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ballet companies and competitions

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Dansecyclopedie

Le bon roi Dagobert

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Good King Dagobert Has put his pants backwards; The great St. Eloi Said: O my King! your Majesty Sassy evil. It is true, said the king, I will return to the place.

As he handed He discovered a little; The great St. Eloi Said: O my King! You skin Blacker than raven. Bah, bah, said the king, The Queen was much darker than me.

Good King Dagobert Was putting his beautiful green coat; The great St. Eloi Said: O my King! Your coat trimmed Elbow is pierced. It is true, said the king, Yours is good, lend me.

The good King Dagobert The stockings were eaten worms; The great St. Eloi Said: O my King! Your two low cadets Do see your calves. It is true, said the king, Yours are new, give them to me.

Good King Dagobert Was little beard in winter; The great St. Eloi Said: O my King! It takes soap For your chin. It is true, said the king, Have you two pennies? Lend them to me.

The good King Dagobert The wig was crooked; The great St. Eloi Said: O my King! The barber You wrong wearing! It is true, said the king, I take your wig for me.

Good King Dagobert Wore short coat in winter; The great St. Eloi Said: O my King! your Majesty Is shortened. It is true, said the king, Do it extend two fingers.

The good King Dagobert Hat wore like a deer; The great St. Eloi Said: O my King! The horn in the middle Would suit you better. It is true, said the king, I modeled on you.

King wrote verses But he was wrong; The great St. Eloi Said: O my King! Let goslings Make songs. Well, said the king, It is you who will bring them to me.

Good King Dagobert Hunting in the plains of Antwerp; The great St. Eloi Said: O my King! your Majesty Is breathless. It is true, said the king, A rabbit ran after me.

Good King Dagobert Went hunting woodpecker; The great St. Eloi Said: O my King! Hunting cuckoos Better for you. Well, said the king, I shoot, beware.

Good King Dagobert Had a large sword of iron The great St. Eloi Said: O my King! your Majesty Could get hurt. It is true, said the king, Give me a wooden sword.

Dogs Dagobert Scabies were all covered; The great St. Eloi Said: O my King! To clean Would drown. Well, said the king, Going to drown with you.

Good King Dagobert Fought wrongly through; The great St. Eloi Said: O my King! your Majesty Will be killed. It is true, said the king, Put yourself in front of me quickly.

Good King Dagobert Wanted to conquer the universe; The great St. Eloi Said: O my King! Travel so far Gives tintoin. It is true, said the king, It would be better to stay home.

The king made ​​war But he was in winter; The great St. Eloi Said: O my King! your Majesty Will freeze. It is true, said the king, I go back home.

Good King Dagobert Wanted to embark on the sea; The great St. Eloi Said: O my King! your Majesty Will drown. It is true, said the king, Can be shouting, "The King drinks! ".

Good King Dagobert Was an old iron chair; The great St. Eloi Said: O my King! Your old chair Gave me in the eye. Well, said the king, Do quickly take you home.

Queen Dagobert Petted a gallant enough green; The great St. Eloi Said: O my King! You are horned I am convinced. That's good, 'said the king, My father was before me.

Good King Dagobert Ate in gluttonous dessert; The great St. Eloi Said: O my King! You are greedy, Do not eat so much. Bah, bah, said the king, I am not as you.

Good King Dagobert Having drunk, was wrong; The great St. Eloi Said: O my King! your Majesty Go all out. Well, said the king, When you're gray, you walking right?

A Saint Eloi, they say Dagobert offered a turkey. "A turkey for me! said Saint Eloi, your Majesty was too good. " "Take therefore, said the king, That's remember me. "

Good King Dagobert Afraid of going to hell; The great Saint Eloi Said: O my King! I believe my faith You will go straight. It is true, said the king, Do not you want to pray for me?

When Dagobert died The devil came at once; The great St. Eloi Said: O my King! Satan will pass, Should you confess. Alas, said the king, Could you die for me?

La Bayadère

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Baryshnikov

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Boccerini

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Belgian ales

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Ben Benson

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Category:Ballets designed by Ben Benson and List of ballets designed by Ben Benson and redirects Ballets designed by Ben Benson and Ben Benson

  • George Balanchine Catalogue New Productions by Balanchine Companies: 1983, New York City Ballet: New costumes by Ben Benson (commissioned by Balanchine before his death). ...

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  • George Balanchine Catalogue Production: Costumes by Ben Benson. Lighting by Ronald Bates. Premiere: January 12, 1978, New York City Ballet, New York State Theater. ...

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  • George Balanchine Catalogue New Productions by Balanchine Companies: 1979, New York City Ballet: New costumes by Ben Benson. See also: *194 349. Stagings: show. ...

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  • George Balanchine Catalogue Production: Costumes by Ben Benson. Premiere: June 13, 1981, New York City Ballet, New York State Theater. Conductor: Robert Irving. ...

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  • George Balanchine Catalogue New Productions by Balanchine Companies: 1982, New York City Ballet: Performed without décor; costumes by Ben Benson (from Introduction and Fugue [J. Duell] ...

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Ronald Bates

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Category:Ballets designed by Ronald Bates and List of ballets designed by Ronald Bates and redirects Ballets designed by Ronald Bates and Ronald Bates

  • George Balanchine Catalogue Lighting by Ronald Bates. Premiere: February 5, 1970, New York City Ballet, New York State Theater. Conductor: Robert Irving. Pianist on opening night ... 368 - 12k
  • George Balanchine Catalogue Lighting by Ronald Bates. Premiere: January 12, 1978, New York City Ballet, New York State Theater. Conductor: Robert Irving. (Preview: Opening Night New ... 407 - 10k
  • George Balanchine Catalogue Production: Lighting by Ronald Bates. Premiere: May 6, 1971 (Annual New York City Ballet Gala Benefit), New York City Ballet and Dance Theatre of Harlem, ... 370 - 9k
  • George Balanchine Catalogue New Productions by Balanchine Companies: 1971, New York City Ballet: Costumes by Karinska; lighting by Ronald Bates. Archival Video: George Balanchine ... 333 - 11k
  • George Balanchine Catalogue Production: Lighting by Ronald Bates. Premiere: January 22, 1976, New York City Ballet, New York State Theater. Conductor: Robert Irving. ... 400 - 12k
  • George Balanchine Catalogue ... settings created by Johnson/Burgee for the Tchaikovsky Festival of 1981, arranged and lighted by Ronald Bates. (See FESTIVALS DIRECTED BY BALANCHINE.) ... 421 - 9k
  • George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 17, 1973, New York City Ballet, New York State Theater. Conductor: Robert Irving. (Preview: Annual New York City ... 384 - 10k
  • George Balanchine Catalogue Production: Scenery and lighting by David Hays (1960); lighting by Ronald Bates (1974). Premiere: November 16, 1960, New York City Ballet, City Center of ... 334 - 10k
  • George Balanchine Catalogue Lighting by Ronald Bates. Premiere: April 21, 1966, New York City Ballet, New York State Theater. Conductor: Robert Irving. (Preview: Annual New York City ... 354 - 10k
  • George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 22, 1980, New York City Ballet, New York State Theater. Conductor: Robert Irving. Cast: M. Jourdain, Frank Ohman; ... 414 - 10k
  • George Balanchine Catalogue 2), staged without scenery, with new costumes by Karinska (classical tutus replaced by chiffon skirts), and lighting by Ronald Bates. ... 194 - 12k
  • George Balanchine Catalogue Lighting by Ronald Bates. Premiere: May 13, 1976, New York City Ballet, New York State Theater. Conductor: Robert Irving (Preview: Annual New York City ... 401 - 12k
  • George Balanchine Catalogue Lighting by Ronald Bates. Premiere: December 3, 1970, New York City Ballet, New York State Theater. Conductor: Robert Irving. ... 369 - 11k

Ballet Russe de Monte Carlo

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Copyright 1994-2008 Britannica Concise Encyclopedia | From: Britannica Concise Encyclopedia | Date: 2007 ... ballet company founded in Monte-Carlo in 1932. The name [[Ballets Russes]] had been used by the impresario [[Sergey Diaghilev]] for his company, which revolutionized ballet in the first three decades of the 20th century. Under the direction of [[Colonel W. de Basil]], the [[Ballet Russe de Monte Carlo]] brought to audiences new compositions by Léonide Massine and George Balanchine, with such dancers as Aleksandra Danilova, Leon Woizikowki, and David Lichine. Ballet Russe de Monte Carlo divided into new competitive companies in 1938, one under de Basil, the other under Massine. De Basil renamed his company the Royal Covent Garden Ballet Russe and finally the Original Ballet Russe (1939); the company toured internationally before dissolving in 1948. Massine, with René Blum, formed another Ballet Russe de Monte Carlo with the dancers Danilova, Tamara Toumanova, Dame Alicia Markova, Mia Slavenska, Serge Lifar, Igor Youskevitch, and André Eglevsky and new choreography by Massine. This company performed principally in the U.S., produced traditional revivals and works by U.S. choreographers, and featured U.S. dancers, including Maria Tallchief. The company declined in the 1950s and ceased producing in 1963; its ballet school was maintained in New York City for a time. Massine and Sergei Denham organized the new Ballets de Monte Carlo in 1966 under the patronage of Prince Rainier III of Monaco. www.britannica.com/eb/article-9012004/Ballet-Russe-de-Monte-Carlo Ballet Russe de Monte Carlo | Ballet company formed in Monte Carlo in 1932. The name derived from Sergey Diaghilev's Ballets Russes, which dissolved after his death in 1929. Under René Blum and Col. W. de Basil, the company presented works by Léonide Massine and George Balanchine and featured Alexandra Danilova, André Eglevsky, and David Lichine. In 1938 clashes split the company into two groups: the Original Ballet Russe (led by de Basil), which toured internationally before dissolving in 1948; and the Ballet Russe de Monte Carlo (led by Massine), which toured mainly in the U.S. with Danilova, Alicia Markova, and Maria Tallchief until 1963. www.encyclopedia.com/doc/1B1-356456.html Maria Tallchief | (born Jan. 24, 1925, Fairfax, Okla., U.S.) U.S. ballet dancer of Native American descent. Tallchief studied with Bronislava Nijinska before joining the Ballet Russe de Monte Carlo (1942–47). She joined the New York City Ballet in 1948 and became its prima ballerina, creating leading roles in many ballets choreographed for her by George Balanchine (her husband from 1946 to 1952), including Symphonie concertante (1947), Caracole (1952), and Pas de dix (1955). She left the company in 1965, became artistic director of the Lyric Opera Ballet in Chicago, and founded the Chicago City Ballet in 1980. www.encyclopedia.com/doc/1B1-380179.html Bronislava Nijinska | [orig. Bronislava Fominitshna Nizhinskaya] (born Jan. 8, 1891, Minsk, Russia—died Feb. 21, 1972, Pacific Palisades, Calif., U.S.) Russian-born U.S. dancer, choreographer, and teacher. She trained at the Imperial Ballet School in St. Petersburg and joined the Mariinsky Theatre company in 1908. She danced with the Ballets Russes in Paris from 1909, as did her brother, Vaslav Nijinsky. She choreographed several ballets for the company, including Les Noces (1923), The Blue Train (1924), and Les Biches (1924). During the 1920s and 1930s she created works for other companies, including her own (1932–37). In 1938 she moved to Los Angeles, where she opened a school, and she continued to work as a guest choreographer into the early 1960s. www.encyclopedia.com/doc/1B1-373497.html Ballets Russes | Ballet company founded in Paris in 1909 by Sergey Diaghilev. Considered the source of modern ballet, the company employed the most outstanding creative talent of the period. Its choreographers included Michel Fokine, Léonide Massine, Bronislava Nijinska, and George Balanchine, and among its dancers were Yekaterina Geltzer, Tamara Karsavina, and Vaslav Nijinsky. Music was commissioned from composers such as Igor Stravinsky, Maurice Ravel, Darius Milhaud, Sergey Prokofiev, and Claude Debussy, and ballets featured stage designs by artists Alexandre Benois, Pablo Picasso, Georges Rouault, Henri Matisse, and André Derain. www.encyclopedia.com/doc/1B1-356457.html Sergey (Pavlovich) Diaghilev | From: Britannica Concise Encyclopedia | Date: 2007 | (born March 31, 1872, Novgorod province, Russia—died Aug. 19, 1929, Venice, Italy) Russian impresario, founder-director of the Ballets Russes. After studying law at the University of St. Petersburg (1890–96), he cofounded and edited (1899–1904) the avant-garde magazine Mir Iskusstva (“World of Art”). He then left Russia for Paris to present productions of Russian ballet and opera, to wide acclaim. In 1909 he established the Ballets Russes, in which he achieved a stunning synthesis of dance, art, and music by bringing together superb choreographers, dancers, composers, and artists and set designers. He led the company until his death. www.encyclopedia.com/doc/1B1-362657.html Michel Fokine | From: Britannica Concise Encyclopedia | Date: 2007 | [orig. Mikhail Mikhaylovich Fokine] (born April 23, 1880, St. Petersburg, Russia—died Aug. 22, 1942, New York, N.Y., U.S.) Russian-born U.S. dancer and choreographer. He trained at the Imperial Ballet School in St. Petersburg and debuted at the Mariinsky Theatre at age 18. Following his creation of The Dying Swan for Anna Pavlova in 1905, he was in demand as a choreographer. When his ambitious scenario for a ballet on the story of Daphnis and Chloe was rejected, Sergey Diaghilev in 1909 engaged Fokine at the Ballets Russes in Paris, where he choreographed works such as The Firebird (1910), Petrushka (1911), and Daphnis and Chloe (1912). In these ballets he strove for a greater dramatic and stylistic unity than had been previously known. He moved to New York City in 1923 and thereafter choreographed works for companies in the US and Europe. www.encyclopedia.com/doc/1B1-364626.html Léonide Massine | From: Britannica Concise Encyclopedia | Date: 2007 | [orig. Leonid Fyodorovich Miassin] (born Aug. 9, 1896, Moscow, Russia—died March 15, 1979, Cologne, W.Ger.) Russian-born French dancer, teacher, and choreographer. He joined the Ballets Russes in 1914 and produced his first ballet, Midnight Sun, in 1915; this was followed by Parade (1917), The Three-Cornered Hat (1919), and Pulcinella (1920). He extended Michel Fokine's reforms by enriching the characterization of many roles. During 1932–38 he was principal dancer and choreographer for the Ballet Russe de Monte Carlo. His ballets Les Présages (1933), Choreartium (1933), and Rouge et noir (1939) displayed innovative choreography and set designs and were among the first dances based on symphonies. In 1938–42 he directed his re-formed Ballet Russe de Monte Carlo, and he became artistic director of a new Ballet de Monte Carlo in 1966. www.encyclopedia.com/doc/1B1-371494.html George Balanchine | From: Britannica Concise Encyclopedia | Date: 2007 | [orig. Georgy Melitonovich Balanchivadze] (born Jan. 22, 1904, St. Petersburg, Russia—died April 30, 1983, New York, N.Y., U.S.) Russian-born U.S. choreographer. After studying at the Imperial Ballet School, he left the Soviet Union in 1925 to join the Ballets Russes, where his choreography of Apollo (1928) exemplified the spare neoclassical style that became his trademark. His work impressed the impresario Lincoln Kirstein, who in 1933 invited “Mr. B.” to form the School of American Ballet and its performing group, the American Ballet. The group became the Metropolitan Opera's resident company (1935–38) but disbanded in 1941. In 1946 Kirstein and Balanchine founded the Ballet Society, from which emerged the New York City Ballet in 1948. Balanchine created more than 150 works for the company, including The Nutcracker (1954), Don Quixote (1965), and Jewels (1967), and he also choreographed musicals and operas. He collaborated closely with the composer Igor Stravinsky, setting more than 30 works to his music. Balanchine's work remains in the repertoires of many companies worldwide, and he is widely considered the greatest choreographer of the 20th century. www.encyclopedia.com/doc/1B1-356413.html New York City Ballet | From: Britannica Concise Encyclopedia | Date: 2007 | Preeminent U.S. ballet company. The company is descended from the American Ballet, which was founded by George Balanchine and Lincoln Kirstein in 1935 and revived as the Ballet Society in 1946; it assumed its current name in 1948. Under Balanchine's artistic direction, the company became the leading U.S. ballet troupe, combining European classical ballet with American characterization and innovation and exerting enormous influence on American dance. It moved to its permanent home, the New York State Theater at Lincoln Center, in 1964. Later artistic directors Jerome Robbins and Peter Martins contributed numerous works to its repertoire. Its leading dancers have included Maria Tallchief, Edward Villella, Jacques d'Amboise, and Suzanne Farrell. www.encyclopedia.com/doc/1B1-373411.html Lincoln (Edward) Kirstein | From: Britannica Concise Encyclopedia | Date: 2007 | (born May 4, 1907, Rochester, N.Y., U.S.—died Jan. 5, 1996, New York, N.Y.) U.S. dance authority, impresario, and writer. He graduated from Harvard, where he founded the literary magazine Hound & Horn. Financially independent, he focused his artistic interests on ballet and in 1933 persuaded the choreographer George Balanchine to move to the U.S. to found a ballet school and company. The School of American Ballet opened in 1934; Kirstein was its director from 1940 to 1989. He and Balanchine jointly established a series of ballet companies, culminating in the New York City Ballet (1948), of which he served as general director until 1989. He wrote seven books on ballet, including the classic history Dance (1935). www.encyclopedia.com/doc/1B1-369252.html Yekaterina (Vasilyevna) Geltzer | From: Britannica Concise Encyclopedia | Date: 2007 | (born Nov. 14, 1876, Moscow, Russia—died Dec. 12, 1962, Moscow) Russian prima ballerina of the Bolshoi Ballet. She graduated from the Bolshoi Theatre's ballet school in 1894 and joined the company, becoming prima ballerina in 1901. She was known for dramatic roles, including that of the heroine of The Red Poppy (1927), in a career that lasted more than 40 years. After the 1917 Revolution, she and her husband, Vasily Tikhomirov, helped preserve the classical technique and repertoire of the Imperial Russian ballet. www.encyclopedia.com/doc/1B1-365361.html Vasily (Dmitrievich) Tikhomirov | From: Britannica Concise Encyclopedia | Date: 2007 | (born March 30, 1876, Moscow, Russia—died June 20, 1956, Moscow) Russian ballet dancer and teacher. After training at the Bolshoi school, he joined the Bolshoi Ballet in 1893. He soon became its principal dancer and created roles in a vigorous, athletic style that he later taught to students at the Bolshoi school. He was influential there as a teacher (from 1896) and as director (1924–37). With his wife, Yekaterina Geltzer, he helped preserve the classic ballets and techniques after the Russian Revolution of 1917. www.encyclopedia.com/doc/1B1-380764.html Tamara (Platonovna) Karsavina | From: Britannica Concise Encyclopedia | Date: 2007 | (born March 9/10, 1885, St. Petersburg, Russia—died May 26, 1978, Beaconsfield, Buckinghamshire, Eng.) Russian-born British dancer. She trained at the Imperial Ballet School in St. Petersburg and joined the Mariinsky Theatre company in 1902. She joined the Ballets Russes at its formation in 1909; dancing with Vaslav Nijinsky until 1913, she created most of the leading roles in Michel Fokine's neo-Romantic repertoire, including Les Sylphides, Carnaval, Le Spectre de la rose, and The Firebird. She settled in London, where she helped found the Royal Academy of Dancing in 1920 and the Camargo Society in 1930 and later coached Margot Fonteyn. www.encyclopedia.com/doc/1B1-368956.html Alexandra (Dionisyevna) Danilova | From: Britannica Concise Encyclopedia | Date: 2007 | (born Nov. 20, 1903, Peterhof, Russia—died July 13, 1997, New York, N.Y., U.S.) Russian-born U.S. ballet dancer and teacher. She attended the Imperial Ballet School in St. Petersburg and became a soloist at the Mariinsky Theatre. In 1924 she joined the Ballets Russes. From 1938 to 1952 she danced with the Ballet Russe de Monte Carlo, touring worldwide as its prima ballerina. She created leading roles in The Triumph of Neptune, Gaîté Parisienne, Swan Lake, and Coppélia. After retiring in 1957 she became a full-time faculty member at the School of American Ballet (1964–89). She was instrumental in bringing classical and modern Russian repertoires to the US. www.encyclopedia.com/doc/1B1-362241.html André Eglevsky | From: Britannica Concise Encyclopedia | Date: 2007 | (born Dec. 21, 1917, Moscow, Russia—died Dec. 4, 1977, Elmira, N.Y., U.S.) Russian-born U.S. ballet dancer and teacher. He left Russia as a child and studied in Paris, becoming a lead dancer with the Ballet Russe de Monte Carlo at age 14. He moved to the U.S. in 1937 and danced with a number of companies before joining the New York City Ballet (1951–58). There he created leading roles in several of George Balanchine's ballets, including Scotch Symphony and Caracole. He also taught at the School of American Ballet. In 1958 he opened his own ballet school, and in 1961he established the Eglevsky Ballet. www.encyclopedia.com/doc/1B1-363460.html Dame Alicia Markova | From: Britannica Concise Encyclopedia | Date: 2007 | [orig. Lilian Alicia Marks] (born Dec. 1, 1910, London, Eng.—died Dec. 2, 2004, Bath) British ballerina. She made her debut with Sergey Diaghilev's Ballets Russes in 1924 and became a leading ballerina noted for her ethereal lightness. At the Vic-Wells Ballet (1931–35; now the Royal Ballet) she became the first English dancer to dance the lead in Giselle. With her frequent partner Anton Dolin, she formed and directed several Markova-Dolin companies (1935–38) and the Festival Ballet (1950–52; now the English National Ballet). She continued to dance as a guest artist with many companies worldwide, admired for her interpretations of roles in Les Sylphides and Swan Lake, among others. She retired from the stage in 1963 and served as director of the Metropolitan Opera Ballet (1963–69). www.encyclopedia.com/doc/1B1-371357.html Sir Anton Dolin | From: Britannica Concise Encyclopedia | Date: 2007 | [orig. Sydney F.P.C. Healey-Kay] (born July 27, 1904, Slinfold, Sussex, Eng.—died Nov. 25, 1983, Paris, Fr.) British dancer and choreographer. In 1921 he joined the Ballets Russes, where he created leading roles as a soloist. In the 1930s and 1940s he helped form several ballet companies; in 1949 he and his partner Alicia Markova founded the forerunner of London's Festival Ballet, of which he was artistic director and premier dancer until 1961. He created leading roles in Le Train bleu, Job, and Bluebeard, choreographed works such as Capriccioso (1940), The Romantic Age (1942), and Variations for Four (1957), and wrote several books on dance. www.encyclopedia.com/doc/1B1-362923.html Maria Tallchief | From: Britannica Concise Encyclopedia | Date: 2007 | (born Jan. 24, 1925, Fairfax, Okla., U.S.) U.S. ballet dancer of Native American descent. Tallchief studied with Bronislava Nijinska before joining the Ballet Russe de Monte Carlo (1942–47). She joined the New York City Ballet in 1948 and became its prima ballerina, creating leading roles in many ballets choreographed for her by George Balanchine (her husband from 1946 to 1952), including Symphonie concertante (1947), Caracole (1952), and Pas de dix (1955). She left the company in 1965, became artistic director of the Lyric Opera Ballet in Chicago, and founded the Chicago City Ballet in 1980. www.encyclopedia.com/doc/1B1-380179.html

<dance misc.

Ballets Russes

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Year Title Composer Choreographer Set and costume
1909 Le Pavillon d'Armide Nikolai Tcherepnin Michel Fokine Alexandre Benois
1909 Prince Igor Alexander Borodin Michel Fokine Nicholas Roerich
1909 Cléopatre Anton Arensky Michel Fokine Léon Bakst
1910 The Firebird Igor Stravinsky Michel Fokine Alexandre Golovine, Léon Bakst
1910 Schéhérazade Rimsky-Korsakov Michel Fokine Léon Bakst
1910 Carnaval Robert Schumann Michel Fokine Léon Bakst
1911 Petrushka Igor Stravinsky Michel Fokine Alexandre Benois
1911 Le Spectre de la Rose Carl Maria von Weber Michel Fokine Léon Bakst
1912 L'après-midi d'un faune Claude Debussy Michel Fokine, Vaslav Nijinsky Léon Bakst, Odilon Redon
1912 Daphnis et Chloé Maurice Ravel Michel Fokine Léon Bakst
1912 Le Dieu Bleu Reynaldo Hahn Michel Fokine Léon Bakst
1912 Thamar Mily Balakirev Michel Fokine Léon Bakst
1913 Jeux Claude Debussy Vaslav Nijinsky Léon Bakst
1913 The Rite of Spring Igor Stravinsky Vaslav Nijinsky Nicholas Roerich
1913 Tragédie de Salomè Florent Schmitt Boris Romanov Sergey Sudeykin
1914 La légende de Joseph Richard Strauss Michel Fokine Léon Bakst
1914 Le Coq d'Or Rimsky-Korsakov Michel Fokine Natalia Goncharova
1915 Soleil de Nuit Rimsky-Korsakov Léonide Massine Mikhail Larionov
1917 Parade Erik Satie Léonide Massine Pablo Picasso
1919 La boutique fantastique Gioachino Rossini, Ottorino Respighi Léonide Massine André Derain
1919 El Sombrero de Tres Picos (aka Le Tricorne) Manuel de Falla Léonide Massine Pablo Picasso
1920 Le chant du rossignol Igor Stravinsky Léonide Massine Henri Matisse
1920 Pulcinella Igor Stravinsky Léonide Massine Pablo Picasso
1921 Chout Sergei Prokofiev Mikhail Larionov Mikhail Larionov
1921 Sleeping Princess Pyotr Tchaikovsky Marius Petipa Léon Bakst
1922 Renard Igor Stravinsky Bronislava Nijinska Mikhail Larionov
1923 Les Noces Igor Stravinsky Bronislava Nijinska Natalia Goncharova
1924 Les Biches Francis Poulenc Bronislava Nijinska Marie Laurencin
1924 Les Fâcheux Georges Auric Bronislava Nijinska Georges Braque
1924 Le train bleu Darius Milhaud Bronislava Nijinska Laurens (scene), Coco Chanel (costumi), Pablo Picasso (fondali)
1925 Les matelots Georges Auric Léonide Massine Pruna
1926 Jack in the Box Erik Satie George Balanchine André Derain
1927 La chatte Henri Sauguet George Balanchine Naum Gabo
1927 Mercure Erik Satie Léonide Massine Pablo Picasso
1927 Pas d'acier Sergei Prokofiev Léonide Massine George Jaculov
1928 Apollon musagète Igor Stravinsky George Balanchine Bauschant (scene), Coco Chanel (costumi)
1929 Le fils prodigue Sergei Prokofiev George Balanchine Georges Rouault

Les Ballets

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... Paris-based chamber ballet company which survived only one season ... was notable for having Balanchine as its sole choreographer. Specially commissioned scores were written by Darius Milhaud and Kurt Weill, while André Derain, Christian Bérard and Caspar Neher were the designers. Ballets performed at the Théâtre des Champs-Elysées in Paris and at the Savoy Theatre in London included Fastes, Les Songes, L'Errante, Mozartiana and The Seven Deadly Sins. The company owed its existence to the patronage of a wealthy Englishman, Edward James, who was married to the Viennese dancer Tilly Losch. She created leading roles in both L'Errante and The Seven Deadly Sins. One of the most historic meetings in all ballet, that of Balanchine and Lincoln Kirstein, took place during the company's appearance in London.

Balanchine

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choronogical

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This is a chronological list of ballets made by New York City Ballet co-founder and balletmaster George Balanchine:

alphabetical

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This is an alphabetical list of ballets by New York City Ballet co-founder and balletmaster George Balanchine.

missing info.

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