lebanon as they were being bombed. "In a small country that was ripped by war," Society writes, "there was this young girl making a difference".
Canaan's career is described as having defied tradition, challenged convention, and transcended millennia-old gender barriers. Arabian Woman reports, "as a girl who grew up in the midst of a bloody civil war, Canaan was breaking down seemingly insurmountable barriers. She rocked the establishment". (Full article...)
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Closing Time is the debut album by American singer-songwriter Tom Waits, released on March 6, 1973, on Asylum Records. Produced and arranged by former Lovin' Spoonful member Jerry Yester, Closing Time was the first of seven of Waits' major releases by Asylum.
The album is noted for being predominantly folk influenced although Waits intended Closing Time to be "a jazz, piano-led album." Upon release, the album was mildly successful in the United States, although it did not chart and received little attention from music press in the United Kingdom and elsewhere internationally. Critical reaction to Closing Time was positive. The album's only single, "Ol' '55", attracted attention due to a cover version by Waits's more popular label mates, the Eagles. Other songs from the album were covered by Tim Buckley and Bette Midler. The album was certified Gold in the UK and has gained a contemporary cult following among rock fans. Since its release, the album has been reissued on LP in 1976, on CD in 1992 and 1999, and 180 gram LP in 2010. (Full article...)
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"D.S." is a song by Michael Jackson, released on his 1995 album HIStory: Past, Present and Future, Book I. It is a rock song that conveys themes such as bitterness, mistrust and corruption within law enforcement. It was written, composed and produced by Jackson and includes an instrumental accompaniment and guitar solo by Slash.
The lyrics are interpreted as an attack on Santa Barbara County District Attorney Tom Sneddon, whose name is similar to the subject of the song, Dom Sheldon. Sneddon controlled the investigation into Jackson following the 1993 accusations of child sexual abuse against him. Jackson was angered by the allegations, his perception of people of color constantly being mistreated by the police and media, and the negative effect on his health. (Full article...)
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Joan Baez and Bob Dylan at a civil rights march on Washington, D.C., 28 August 1963.
Did you know (auto-generated)
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- ... that Skálmöld & Sinfóníuhljómsveit Íslands documents a symphony orchestra playing heavy metal music?
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- ... that the British rock musician Hannah Grae went viral online with an anti-sexual harassment parody of Aqua's "Barbie Girl"?
- ... that Desulfovibrio vulgaris can remove toxic heavy metals from the environment?
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Garage rock (sometimes called garage punk or '60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional. (Full article...)
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Low is the eleventh studio album by the English musician David Bowie, released on 14 January 1977 through RCA Records. The first of three collaborations with the producer Tony Visconti and the musician Brian Eno that became known as the Berlin Trilogy, the project originated following Bowie's move to France in 1976 with his friend Iggy Pop to rid themselves of their drug addictions. There, Bowie produced and co-wrote Pop's debut studio album, The Idiot, featuring sounds the former would explore on his next record. After completing The Idiot, sessions for Low began at Hérouville's Château d'Hérouville in September 1976 and ended in October at Hansa Studios in West Berlin, where Bowie and Pop had relocated.
An art rock and experimental rock record influenced by German bands such as Tangerine Dream, Neu!, Harmonia and Kraftwerk, Low features Bowie's first explorations in electronic and ambient styles. Side one consists primarily of short, direct avant-pop song-fragments, with mostly downbeat lyrics reflecting Bowie's state of mind, and side two comprises longer, mostly instrumental tracks, conveying musical observations of Berlin. Visconti created the distinctive drum sound using an Eventide H910 Harmonizer, a pitch-shifting device. The cover artwork, a profile of Bowie from the film The Man Who Fell to Earth (1976), was intended as a visual pun, meaning "low profile". (Full article...)More did you know...
- ... that David Bowie's first gig as lead singer was at the Green Man, Blackheath?
- ... that Carlton le Willows Academy alumni include cricketer Mark Footitt, Air Supply singer/guitarist Graham Russell, and balloonist Janet Folkes?
- ... that the video for Marilyn Manson's soft-rock ballad "Running to the Edge of the World" was widely condemned for its depiction of violence against women?
- ... that Susan Beschta was a punk rocker and federal judge?
- ... that the FM Non-Duplication Rule adopted by the FCC 60 years ago led to the creation of the album-oriented and classic rock radio formats?
- ... that The Elvis Dead, a retelling of Evil Dead II in the style of Elvis Presley, features songs such as "Standing in a State of Shock", "I've Been Possessed", and "Wrapped Up in Vines"?
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