Talk:Giovanni Battista Armenini
 | This article was nominated for deletion on 27 December 2012 (UTC). The result of the discussion was keep. |
 | This article is rated Stub-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||
| |||||||||||
at the end, what about this:
Read under a more strictly philosophical way ( Aesthetics ) his work can be seen as a link between the previous authors of Italian humanism and the subsequent philosophers, such as Félibien des Avaux or the more known Batteux, considered the latter, probably generously, the real starter of modern aesthetics ( Kant ).
His treatise is dedicated "to beginners, to scholars, and to lovers of fine arts"[1]. Armenini, remembering as example of a complete artist "the painter, who was almost a miracle, that accompanied with Architecture, and with histories, the Painting, the Music, and the Poetry was first Gitto Fiorentino"[2], shows an extraordinary modernity in the composition of the catalog "fine arts". Going on to analyze the meaning of "imitation" in fine arts he states that this is the selection of the best parts of the nature and in their right composition to make a whole harmonious and natural: "So, in addition to seek the best things of nature, and most perfect, however we have to compensate using the good manner, and so going ahead so well, as you can judge that it's enough, in order that, accorded with the natural good, it becomes a composition of excellent beauty"[3]; and realizing that the artist should not make the bloomer of creating a not unitary forced sticky, as you might see in some works, "because they are composed of the same members, that are beautiful while seeing each one, from the good beeing picked, but when put together they seem to be unpleasant, and boring, and this because they are members of several beautiful figures, but not of these one"[4]. And so the idea that the artist is going to represent the ideal of perfection, "so the Idea of man is the universal man, whose countenance are made then the men"[5].
All these ideas will migrate along decades, and we find them almost identical in later theorists, as in the famed Batteux in his treatise "Les beaux arts réduits à un même principe"
--88.58.83.174 (talk) 09:48, 24 January 2015 (UTC)roberto--151.26.181.238 (talk) 17:36, 27 January 2015 (UTC)roberto
- ^ De veri precetti della pittura: Conclusion of the author: "a i principianti, a gli studiosi, et alli amatori delle belle arti"
- ^ De veri precetti della pittura: book III: "quel Pittore, che fu quasi un miracolo, che accompagnò con l'Architettura, et con l'istorie, la Pittura, la Musica, et la Poesia fu primieramente Gitto Fiorentino"
- ^ De veri precetti della pittura: book II: "Concludasi dunque che oltre il cercar le miglior cose della natura, et più perfette si supplisca di poi tuttavia con la maniera buona, et con essa arrivar tanto oltre, quanto si può giudicar che basti, perchè accordata che sia quella col natural buono si fa una composizione di eccellente bellezza"
- ^ De veri precetti della pittura: book I: "poi che esse sono composte di quelle membra, le quali sono bellissime a risguardarsi da se ciascuna, per essere dal buono tolte; ma poste insieme poi si veggono essere spiacevole, et noiose, et questo non è per altro, se non perchè sono membra di più figure belle, non di queste una"
- ^ De veri precetti della pittura: book II: "onde l'Idea dell'huomo è esso huomo universale, al cui sembiante sono fatti poi gli huomini"