Draft:Klym Kozynskyi

• Comment: Copyright violation
  https://thetheatretimes.com/idiotology/ (65.9%)
  https://www.imdb.com/title/tt7238436/ (33.3%) Twinkle1990 (talk) 15:50, 17 June 2024 (UTC)

• Comment: Your second source (Biochemical Medicine, 1975) seems completely unrelated to this draft. Please make sure that citations actually support the statements that they follow. Also, the body should not contain any external links to IMDb, even as WP:INTERWIKI-style links. jlwoodwa (talk) 19:44, 6 June 2024 (UTC)

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Klym Kozynskyi is a Ukrainian filmmaker who most recently directed the series MENTAL and CLINICAL 13. MENTAL was produced by 1-2-3 Production, known to Netflix originally as TO THE LAKE. MENTAL has been bought by Red Arrow Studios International for world distribution. CLINICAL 13 was nominated by FTPA (Film and Television Producers Association) as the best series in 2022. The critics praised the quality and high-concepts within the series that go far beyond the national industry standard. MENTAL is a black comedy about a man who after a tragic incident forgot his past and with the help of imaginary friends, is trying to find out the reason for the death of his wife. CLINICAL 13 is a mysterious thriller about the hospital where patients are treated for demons, a show where Dr. House meets Stranger Things. Klim was born in Odessa and studied cinema and directing in Ukrainian National University of Cinema and Theater in Kiev. Now he is in a way to make his first international feature film.

Films and series

FIRST ISSUE (series, 2024) - Former bestselling author Konstantin Inozemtsev gets a chance to revive his career by taking over as editor-in-chief of a glossy magazine. He navigates the unfamiliar world of publishing, endless meetings, and has a month to prove himself.

CLINICAL 13 (series, 2022) - Terminally ill surgeon Kirill finds a job in a clinic where doctors struggle with supernatural phenomena. The only way to survive is to show his best side and convince the new management that the hospital needs him. Kirill plunges into the intricacies of the relationships of people, witches and demons, increasingly doubting that he is able to correctly determine who exactly represents good and who is evil here. The diagnosis is imperfect, and the enemy may be someone who initially did not seem to them. To avoid such mistakes, Kirill and his colleagues will have to spend a lot of time studying the circumstances of patients' illnesses.

MENTAL (series, 2021) - Dmitry is a psycho. This secret is safe with his therapist, and Dmitry has a high-paid white-collar job. His boss would be totally surprised to learn that Dmitry's best financial forecast moves were guided by the voices in his head. Dmitry has several voices, each seems to be 100% real with own ambitions and personality. However, to stay sane, Dmitry has to constantly keep him imaginary population at bay and steer clear of new characters settling in. The permanent inhabitants include Dmitry's ex-wife and her lover - both found dead in their bed. Dmitry sets to find their murderer in order to get rid of the couple, become normal and win back custody of his son.

The animation TETRAGRAMMATON (animation, 2017) is a comics about superhero philosophers, who get involved in various predicaments and try to utter God's name.The movie is made up of eight episodes, each in its own genre. There are detective stories, a Western, a thriller, a conspiracy movie, horrors, and comedies - It is a fantastic voyage through the jungle of reason.

Theatre Projects

I / FABRE - Two solos, one male and one female, based on texts by Belgian artist Jan Fabre, which were first translated into Russian and published in the Stanislavsky Electrotheatre's Theater and its Diary book series in 2018. The hero of the first monologue, I Am Blood (2001), is in a state of exaltation, turning itself inside out, and stripping himself of all visible safeguards. The second text, I Am a Cow (2015), is dedicated to actress Isabelle Huppert and is a hymn to carnivorousness and to the golden calf as a source of supreme pleasure. Jan Fabre is a Belgian artist, director, playwright, and choreographer. He began in the 1970s as the creator of performances, actions, and live installations. Fabre's exhibits and theatre projects have been hosted by the world's largest museums and in most important festival venues. His book I Am a Mistake (Theater and its Diary series, Stanislavsky Electrotheatre, 2018) collected poetic plays written by Fabre between 1988 and 2015, as well as his drawings.

The presentation of the book and Klim Kozinsky's first showing of readings of the plays was an event of the Territory festival in October 2018.

THE WITCH PROJECT: ETHER - The main characters of this performance are Albert Einstein and Nikola Tesla. Two actresses, Ivana Yozich and Maria Dafneros, play at being the great scientists in order to contrast their ideas and remove the contradictions between their views on the world. So do abstract ideas take on concrete form, and science reveals its potential as a sensual art. All objects on stage turn inside out. The actors are like octopuses: their tentacles move, showing black balloons, hair, brains, gold paint, and coal in a new light. "Like octopuses traveling in the depths of the ocean, witches travel in the depths of the Ether," they say. Witches are a symbol of community, integrity and the continuity of ties that permeate all levels of human life, while the performance is a manifesto of the deep interconnection of all things.

IDIOTOLOGY - Klim Kozinsky's debut production is based on two works: Fyodor Dostoevsky's The Idiot and Gottfried Leibniz' Monadologie (1714).  Leibniz formulates the model of an ideal world, at the center of which lies a soul, or its more simple form – a monad. Achieving an understanding of this world by means of reason, the soul develops and gradually rises to its Creator. But no philosophical dogma is capable of embracing the world: in its efforts to embrace life, it destroys it. The clash of ideas and reality give rise to war. Prince Myshkin, being either spiritually blind or a genius, is charmed by the idea of unifying two worlds: the world of divine law and the earthly world. Myshkin tries to change the nature of things,  to arouse the soul's memory of divine principles, thus violating the natural course of things. The play does not include Leibniz's text per se although his ideas are woven into the musical structure of the performance. As such, one pattern - the twists and turns of Dostoyevsky's novel - is woven into another that is drawn from the world of philosophical ideas and palindromes. The bible which Aglaya Yepanchina holds in her hands is merely a phone book.