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List of Compositions by Johann Sebastian Bach in Chronological Order

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The table below gives the following information (where applicable):

  • BWV — numbering as given in Wolfgang Schmeider, Thematisch‐Systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach (Leipzig, 1950; revised 1990, 1998).
  • BC — numbering as given in H.-J. Schulze and C. Wolff, Bach Compendium (Leipzig/Frankfurt, 1985-).
  • VBN -- numbering as given in Kirsten Beißwenger, "Johann Sebastian Bachs Notenbibliothek". Catalogus Musicus XIII (Kassel: Bärenreiter, 1992).
  • Title — as used on IMSLP.
  • Key — the principal key of the work.
  • Date — the year(s) of composition or arrangement, where known.
  • Scoring — the instrumentation used.
  • Genre — as used by IMSLP's categorization system.
  • Notes — concerning related works, completeness, authorship, etc.

There are over 1000 known compositions by Johann Sebastian Bach, which are listed here in the order of their numbers in the most recent BWV catalogue, including the spurious works in the BWV Anhang ("Appendix").

Abbreviations:

  • BWV — numbering as given in Wolfgang Schmieder, Thematisch‐systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach (Leipzig: Breitkopf und Härtel, 1950; revised 1990, 1998)
  • Anh. -- Anhang (Appendix)
  • BC — numbering as given in Christoph Wolff and Hans-Joachim Schulze, Bach-Compendium (Leipzig/Frankfurt am Main: Edition Peters, 1985-)
  • VBN -- Numbering in Kirsten Beißwenger, "Johann Sebastian Bachs Notenbibliothek" Catalogus Musicus XIII (Kassel: Bärenreiter, 1992)
  • BGA -- Bach Gesellschaft Ausgabe (Old Bach Society Edition)
  • NBA -- Neue Bach-Ausgabe (New Bach Edition)
  • JLB -- Numbering in Catalogue of Works by Johann Ludwig Bach
  • F -- Numbering in Martin Falck, Wilhelm Friedemann Bach: Sein Leben und seine Werke, mit thematischem Verzeichnis seiner Kompositionen und zwei Bildern (Leipzig: C. F. Kahnt, 1919)
  • NV 1790 -- Numbering in Verzeichniss des musikalischen Nachlasses des verstorbenen Capellmeisters Carl Philipp Emanuel Bach, Hamburg, 1790 (annotated facs. ed. Rachel W. Wade as The Catalogue of Carl Philipp Emanuel's Estate; New York: Garland, 1981)
  • Wq -- Numbering in Alfred Wotquenne, Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach, 1714-1788 (Leipzig: Breitkopf und Härtel, 1905)
  • H -- Numbering in E. Eugene Helm, Thematic-systematic Catalogue of the musical Works of Carl Philipp Emanuel Bach (New Haven, CT: Yale University Press, 1989)
  • BuxWV -- numbering as given in Georg Karstädt, Thematisch-systematisches Verzeichnis der musikalischen Werke von Dietrich Buxtehude (Wiesbaden: Breitkopf und Härtel, 1974)
  • HWV -- Numbering in Bernd Baselt, Verzeichnis der Werke Georg Friedrich Händel (Halle (Saale): Eisen and Eisen, 1978-1986)
  • Op. -- Opus number
  • P -- Numbering in Jean M. Perreault, The Thematic Catalogue of the Musical Works of Johann Pachelbel (Lanham, MD: Scarecrow Press, 2004)
  • T -- Numbering in Hideo Tsukamoto, Archive of Johann Pachelbel's Works 2002. http://pachelbel.net/works/index.html
  • WPC -- Numbering in Kathryn J. Welter, Johann Pachelbel: Organist, Teacher, Composer: A critical reexamination of his life, works, and historical significance dissertation (Cambridge, MA: Harvard University, 1998)
  • POP -- Numbering in Antoine Bouchard, liner notes to Pachelbel: The Complete Organ Works (11-CD compilation, Dorian 1998-2001)
  • A -- Denkmäler der Tonkunst in Bayern, vol. 6B. Edited by Max Seiffert. Reprint: Organ Works, pt. 2. Dover
  • O -- Ausgewählte Orgelwerke, Vol. 2. Bärenreiter 239. Edited by Karl Matthaei. ISBN 979-0-006-40088-1 Parameter error in {{ISBN}}: invalid group id. Reprint: Kalmus K 03761
  • TWV -- Numbering in Martin Ruhnke, Georg Philipp Telemann: Thematisch-Systematisches Verzeichnis seiner Werke (Kassel: Bärenreiter, 1982-), also including numbering in Werner Menke, Thematisches Verzeichnis der Vokalwerke von Georg Philipp Telemann (Frankfurt am Main: Klosterman, 1982-1983)
  • RV (Ryom-Verzeichnis -- Numbering in Peter Ryom, Répertoire des oeuvres d'Antonio Vivaldi (Wiesbaden: Breitkopf und Härtel, 2007)

Works for Voice (BWV 1-524, 1081-1084, 1088-1089, 1127, Anh., deest)

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BWV BC VBN Other Catalogue Title Librettist Date Event Venue Key Genre Instrumentation Modern Editions Notes
4 A54a (Version 1708) -- -- Christ lag in Todes Banden, BWV 4 Martin Luther 24 April 1707 Probespiel am 1. Ostertag in Mühlhausen für das Organistenamt an Divi Blasii (1st Day of Easter (Easter Sunday) and Test piece for position of Organist at the Church of St. Blaise, Mühlhausen) Divi-Blasii-Kirche, Mühlhausen E minor Sacred Cantatas Soli: Soprano Alto Tenor Bass (voice type), Coro: S A T B, Violino I/II, Viola I/II, Basso Continuo Full Score: BGA I/4, NBA I/9: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag, Editions Eulenburg, Sammelband IBA Nr.16; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Probably with other final movement (missing) as like 1725, possibly repeat of Movement 2 (music) with text verse VII as an final movement; without Brass instruments; Recorded
150 B24 -- -- Nach dir, Herr, verlanget mich, BWV 150 Unknown librettist July 1707-July 1708 Bußgottesdienst (Confession Service) Mühlhausen B minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Fagotto (Bassoon), Violino I/II, Continuo Full Score: BGA XXX/10, NBA I/41: 1; TP: Editions Eulenburg, Sammelband IBA Nr.16 Theme from Movement VI reused by Johannes Brahms as theme of Chaconne in Movement IV of Symphony No. 4 (Brahms); Recorded
106 B18 -- -- Gottes Zeit ist die allerbeste Zeit, BWV 106 ("Actus tragicus) Unknown librettist 14 August 1707 Trauerfeier für Tobias Lämmerhirt (Onkel Bachs) (Funeral Service for Tobias Lämmerhirt (Bach's Uncle)) Erfurt E mjor Sacred Cantatas Soli: A T B, Coro: S A T B, Flauto I/II, Viola da gamba I/II, Continuo Full Score: BGA XXIII/6 (E major/F major), NBA I/34: 1 (F major), Carus-Verlag (F major); TP: Bärenreiter (F major), Carus-Verlag (F major), Editions Eulenburg (E major); Klavierauszug: Breitkopf und Härtel (E major/F major), Carus-Verlag (F major) Recorders in F major, all other instruments in E major; Recorded
524 H1 -- -- Was seind das vor große Schlösser (Quodlibet, BWV 524) Unknown librettist latest July 1708 (possibly 17 October 1707) Trauungen (Wedding Ceremony) Quodlibets Soli: Soprano, Alto, Tenor, Bass, Basso Continuo Full Score: NBA I/28.2: 1, Carus-Verlag; TP: Carus-Verlag, Editions Eulenburg; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
131 B25 -- -- Aus der Tiefen rufe ich, Herr, zu dir, BWV 131 Unknown librettist, possibly Georg Christian Eilmar ca. 1707/1708 Bußgottesdienst? (Confession service?) Mülhäusen Hauptkirche Beatae Maria Virginis (Marienkirche, Mülhäusen) G minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Oboe, Fagotto, Violino, Viola I/II, Continuo Full Score: BGA XXVIII/1, NBA I/34: 3; TP: Editions Eulenburg, Sammelband IBA Nr. 16 = NBG Recorded
71 B1 -- -- Gott ist mein König, BWV 71 Unknown librettist 4 February 1708 Ratswahl (Change of Town Council) Mülhäusen Hauptkirche Beatae Maria Virginis C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba (Trumpet) I-III, Tamburi (Timpani), Flauto (Recorder) I/II, Oboe I/II, Fagotto, Violino I/II, Viola, Violoncello, Violone, Organo Full Score: BGA XVIII/1, NBA I/32.1: 1 and Anhang, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
71 B1 -- -- Gott ist mein König, BWV 71 Unknown librettist 11 February 1708 Ratswahl (Change of Town Council) Divi-Blasii-Kirche Mülhäusen (St. Blaise's Church, Mülhäusen) C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto I/II, Oboe I/II, Fagotto, Violino I/II, Viola, Violoncello, Violone, Organo Full Score: BGA XVIII/1, NBA I/32.1: 1 and Anhang, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
4 A54a (Version 1708) -- -- Christ lag in Todes Banden, BWV 4 Martin Luther 8 April 1708 1. Ostertag (1st Day of Easter (Easter Sunday)) Divi-Blasii-Kirche, Mühlhausen E minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Violino I/II, Viola I/II, Continuo Full Score: BGA I/4, NBA I/9: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag, Editions Eulenburg, Sammelband IBA Nr.16; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Probably with other final movement (missing) as like 1725, possibly repeat of Movement 2 (music) with text verse VII as an final movement; without Brass instruments; Recorded
196 B11 -- -- Der Herr denket an uns, BWV 196 Unknown librettist 5 June 1708 Trauung von Johann Lorenz Stauber und Regina Edemann (Tante von Maria Barbara Bach) (Wedding of Johann Lorenz Stauber and Regina Edemann (Aunt of Maria Barbara Bach)) Arnstadt C major Sacred Cantatas Soli: S T B, Coro: S A T B, Violino I/II, Viola, Violone, Violone, Continuo Full Score: BGA XIII.1/2, NBA I/33: 1, Carus-Verlag; Klavierauszug: Breitkopf und Härtel Recorded
233a E7 -- -- Kyrie in F major, BWV 233a Unknown librettist 1708-1717 Unknown F mjor Masses and Mass movements (Kyries) Coro: S I/II A T B, Continuo Full Score: BGA XLI/7, NBA II/2: 5, Carus-Verlag Recorded
Anh. 192/Anh. I 4 -- -- -- Zweiter Mühlhausener Ratswechselkantate Unknown librettist 4 February 1709 Ratswahl (Change of Town Council) Mülhäusener Hauptkirche Beatae Mariae Virginis -- Sacred Cantatas -- -- Music and Text lost
deest B2 -- -- Carmen Gratulat(orium) Unknown librettist 7 February 1709 Ratswahl (Change of Town Council) Unknown Sacred Cantatas -- -- Music and Text lost; like BWV 71
Anh. 194/Anh. I 4 -- -- -- Zweiter Mühlhausener Ratswechselkantate Unknown librettist 10 February 1709 Ratswahl (Change of Town Council) Divi-Blasii-Kirche Mülhäusen Sacred Cantatas -- -- Music and Text lost
Anh. 192/Anh. I 4 -- -- -- Zweiter Mühlhausener Ratswechselkantate Unknown librettist 4 February 1710 Ratswahl (Change of Town Council) Mülhäusener Hauptkirche Beatae Mariae Virginis -- Secular Cantatas -- -- Music and Text lost
Anh. 194/Anh. I 4 -- -- -- Zweiter Mühlhausener Ratswechselkantate Unknown librettist 10 February 1710 Ratswahl (Change of Town Council) Divi-Blasii-Kirche Mülhäusen Sacred Cantatas -- -- Music and Text lost
18 A44a -- -- Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 Erdmann Neumeister 19 February 1713 Sonntag Sexagesimae (Sexagesima Sunday) Weimarer Schloßkapelle ("Himmelsburg") G minor Sacred Cantatas Soli: S T B, Coro: S A T B, Viola I-IV, Fagotto, Violoncello, Continuo Full Score: BGA II/8 (Mixed version of A44a and A44b), NBA I/7: 4; Klavierauszug: Breitkopf und Härtel Recorded
208 + 1040 G1 (First Version) -- -- Was mir behagt, ist nur die muntre Jagd, BWV 208 Salomon Franck 23/27 February 1713 Geburtstag Herzog Christian von Sachsen-Weißenfels (Birthday of Christian, Duke of Saxe-Weissenfels) "Jägerhof" Saxe-Weissenfels F major Secular Cantatas Soli: S.I S.II T B, Coro: S.I S.II T B, Corno da caccia I/II, Flauto dolce I/II, Oboe I/II, Taille (Cor anglaise), Fagotto, Violino I/II, Viola, Violone grosso, Continuo Full Score: BGA XXIX/1, NBA I/35: 1 and Anhang Movement I = BWV 1046a/II; Movements VIII and XIV in 1725 reused as BWV 68/4 and 2; Ritornello of Movement XIV = BWV 1040; Movement XVI in 1728/1729 reused as BWV 149/1; Recorded
199 A120a (1st Weimar Version) -- -- Mein Herze schwimmt in Blut, BWV 199 Georg Christian Lehms 27 August 1713 11. Sonntag nach Trinitatis (11th Sunday after Trinity Sunday) Weimarer Schloßkapelle ("Himmelsburg") C minor Sacred cantatas Solo: S, Oboe, Violino I/II, Viola, Violone, Fagotto, Continuo Full Score: BGA --, NBA I/20: 1; Klavierauszug: Breitkopf und Härtel Movement VI Viola Obligato; Recorded
Anh. III 159 C9 -- -- Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159 Unknown librettist Before 2 September 1713 Vielleicht für das Begräbnis der Arnstädter Bürgmeistersfrau Margarethe Feldhaus 1713 auffgeführt? (Possibly for Funeral Service for Arnstadt Mayor's wife Margarethe Feldhaus?) Unknown ? Motets Coro I: S A T B, Coro II: S A T B Full Score: BGA XXXIX/8 (in Anhang), NBA III/3: 1, Bärenreiter, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Possibly not by Bach (authorship uncertain, possibly by Johann Christoph Bach); Recorded
21R A99 (Presumed Possible Original Version) -- -- Ich hatte viel Bekümmernis, BWV 21 Unknown librettist, possibly Salomo Franck 8 October 1713 Trauerfeier für Amelia Maria Harreß (Funeral Service for Amelia Maria Harreß) Unknown C minor Sacred cantatas Soli: S, Coro: S A T B, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Consists of Movements II-VI and IX-X of later versions; Recorded
1127 G deest -- -- Alles mit Gott und nichts ohn' ihn, BWV 1127 Johann Anton Mylius 30 October 1713 52. Geburtstag von Herzog Ernst August von Sachsen-Weimar (52nd Birthday of Ernest Augustus I, Duke of Saxe-Weimar-Eisenach) Rotes Schloß Weimar Unknown Strophic Arias Solo: Soprano, Violino I/II, Viola, Violoncello, Continuo Full Score: Bärenreiter; Facksimilie: Bärenreiter Recorded
21 A99a (I) -- -- Ich hatte viel Bekümmernis, BWV 21 Unknown librettist, possibly Salomo Franck December 1713 Probespiel in Halle für das Organistenamt an Marktkirche (Liebfrauenkirche) (Test piece in Halle, Saxony-Anhalt for post as Organist at the Marktkirche Halle (Liebfrauenkirche Halle)) Liebfrauenkirche (Marktkirche) Halle C minor Sacred cantatas Soli: S B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
18 A44a -- -- Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 Erdmann Neumeister 1713/1714 Sonntag Sexagesimae (Sexagesima Sunday) Weimarer Schloßkapelle ("Himmelsburg") G minor Sacred Cantatas Soli: S T B, Coro: S A T B, Viola I-IV, Fagotto, Violoncello, Continuo Full Score: BGA II/8 (Mixed version of A44a and A44b), NBA I/7: 4; Klavierauszug: Breitkopf und Härtel Recorded
54 A51 -- -- Widerstehe doch der Sünde, BWV 54 Georg Christian Lehms 4 March 1714 Sonntag Oculi (Oculi Sunday) Weimarer Schloßkapelle ("Himmelsburg") E major Sacred Cantatas Solo: A, Violino I/II, Viola I/II, Continuo Full Score: BGA XII.2/4, NBA I/18: 1; TP: Editions Eulenburg; Klavierauszug: Breitkopf und Härtel Movement I reused 1731 and 1744 as BWV 247/19 (53); Recorded
182 A172 (Version Weimar 1714) -- -- Himmelskönig, sei willkommen, BWV 182 Most likely Salomo Franck 25 March 1714 Sonntag Palmarum und Festo Mariae Verkündigung (Palm Sunday and Feast of the Annunciation) Weimarer Schloßkapelle ("Himmelsburg") B major Sacred Cantatas Soli: A T B, Coro: S A T B, Flauto, Violino I/II, Viola I/II, Continuo Full Score: BGA XXXVII/2, NBA I/8.2: 1, Carus-Verlag (A major); TP: Carus-Verlag (A major); Klavierauszug: Breitkopf und Härtel, Carus-Verlag (A major) Recorded
deest D5a I/K/1 -- Markus-Passion ("Jesus Christus ist umb unserer Missethat willen verwundet.") (St Mark Passion pastiche) Unknown librettist 18 April 1710, 3 April 1711, 25 March 1712, 14 April 1713, or 30 March 1714 Karfreitag (Good Friday) Weimarer Schloßkapelle ("Himmelsburg") G minor Passion (music)s Soli: S A T B, Coro: S A T B, Oboe I/II(?), Violino I/II, Viola I/II, Continuo Full Score: NBA II/9: 7, Carus-Verlag Movements 14 and 29 by Bach; Recorded
12 A12 -- -- Weinen, Klagen, Sorgen, Zagen, BWV 12 Salomo Franck 22 April 1714 Sonntag Jubilate (Jubilate Sunday) Weimarer Schloßkapelle ("Himmelsburg") F minor Sacred Cantatas Soli: A T B, Coro: S A T B, Tromba, Oboe, Fagotto, Violino I/II, Viola I/II, Continuo Full Score: BGA II/2, NBA I/11.2: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
172 A81a (I) (Weimar Version) -- -- Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 Most likely Salomo Franck 22 April 1714 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) Weimarer Schloßkapelle ("Himmelsburg") C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Oboe d'Amore, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo Full Score: BGA XXXV/2, NBA I/13: 1; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Movement I repeated at conclusion; Movements I, IV, and VI without Flutes (yet with Recorders); Recorded
21 A99a (II) -- -- Ich hatte viel Bekümmernis, BWV 21 Unknown librettist, possibly Salomo Franck 17 June 1714 3. Sonntag nach Trinitatis (3rd Sunday after Trinity) Weimarer Schloßkapelle ("Himmelsburg") C minor Sacred Cantatas Soli: T B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
Anh. I 209 deest -- -- Liebster Gott, vergisst du mich, BWV Anh. 209 Georg Christian Lehms Most likely 15 July 1714 7. Sonntag nach Trinitatis (7th Sunday after Trinity) Weimarer Schloßkapelle ("Himmelsburg") Unknown Sacred cantatas Unknown -- Music lost, only Text survives
199 A120a (2nd Weimar Version) -- -- Mein Herze schwimmt in Blut, BWV 199 Georg Christian Lehms 12 August 1714 11. Sonntag nach Trinitatis (11th Sunday after Trinity) Weimarer Schloßkapelle ("Himmelsburg") C minor Sacred cantatas Solo: S, Oboe, Violino I/II, Viola, Violone, Fagotto, Continuo Full Score: BGA --, NBA I/20: 1; Klavierauszug: Breitkopf und Härtel Movement VI Violoncello Obligato; Recorded
61 A1 -- -- Nun komm, der Heiden Heiland, BWV 61 Erdmann Neumeister 2 December 1714 1. Advent (1st Sunday of Advent) Weimarer Schloßkapelle ("Himmelsburg") A minor Sacred cantatas Soli: S T B, Coro: S A T B, Violino I/II, Viola I/II, Violoncello, Fagotto, Continuo Full Score: BGA XVI/1, NBA I/1: 1, Carus-Verlag; TP: Bärenreiter, Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
63 A8 (Version before 1729) -- -- Christen, ätzet diesen Tag, BWV 63 Most likely Johann Michael Heineccius 25 December 1714 1. Weinachtstag (1st Day of Christmas Christmas Day) Weimarer Schloßkapelle ("Himmelsburg") C major Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Oboe I-III, Fagotto, Violino I/II, Viola, Continuo Full Score: BGA XVI/3, NBA I/2: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement 3 with Oboe; Recorded
152 A18 -- -- Tritt auf die Glaubensbahn, BWV 152 Salomo Franck 30 December 1714 Sonntag nach Weinachtsen (Sunday after Christmas) Weimarer Schloßkapelle ("Himmelsburg") E minor Sacred cantatas Soli: S B, Flauto, Oboe, Viola d'amore, Viola da gamba, Continuo Full Score: BGA XXXII/2, NBA I/3.2: 1, Carus-Verlag; TP: Carus-Verlag, Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
31 A55a (Original Version) -- -- Der Himmel lacht! Die Erde jubilieret, BWV 31 Salomo Franck Before 21 April 1715 1. Ostertag (1st Day of Easter (Easter Sunday)) Weimarer Schloßkapelle ("Himmelsburg") E major Sacred cantatas Soli: S T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I-III, Taille, Violino I/II, Viola I/II, Violoncello I/II, Fagotto, Continuo Full Score: BGA VII/1, NBA I/9: 2, Carus-Verlag; Klavierauszug: Breitkopf und Härtel Movement VIII one octave higher than in 1731, Obligato instrument either Tromba da tirarsi or Organ and set with Violas
18 A44a (Version Weimar) -- -- Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 Erdmann Neumeister 24 February 1715 Sonntag Sexagesimae (Sexagesima Sunday) Weimarer Schloßkapelle ("Himmelsburg") G minor Sacred cantatas Soli: S T B, Coro: S A T B, Viola I-IV, Fagotto, Violoncello, Continuo Full Score: Full Score: BGA II/8 (Mixed version of A44a and A44b), NBA I/7: 4; Klavierauszug: Breitkopf und Härtel Recorded
80a A52 -- -- Alles, was von Gott geboren, BWV 80a Salomo Franck 24 March 1715 Sonntag Oculi (Oculi Sunday) Weimarer Schloßkapelle ("Himmelsburg") D major Sacred cantatas Soli: S A T B, Coro: S A T B, Oboe I/II, Oboe da caccia, Violino I/II, Viola, Violoncello, Violone, Organo, Continuo See BWV 80 6 movements; Music lost, possible reconstruction from BWV 80/2-4 and 6-7 and BWV 303
31 A55a (Version 1715) -- -- Der Himmel lacht! Die Erde jubilieret, BWV 31 Salomo Franck 21 April 1715 1. Ostertag (1st Day of Easter (Easter Sunday)) Weimarer Schloßkapelle ("Himmelsburg") E major Sacred cantatas Soli: S T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I-III, Taille, Violino I/II, Viola I/II, Violoncello I/II, Fagotto, Continuo Full Score: BGA VII/1, NBA I/9: 2, Carus-Verlag; Klavierauszug: Breitkopf und Härtel Movement VIII one octave higher than in 1731, Obligato instrument either Viola d'Amore, Viola da gamba, or Recorder; Recorded
165 A90 -- -- O heilges Geist- und Wasserbad, BWV 165 Salomo Franck 16 June 1715 Trinitatis (Trinity Sunday) Weimarer Schloßkapelle ("Himmelsburg") G major Sacred cantatas Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXXIII/5, NBA I/15: 1; Klavierauszug: Breitkopf und Härtel Recorded
185 A10 -- -- Barmherziges Herze der ewigen Liebe, BWV 185 Salomo Franck 14 July 1715 4. Sonntag nach Trinitatis (4th Sunday after Trinity) Weimarer Schloßkapelle ("Himmelsburg") F minor Sacred cantatas Soli: S A T B, Coro: S A T B, Oboe (Tromba), Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXXVI/5, NBA I/17.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movements I and VI with Oboe; Recorded
163 A158 -- -- Nur jedem das Seine, BWV 163 Salomo Franck 24 November 1715 23. Sonntag nach Trinitatis (23rd Sunday after Trinity) Weimarer Schloßkapelle ("Himmelsburg") B minor Sacred cantatas Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Violoncello obligato I/II, Continuo Full Score: BGA XXXIII/3, NBA I/26: 5; Klavierauszug: Breitkopf und Härtel Recorded
132 A6 -- -- Bereitet die Wege, bereitet die Bahn! BWV 132 Salomo Franck 22 December 1715 4. Advent (4th Sunday of Advent) Weimarer Schloßkapelle ("Himmelsburg") A major Sacred cantatas Soli: S A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Violoncello, Continuo Full Score: BGA XXVIII/2, NBA I/1: 5; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
63 A8 (Version before 1729) -- -- Christen, ätzet diesen Tag, BWV 63 Most likely Johann Michael Heineccius 25 December 1715 1. Weinachtstag (1st Day of Christmas (Christmas Day)) Weimarer Schloßkapelle ("Himmelsburg") C major Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Oboe I-III, Fagotto, Violino I/II, Viola, Continuo Full Score: BGA XVI/3, NBA I/2: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement 3 with Oboe; Recorded
155 A32 -- -- Mein Gott, wie lang, ach lange? BWV 155 Salomo Franck 19 January 1716 2. Sonntag nach Epiphanias (2nd Sunday after Epiphany (holiday)) Weimarer Schloßkirche D minor Sacred cantatas Soli: S A T B, Coro: S A T B, Fagotto, Violino I/II, Viola, Continuo Full Score: BGA XXXII/5, NBA I/5: 6, Carus-Verlag; TP: Editions Eulenburg; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
deest B19 -- -- Was ist, das wir Leben nennen?, BWV deest Unknown librettist 2 April 1716 Trauerfeier für Prinz Johann Ernst von Sachsen-Weimar (Funeral Ceremony for Prince Johann Ernst of Saxe-Weimar) Weimarer Schloßkirche -- Sacred cantatas -- -- Music lost, only Text survives
208 G3 (Second Version) -- -- Was mir behagt, ist nur die muntre Jagd, BWV 208 Salomo Franck 19 April 1713-1717, most likely 19 April 1716 Geburtstag Herzog Ernst August von Sachsen-Weimar (Birthday of Ernest Augustus I, Duke of Saxe-Weimar-Eisenach) Rotes Schloß Weimar F major Secular Cantatas Soli: S.I S.II T B, Coro: S.I S.II T B, Corno da caccia I/II, Flauto dolce I/II, Oboe I/II, Taille, Fagotto, Violino I/II, Viola, Violone grosso, Continuo Full Score: BGA XXIX/1, NBA I/35: 1 and Anhang Movement I = BWV 1046a/II; Movements VIII and XIV in 1725 reused as BWV 68/4 and 2; Ritornello of Movement XIV = BWV 1040; Movement XVI in 1728/1729 reused as BWV 149/1; Recorded
161 A135a (Weimar Version) -- -- Komm, du süße Todesstunde, BWV 161 Salomo Franck 27 September 1716 16. Sonntag nach Trinitatis (16th Sunday after Trinity) Weimarer Schloßkapelle C major Sacred cantatas Soli: A T, Coro: S A T B, Flauto dolce I/II, Violino I/II, Viola, Continuo Full Score: BGA XXXIII/1, NBA I/23: 1; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel Movement I cf Instrumentalized; Recorded
162 A148a (Weimar Version) -- -- Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 Salomo Franck 25 October 1716 20. Sonntag nach Trinitatis (20th Sunday after Trinity) Weimarer Schloßkapelle A minor Sacred cantatas Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXXIII/2, NBA I/25: 1; Klavierauszug: Breitkopf und Härtel Movement I and VI without Corno da tirarsi; Movement III Obligato part lost; Recorded
70a A4 -- -- Wachet! betet! betet! wachet! BWV 70a Salomo Franck 6 December 1716 2. Advent (2nd Sunday of Advent) Weimarer Schloßkapelle C major Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe, Violino I/II, Viola, Violoncello, Fagotto, Continuo -- Music lost, but can be reconstructed by (in order): Movements I, III, V, VIII, X, and XI from BWV 70
186a A5 -- -- Ärgre dich, o Seele, nicht, BWV 186a Salomo Franck 13 December 1716 3. Advent (3rd Sunday of Advent) Weimarer Schloßkapelle G minor Sacred cantatas Soli: S A T B, Coro: S A T B, Oboe I/II, Taille, Fagotto, Violino I/II, Viola, Continuo -- 6 movements, music lost, but first five movements can be reconstructed by (in order): Movements I, III, V, VIII, and X from BWV 186
147a A7 -- -- Herz und Mund und Tat und Leben, BWV 147a Salomo Franck 20 December 1716 4. Advent (4th Sunday of Advent) Weimarer Schloßkapelle C major Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Oboe da caccia I/II, Violino I/II, Viola, Continuo Full Score: Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Carus-Verlag 6 movements, music lost, but first five movements can be reconstructed by (in order): Movements I, III, VII, V, and IX from BWV 147
deest D1 -- -- Weimarer Passion Unknown librettist 26 March 1717 Karfreitag (Good Friday) Kapelle der Schloß Friedenstein zu Gotha (Chapel of the Friedenstein Castle, Gotha) -- Passions Soli: T B, Coro: S A T B, Flute I/II, Oboe I/II, Violino I/II, Viola, Bassono (Bassoon), Organo (Organ (music)), Liuto (Lute), Continuo -- Music and Text lost; Nine movements later reused in other works: Chorale Fantasia on "O Mensch, bewein' dein' Sünde groβ" in D major (later reused in BC D2b in E major and from 1736 on in BC D3b in E major), Arias BWV 245a-c (later reused in BC D2b), Chorale Fantasia on "Christe, du Lamm Gottes" (from 1723 on reused as Movement IV of BWV 23, also reused in BC D2b), a Chorale setting on "Christus, der uns selig macht" BWV 283, and an Aria-Recitative-Chorale set (later reused as Movements III-V of BWV 55)
182 A53 (Before Leipzig Variant) -- -- Himmelskönig, sei willkommen, BWV 182 Most likely Salomo Franck After 1714, but before 1723 Sonntag Palmarum(Palm Sunday) Unknown location B major Sacred Cantatas Soli: A T B, Coro: S A T B, Flauto, Violino I/II, Viola I/II, Continuo -- Movements as follows in order (see Version 1714): I, II, III, IV, V, VI, repeat II, VII, VIII
172 A81a (II) (Köthen Version) -- -- Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 Most likely Salomo Franck After 1717 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) Agnuskirche Köthen (St. Agnus Church, Köthen) C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Oboe d'Amore, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo Full Score: BGA XXXV/2, NBA I/13: 1; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Movement I repeated at conclusion; Movements I, IV, and VI without Flutes (yet with Recorders); Recorded
66a G4 -- -- Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a Christian Friedrich Hunold, also known as Menantes 10 December 1718 Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) Residenzschloß Anhalt-Köthen D major Secular Cantatas Soli: A T B, Coro: S A T B, Tromba, Oboe I/II, Fagotto, Violino solo, Violino I/II, Viola, Continuo -- 8 movements in all, music lost, but Movements I-IV and VIII can be reconstructed with Movements II-V and I (in that order) from BWV 66
Anh. I 5 B30 -- -- Lobet den Herrn, alle seine Heerscharen, BWV Anh5 Christian Friedrich Hunold, also known as Menantes 10 December 1718 Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) Residenzschloß Anhalt-Köthen -- Secular Cantatas -- Info in Critical report to NBA I/35 Music lost
134a G5 -- -- Die Zeit, die Tag und Jahre macht, BWV 134a Christian Friedrich Hunold, also known as Menantes 1 January 1719 Glückwunschkantate für das Fürstenhaus von Anhalt-Köthen (Congratulatory Cantata for the Princely house of Anhalt-Köthen) Residenzschloß Anhalt-Köthen B major Secular Cantatas Soli: A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIX/7, NBA I/34: 2 Movements I-IV and VII-VIII reused in BWV 134; Recorded
199 A120b (1st Köthen Version) -- -- Mein Herze schwimmt im Blut, BWV 199 Georg Christian Lehms ca. 1720 11. Sonntag nach Trinitatis (11th Sunday after Trinity) Agnuskirche Köthen D minor Sacred Cantatas Solo: S, Oboe, Violino I/II, Viola, Viola da gamba, Violone, Fagotto, Continuo Full Score: BGA XLI/?, NBA I/20: 1 and Anhang II Recorded
Anh. I 6 G6 -- -- Dich loben die lieblichen Strahlen der Sonne, BWV Anh. 6 Christian Friedrich Hunold, also known as Menantes 1 January 1720 Glückwunschkantate für das Fürstenhaus von Anhalt-Köthen (Congratulatory Cantata for the Princely house of Anhalt-Köthen) Residenzschloß Anhalt-Köthen -- Secular Cantatas -- Info in Critical Report to NBA I/35 Music lost
21 A99b -- -- Ich hatte viel Bekümmernis, BWV 21 Unknown librettist, possibly Salomo Franck 23 November 1720 Probespiel in Hamburg für das Organistenamt an Jakobiskirche (Test piece for the post of Organist at St. Jacobi, Hamburg) Katherinenkirche Hamburg (St. Catherine's Church, Hamburg D minor Sacred Cantatas Soli: S B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
Anh. I 7 G7 -- -- Heut ist gewiß ein guter Tag, BWV Anh7 Christian Friedrich Henrici, also known as Picander 10 December 1720 Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) Residenzschloß Anhalt-Köthen -- Secular Cantatas -- Info in Critical report to NBA I/35 Music lost
184a G8 -- -- Unknown (Text lost) Unknown librettist 10 December 1720 or 1721 or most likely 1 January 1721 Glückwunschkantate zum Geburtstag des Fürsten Leopold von Anhalt-Köthen oder Neujahrskantate für das Fürstenhaus Anhalt-Köthen (Congratulatory Cantata for the Birthday of Leopold, Prince of Anhalt-Köthen or New Year's Day Cantata for the princely house of Anhalt-Köthen) Residenzschloß Anhalt-Köthen G major Secular Cantatas -- -- Text and Music lost, Some movements reused in BWV 184
172 A81a (III) -- -- Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 Most likely Salomo Franck 1 June 1721 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) Frühe zu Nikolaikirche Leipzig, Nachmittags in der Vesper zu Thomaskirche Leipzig (Early at the St. Nicholas Church, Leipzig, after noon in the Vespers at the St. Thomas Church, Leipzig) C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Oboe d'Amore, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo Full Score: BGA XXXV/2, NBA I/13: 1; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Movement I repeated at conclusion; Movements I, IV, and VI without Flutes (yet with Recorders); Recorded
deest G13 -- -- O, vergnügte Stunden, BWV deest Unknown librettist 9 August 1722 Geburtstag des Fürsten Johann August von Anhalt-Zerbst (Birthday of John Augustus, Prince of Anhalt-Zerbst) Residenzschloß Anhalt-Zerbst -- Secular Cantatas -- -- Text and Music lost
173a G13 -- -- Durchlauchtster Leopold, BWV 173a Unknown librettist 10 December 1722 Geburtstag des Fürsten Leopold von Anhalt-Köthen (Birthday of Leopold, Prince of Anhalt-Köthen) Residenzschloß Anhalt-Köthen D major Secular Cantatas Soli: S B, Flauto traverso I/II, Fagotto, Violino I/II, Viola, Violone, Continuo Full Score: BGA XXXIV/1, NBA I/35: 4 Movements later reused in BWV 173; Recorded
23 A47a -- -- Du wahrer Gott und Davids Sohn, BWV 23 Unknown librettist Not Dated Sonntag Quinquagesimae oder Esto mihi (Quinquagesima Sunday or Estomihi Sunday) Agnuskirche Anhalt-Köthen C minor Sacred Cantatas Soli: S A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA V.1/3, NBA I/8.1: 2, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Only 3 movements; Recorded
203 G51 -- -- Amore traditore, BWV 203 Unknown librettist Before 1723 Unknown event Unknown Venue A minor Secular Cantatas Solo: B, Cembalo obligato Full Score: BGA XI.2/3, NBA I/41: 2 Recorded
Anh. I 8 G10 -- -- Unknown (Text lost) Unknown librettist 1 January 1723 Glückwunschkantate des Fürstenhaus Anhalt-Köthen (Congratulatory Cantata for the princely house of Anhalt-Köthen) Residenzschloß Anhalt-Köthen -- Secular Cantatas -- -- Music and Text lost
22 A48 -- -- Jesus nahm zu sich die Zwölfe, BWV 22 Unknown librettist 7 February 1723 Probenspiel am Sonntag Quinquagesimae oder Esto mihi in Leipzig für das Kantoramt an St. Thomae (Test piece on Quinquagesima Sunday or Estomihi Sunday for the post of Cantor (church) of St. Thomas Church, Leipzig) Thomaskirche Leipzig G minor Sacred Cantatas Soli: A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Continuo Full Score: BGA V.1/2, NBA I/8.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag; Facksimilie: Carus-Verlag Before the Sermon; Recorded
23 A47b (Version 1723) -- -- Du wahrer Gott und Davids Sohn, BWV 23 Unknown librettist 7 Feburary 1723 Probenspiel am Sonntag Quinquagesimae oder Esto mihi in Leipzig für das Kantoramt an St. Thomae (Test piece on Quinquagesima Sunday or Estomihi Sunday for the post of Cantor of St. Thomas Church, Leipzig) Thomaskirche Leipzig B minor Sacred Cantatas Soli: S A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA V.1/3, NBA I/8.1: 3; Klavierauszug: Breitkopf und Härtel After the Sermon; Movement IV added; No Brass Instruments; Recorded
199 A120b (2nd Köthen Version) -- -- Mein Herze schwimmt im Blut, BWV 199 Georg Christian Lehms Not dated 11. Sonntag nach Trinitatis (11th Sunday after Trinity) Agnuskirche Köthen D minor Sacred Cantatas Solo: S, Oboe, Violino I/II, Viola, Viola da gamba, Violone, Fagotto, Continuo -- Revision of the 3 voices V I&II, Va to 2 voices V, Va (score sketch); Recorded
194a G11 (Köthen Version) -- -- Höchsterwünschtes Freudenfest, BWV 194a -- Not dated Huldigungskantate (Congratulatory Cantata) Residenzschloß Anhalt-Köthen -- Secular Cantatas -- -- Music and text lost
59 A82 -- -- Wer mich liebet, der wird mein Wort halten, BWV 59 Erdmann Neumeister 16 May 1723 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) Paulinerkirche, Leipzig C major Sacred Cantatas Soli: S B, Coro: S A T B, Tromba I/II, Tamburi, Violino I/II, Viola, Continuo Full Score: BGA XII.2/9, NBA I/13: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Movements I-IV in numeric order; Movements I and IV reused as Movements I and II in BWV 74; Movement III reused as Movement Movement VII in BWV 175; Recorded
75 A94 -- -- Die Elenden sollen essen, BWV 75 Unknown librettist 30 May 1723 1. Sonntag nach Trinitatis (Festo Corpus Christi) (1st Sunday after Trinity (Corpus Christi (feast) Sunday)) Nikolaikirche Leipzig E minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XVIII/5, NBA I/15: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movements VII and XIV reused 1732-1735 as Movement VI in BWV 100; Commencement Piece for Bach's Leipzig tenure; Recorded
76 A97 -- -- Die Himmel erzählen die Ehre Gottes, BWV 76 Unknown librettist 6 June 1723 2. Sonntag nach Trinitatis (2nd Sunday after Trinity) Thomaskirche Leipzig C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Violino I/II, Violino solo, Viola da gamba, Continuo Full Score: BGA XVIII/6, NBA I/16: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Music for Movement VIII originating as lost Instrumental Work from before 1723, later reused as Movement I of BWV 528; Recorded
21 A99c -- -- Ich hatte viel Bekümmernis, BWV 21 Unknown librettist, possibly Salomo Franck 13 June 1723 3. Sonntag nach Trinitatis (3rd Sunday after Trinity) Leipzig C minor Sacred Cantatas Soli: S T B, Coro: S A T B, Tromba I-III, Trombone I-IV, Tamburi, Oboe, Violino I/II, Viola e Fagotto e Organo, Continuo Full Score: BGA V.1/1 and Anhang, NBA I/16: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
185 A101 (Earlier Leipzig Version) -- -- Barmherziges Herze der ewigen Liebe, BWV 185 Salomo Franck 20 June 1723 4. Sonntag nach Trinitatis (4th Sunday after Trinity) Thomaskirche Leipzig G minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Oboe (Clarino), Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXXVII/5, NBA I/17.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Before the Sermon; Movements I and VI with Clarino instead of Oboe
24 A102 -- -- Ein ungefärbt Gemüte, BWV 24 Erdmann Neumeister 20 June 1723 4. Sonntag nach Trinitatis (4th Sunday after Trinity) Thomaskirche Leipzig F major Sacred Cantatas Soli: S A T B, Coro: S A T B, Clarino, Oboe I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA V.1/4, NBA I/17.1: 3; Klavierauszug: Breitkopf und Härtel After the Sermon; Recorded
167 A176 -- -- Ihr Menschen, rühmet Gottes Liebe, BWV 167 Unknown librettist 24 June 1723 Johannistag (Feast of the Nativity of St. John the Baptist) Leipzig G major Sacred Cantatas Soli: S A T B, Coro: S A T B, Clarino, Tromba da tirarsi or octave Natural Trumpet, Oboe, Oboe da caccia, Violino I/II, Viola, Continuo Full Score: BGA XXXIII/7, NBA I/29: 1; Klavierauszug: Breitkopf und Härtel Movement V solo either Tromba da tirarsi or octave Natural Trumpet; Recorded
147 A174 -- -- Herz und Mund und Tat und Leben, BWV 147 Salomo Franck 2 July 1723 Festo Mariae Heimsuchung (Feast of the Visitation (Christianity)) Leipzig C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Oboe da caccia I/II, Violino I/II, Viola, Continuo Full Score: BGA XXX/7, NBA I/28.2: 2; TP: Easy Pocket Scores; Klavierauszug: Breitkopf und Härtel Revision of BWV 147a; Recorded
243a E13 -- -- Magnificat in E-flat major , BWV 243a Unknown librettist 2 July 1723 Festo Mariae Heimsuchung (Feast of the Visitation) Leipzig E major Magnificats Soli: S.I S.II A T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I/II, Flauto dolce I/II, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XI.1/1 and Anhang, NBA II/3: 1; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel Without Christmas insertions; Recorded
186 A108 -- -- Ärgre dich, o Seele, nicht, BWV 186 Salomo Franck and an Unknown librettist 11 July 1723 7. Sonntag nach Trinitatis (7th Sunday after Trinity) Leipzig G minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Oboe I/II, Taille, Fagotto, Violino I/II, Viola, Continuo Full Score: BGA XXXVII/6, NBA I/18: 2; Klavierauszug: Breitkopf und Härtel Revision of BWV 186a; Recorded
-- -- -- -- -- -- Unknown date Trauung Johann Gottfried Hübener und Beata Regina Henning (Wedding of Johann Gottfried Trauung Hübener & Beata Regina Henning) Thomaskirche Leipzig -- Sacred Cantatas -- -- Text and music lost
136 A111 -- -- Erforsche mich, Gott, und erfahre mein Herz, BWV 136 Unknown librettist 18 July 1723 8. Sonntag nach Trinitatis (8th Sunday after Trinity) Leipzig A major Sacred Cantatas Soli: A T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XXVIII/6, NBA I/18: 5; Klavierauszug: Breitkopf und Härtel Movement I after 1735 reused as Movement VI of BWV 236; Recorded
105 A114 -- -- Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105 Unknown librettist 25 July 1723 9. Sonntag nach Trinitatis (9th Sunday after Trinity) Nikolaikirche Leipzig G minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIII/5, NBA I/19: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag; Facksimilie: Carus-Verlag 2nd performance after 1750 by Carl Philipp Emanuel Bach (in Berlin?); Recorded
46 A117 -- -- Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46 Unknown librettist 1 August 1723 10. Sonntag nach Trinitatis (10th Sunday after Trinity) Leipzig D minor Sacred Cantatas Soli: A T B, Coro: S A T B, Tromba o Corno da tirarsi, Flauto I/II, Oboe da caccia I/II, Violino I/II, Viola, Continuo Full Score: BGA X/6, NBA I/19: 4, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement I in 1733 reused as Movement IX of "Missa 1733" and later in 1748/1749 as Movement IX of the Mass in B minor BWV 232; Recorded
179 A121 -- -- Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179 Unknown librettist 8 August 1723 11. Sonntag nach Trinitatis (11th Sunday after Trinity) Leipzig G major Sacred Cantatas Soli: S T B, Coro: S A T B, Oboe I/II, Oboe da caccia I/II, Violino I/II, Viola, Continuo Full Score: BGA XXXV/9, NBA I/20: 7, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Before the Sermon; Movements I and III after 1735 reused as Movements I and V of BWV 236; Movement V ca. 1738 reused as Movement IV of BWV 234; Recorded
199 A120c (1st Leipzig Version) -- -- Mein Herze schwimmt im Blut, BWV 199 Georg Christian Lehms 8 August 1723 11. Sonntag nach Trinitatis (11th Sunday after Trinity) Leipzig D minor Sacred Cantatas Solo: S, Oboe, Violino I/II, Viola, Violoncello, Violone, Fagotto, Continuo Full Score: BGA ?, NBA I/20: 2 and Anhang After the Sermon; Movement VI likely with Violoncello; Recorded
Anh. I 20 G 33 -- -- Lateinische Ode, BWV Anh. 20 (Latin Ode, BWV Anh. I 20) -- 9 August 1723 (11:00 AM) Universitätfeier zum Geburtstag Herzog Friedrich II zu Sachsen-Gotha-Altenburg (University Celebration of the Birthday of Frederick II, Duke of Saxe-Gotha-Altenburg) Auditorium Philosophico of the University of Leipzig -- Secular Cantatas -- -- Text and Music lost
69a A123 (1st Version) -- -- Lobe den Herrn, meine Seele, BWV 69a Johann Oswald Knauer 15 August 1723 12. Sonntag nach Trinitatis (12th Sunday after Trinity) Leipzig C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto, Oboe I/II, Oboe da caccia, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XVI/9 and Anhang, NBA I/20: 9 Movement III Scored for Tenor, Flute, Oboe da caccia, Continuo; Movement VI taken from Movement VII of BWV 12; Recorded
77 A126 -- -- Du sollt Gott, deinen Herren, lieben, BWV 77 Unknown librettist 22 August 1723 13. Sonntag nach Trinitatis (13th Sunday after Trinity) Leipzig C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba da tirarsi, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XVIII/7, NBA I/21: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
25 A129 -- -- Es ist nichts Gesundes an meinem Leibe, BWV 25 Unknown librettist 29 August 1723 14. Sonntag nach Trinitatis (14th Sunday after Trinity) Leipzig A minor Sacred Cantatas Soli: S T B, Coro: S A T B, Cornetto, Trombone I-III, Flauto I-III, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA V.1/5, NBA I/21: 4; Klavierauszug: Breitkopf und Härtel Recorded
119 B3 -- -- Preise, Jerusalem, den Herrn, BWV 119 Unknown librettist 30 August 1723 Ratswahl (Change of Town Council) Nikolaikirche Leipzig C major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Flauto I/II, Oboe I-III, Oboe da caccia I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIV/9, NBA I/32.1: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement I taken from Weimar Suite BWV 119aR; Recorded
138 A132 -- -- Warum betrübst du dich, mein Herz, BWV 138 Unknown librettist 5 September 1723 15. Sonntag nach Trinitatis (15th Sunday after Trinity) Leipzig B minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXVIII/8, NBA I/22: 1; Klavierauszug: Breitkopf und Härtel Movement IV after 1735 reused as Movement III of BWV 236; Recorded
95 A136 -- -- Christus, der ist mein Leben, BWV 95 Unknown librettist 12 September 1723 16. Sonntag nach Trinitatis (16th Sunday after Trinity) Thomaskirche Leipzig G major Sacred Cantatas Soli: S T B, Coro: S A T B, Corno, Oboe I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXII/5, NBA I/23: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
-- -- -- -- -- -- 12 September 1723 Trauung Johann Christoph Krause und Maria Barbara Blechschmidt (Wedding of Johann Christoph Krause & Maria Barbara Blechschmidt) Thomaskirche Leipzig -- Sacred Cantatas -- -- Music and Text lost
148 A140 -- -- Bringet dem Herrn Ehre seines Namens, BWV 148 Unknown librettist 19 September 1723 17. Sonntag nach Trinitatis (17th Sunday after Trinity) Nikolaikirche Leipzig D major Sacred Cantatas Soli: A T, Coro: S A T B, Tromba, Oboe I-III, Violino I/II, Viola, Continuo Full Score: BGA XXX/8, NBA I/23: 7; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movements I and VI: Violino I colla parte Oboe d'amore, Violino II colla parte Oboe d'amore, Viola colla parte Oboe da caccia; Movement IV: Oboes d'Amore 1 & 2, Oboe da caccia; Recorded
48 A144 -- -- Ich elender Mensch, wer wird mich erlösen, BWV 48 Unknown librettist 3 October 1723 19. Sonntag nach Trinitatis (19th Sunday after Trinity) Thomaskirche Leipzig G minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe solo, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA X/8, NBA I/24: 3; Klavierauszug: Breitkopf und Härtel Recorded
162 A148b (Leipzig Version) -- -- Ach! ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162 Salomo Franck 10 October 1723 20. Sonntag nach Trinitatis (20th Sunday after Trinity) Nikolaikirche Leipzig B minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno da tirarsi, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXXIII/2, NBA I/25: 2; Klavierauszug: Breitkopf und Härtel Movement I and VI with Corno da tirarsi; Movement III Obligato part lost; Recorded
109 A151 -- -- Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109 Unknown librettist 17 October 1723 21. Sonntag nach Trinitatis (21st Sunday after Trinity) Leipzig D minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno da tirarsi, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXIII/9, NBA I/25: 5, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
89 A155 -- -- Was soll ich aus dir machen, Ephraim, BWV 89 Unknown librettist 24 October 1723 22. Sonntag nach Trinitatis (22nd Sunday after Trinity) Leipzig C minor Sacred cantatas Soli: S A B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XX.1/9, NBA I/26: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
-- -- -- -- -- -- 31 October 1723 23. Sonntag nach Trinitatis und Reformationsfest (23rd Sunday after Trinity and Reformation Day) Leipzig -- Sacred cantatas -- -- Work unknown
194 B31 (Störmthal Version) -- -- Höchsterwünschtes Freudenfest, BWV 194 Unknown librettist 2 November 1723 Kirch- & Orgelweihe (Dedication of Church and Organ) Störmthal B major Sacred cantatas Soli: S T B, Coro: S A T B, Oboe I-III, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXIX/9, NBA I/31: 5; Klavierauszug: Breitkopf und Härtel Recorded
60 A161 -- -- O Ewigkeit, du Donnerwort, BWV 60 Unknown librettist 7 November 1723 24. Sonntag nach Trinitatis (24th Sunday after Trinity) Leipzig D major Sacred cantatas Soli: A T B, Coro: S A T B, Corno, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XII.2/10, NBA I/27: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
90 A163 -- -- Es reißet euch ein schrecklich Ende, BWV 90 Unknown librettist 14 November 1723 25. Sonntag nach Trinitatis (25th Sunday after Trinity) Leipzig D minor Sacred cantatas Soli: A T B, Coro: S A T B, Tromba, Violino I/II, Viola, Continuo Full Score: BGA XX.1/10, NBA I/27: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
70 A165 -- -- Wachet! betet! betet! wachet! BWV 70 Salomo Franck 21 November 1723 26. Sonntag nach Trinitatis (26th Sunday after Trinity) Leipzig C major Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe, Violino I/II, Viola, Violoncello, Fagotto, Continuo Full Score: BGA XX.1/10, NBA I/27: 5, Carus-Verlag; TP: Editions Eulenburg?, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Revised from BWV 70a; Recorded
61 A1 -- -- Nun komm, der Heiden Heiland, BWV 61 Erdmann Neumeister 28 November 1723 1. Advent (1st Sunday of Advent) Leipzig A minor Sacred cantatas Soli: S T B, Coro: S A T B, Violino I/II, Viola I/II, Violoncello, Fagotto, Continuo Full Score: BGA XVI/1, NBA I/1: 1, Carus-Verlag; TP: Bärenreiter, Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
238 E11 -- -- Sanctus in D major, BWV 238 Unknown librettist 25 December 1723 1. Weinachtstag (1st Day of Christmas (Christmas Day)) Leipzig D major Masses and Mass movements (Sanctuses) Coro: S A T B, Cornetto, Violino I/II, Viola, Continuo Full Score: BGA XI.1/3, NBA II/2: 8 Recorded
63 A8 (Version before 1729) -- -- Christen, ätzet diesen Tag, BWV 63 Most likely Johann Michael Heineccius 25 December 1723 1. Weinachtstag (1st Day of Christmas (Christmas Day)) Leipzig C major Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba I-IV, Tamburi, Oboe I-III, Fagotto, Violino I/II, Viola, Continuo Full Score: BGA XVI/3, NBA I/2: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement 3 with Oboe; Recorded
243a E13 -- -- Magnificat in E-flat major , BWV 243a Unknown librettist 25 December 1723 1. Weinachtstag (1st Day of Christmas (Christmas Day)) Leipzig E major Magnificats Soli: S.I S.II A T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I/II, Flauto dolce I/II, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XI.1/1 and Anhang, NBA II/3: 1; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel With Christmas insertions; Recorded
40 A12 -- -- Dazu ist erschienen der Sohn Gottes, BWV 40 Unknown librettist (probably Bach) 26 December 1723 2. Weinachtstag (Stephanustag) (2nd Day of Christmas (St. Stephen's Day)) Leipzig F major Sacred cantatas Soli: A T B, Coro: S A T B, Corno I/II, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA VII/10, NBA I/3.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement I after 1735 reused as Movement I of BWV 233; Recorded
64 A15 -- -- Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64 Unknown librettist 27 December 1723 3. Weinachtstag (Johannestag) (3rd Day of Christmas (Feast of St. John the Apostle (St. John the Evangelist))) Leipzig E minor Sacred cantatas Soli: S A B, Coro: S A T B, Cornetto, Trombone I-III, Oboe d'amore, Violino I/II, Viola, Continuo Full Score: BGA XVI/4, NBA I/3.1: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
228 C4 -- -- Fürchte dich nicht, ich bin bei dir, BWV 228 Unknown librettist From 1723 possibly also earlier Unknown Leipzig A major Motets Coro I/II: S A T B Full Score: BGA XVI/4, NBA I/3.1: 4, Bärenreiter, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
190 A21 -- -- Singet dem Herrn ein neues Lied, BWV 190 Unknown librettist 1 January 1724 Sonntag nach Neujahr (Feste der Beschneidung Christi) (New Year's Day (Feast of the Circumcision of Christ)) Early at the Thomaskirche Leipzig, afternoon at the Nikolaikirche Leipzig D major Sacred cantatas Soli: A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe I-III, Oboe d'amore, Fagotto, Violino I/II, Viola, Continuo Full Score: BGA XXXVII/10, NBA I/4: 1; TP: Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel Movements I and II fragments; Movements I, II, III, and V on 25 June 1730 reused in BWV 190a; Recorded
153 A25 -- -- Schau, lieber Gott, wie meine Feind, BWV 153 Unknown librettist 2 January 1724 Sonntag nach Neujahr (Sunday after New Year's Day) Leipzig A minor Sacred cantatas Soli: A T B, Coro: S A T B, Violino I/II, Viola, Continuo Full Score: BGA XXXII/3, NBA I/4: 6; TP: Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel Recorded
65 A27 -- -- Sie werden aus Saba alle kommen, BWV 65 Unknown librettist 6 January 1724 Epiphaniastag (Feast of the Epiphany) Early at the Thomaskirche Leipzig, afternoon at the Nikolaikirche Leipzig C major Sacred cantatas Soli: T B, Coro: S A T B, Corno I/II, Flauto I/II, Oboe da caccia I/II, Violino I/II, Viola, Continuo Full Score: BGA XVI/5, NBA I/5: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement VII in original untexted, Text added by Carl Friedrich Zelter after 1800 (10rh verse of "Was mein Gott will, das g'scheh all'zeit"); Recorded
154 A29 -- -- Mein liebster Jesus ist verloren, BWV 154 Unknown librettist 9 January 1724 1. Sonntag nach Epiphanias (1st Sunday after Epiphany) Early at the Nikolaikirche Leipzig B minor Sacred cantatas Soli: A T B, Coro: S A T B, Oboe d'amore I/II, Oboe I/II, Violino I/II, Viola, Cembalo, Continuo Full Score: BGA XXXII/4, NBA I/5: 3; TP: Lea Pocket Scores; Klavierauszug: Breitkopf und Härtel Movement IV Cembalo part first in 1724?; Recorded
155 A32 -- -- Mein Gott, wie lang, ach lange? BWV 155 Salomo Franck 16 January 1724 2. Sonntag nach Epiphanias (2nd Sunday after Epiphany) Thomaskirche Leipzig D minor Sacred cantatas Soli: S A T B, Coro: S A T B, Fagotto, Violino I/II, Viola, Continuo Full Score: BGA XXXII/5, NBA I/5: 6, Carus-Verlag; TP: Editions Eulenburg; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
73 A35 (Version 1724) -- -- Herr, wie du willt, so schicks mit mir, BWV 73 Unknown librettist 23 January 1724 3. Sonntag nach Epiphanias (3rd Sunday after Epiphany) Nikolaikirche Leipzig G minor Sacred cantatas Soli: S T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Organo, Continuo Full Score: BGA XVIII/3, NBA I/6: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movements I and V set with Horn; Recorded
81 A39 -- -- Jesus schläft, was soll ich hoffen? BWV 81 Unknown librettist 30 January 1724 Letzter (4.) Sonntag nach Epiphanias (Last (4th) Sunday after Epiphany) Thomaskirche Leipzig E minor Sacred cantatas Soli: A T B, Coro: S A T B, Flauto I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XX.1/1, NBA I/6: 6, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
83 A167 -- -- Erfreute Zeit im neuen Bunde, BWV 83 Unknown librettist 2 February 1724 Feste Mariae Reinigung (Lichtmesse) (Feast of the Purification of Mary (or Feast of the Presentation of Jesus at the Temple) (Votive Mass)) Early at the Nikolaikirche Leipzig, Vespers at the Thomaskirche Leipzig F major Sacred cantatas Soli: A T B, Coro: S A T B, Corno I/II, Oboe I/II, Violino solo, Violino I/II, Viola, Continuo Full Score: BGA XX.1/3, NBA I/28.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
144 A41 -- -- Nimm, was dein ist, und gehe hin, BWV 144 Unknown librettist 6 February 1724 Sonntag Septuagesimae (Septuagesima Sunday) Thomaskirche Leipzig B minor Sacred cantatas Soli: S A T, Coro: S A T B, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Continuo Full Score: BGA XXX/4, NBA I/7: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
-- -- -- -- -- -- 8 February 1724 Trauung Johann Gottlieb Hoffmann und Johanna Gertraud Bösch (Wedding of Johann Gottlieb Hoffmann &

Johanna Gertraud Bösch)

Thomaskirche Leipzig -- Sacred cantatas -- -- Music and Text lost
181 A45 (Version 1724) -- -- Leichtgesinnte Flattergeister, BWV 181 Unknown librettist 13 February 1724 Sonntag Sexagesimae (Sexagesima Sunday) Nikolaikirche Leipzig E minor Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba, Flauto traverso, Oboe, Violino I/II, Viola, Continuo Full Score: BGA XXXVII/1, NBA I/7: 6, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Before the Sermon; Movements I and V without Flauto traverso and Oboe; Movement III fragment, Obligato instrument lost (likely Violino solo); Recorded
18 A44b (Leipzig Version) -- -- Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18 Erdmann Neumeister 13 February 1724 Sonntag Sexagesimae (Sexagesima Sunday) Nikolaikirche Leipzig A minor Sacred cantatas Soli: S T B, Coro: S A T B, Flauto I/II, Viola I-IV, Fagotto, Violoncello, Continuo Full Score: BGA II/8 (Mixed version of BC A 44a and BC A 44b), NBA I/7: 5; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel After the Sermon; With Flauti dolci; Recorded
22 A48 -- -- Jesus nahm zu sich die Zwölfe, BWV 22 Unknown librettist 20 February 1724 Sonntag Quinquagesimae (Esto mihi) (Quinquagesima Sunday (Estomihi Sunday)) Thomaskirche Leipzig G minor Sacred Cantatas Soli: A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Continuo Full Score: BGA V.1/2, NBA I/8.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag; Facksimilie: Carus-Verlag Before the Sermon; Recorded
23 A47b (Version 1724) -- -- Du wahrer Gott und Davids Sohn, BWV 23 Unknown librettist 20 Feburary 1724 Sonntag Quinquagesimae (Esto mihi) (Quinquagesima Sunday (Estomihi Sunday)) Thomaskirche Leipzig B minor Sacred Cantatas Soli: S A T, Coro: S A T B, Cornetto, Trombone I-III, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA V.1/3, NBA I/8.1: 3; Klavierauszug: Breitkopf und Härtel After the Sermon; Movement IV added; With Brass instruments; Recorded
182 A172 (Version Leipzig 1724) -- -- Himmelskönig, sei willkommen, BWV 182 Most likely Salomo Franck 25 March 1724 Feste Mariae Verkündigung(Feast of the Annunciation) Leipzig G major Sacred Cantatas Soli: A T B, Coro: S A T B, Flauto, Violino I/II, Viola I/II, Continuo See Version 1714 New version of Flauto solo in Movement V; Recorded
Anh. I 199 -- -- -- Siehe, eine Jungfrau ist schwanger, BWV Anh. 199 Unknown librettist 25 March 1724 Feste Mariae Verkündigung(Feast of the Annunciation) Leipzig -- Sacred Cantatas -- -- Music and Text lost
245 D2a -- -- Johannes-Passion "Herr, unser Herrscher" (St John Passion) Unknown librettist 7 April 1724 Karfreitagsvesper(Good Friday Vespers) Nikolaikirche Leipzig G minor Passions Soli: S A T B, Coro: S A T B, Oboe I/II, Oboe d'amore, Oboe da caccia I/II, Violino I/II, Viola d'amore I/II, Viola, Viola da gamba, Liuto, Organo, Continuo Full Score: NBA II/4 and Anhang I No Flutes in work; Solos for Movement IX most likely Violins; Movement 33 only 3 measures long (Markus 15: 38); Movements XXXIV and XXXV without winds (Movement XXXV perhaps with Viola d'Amore set); Recorded
31 A55b (Version 1724) -- -- Der Himmel lacht! Die Erde jubilieret, BWV 31 Salomo Franck 9 April 1724 1. Ostertag(1st Day of Easter (Easter Sunday)) Early at the Nikolaikirche Leipzig, Vespers at the Thomaskirche Leipzg C major Sacred Cantatas Soli: S T B, Coro: S.I S.II A T B, Tromba I-III, Tamburi, Oboe I-III, Taille, Violino I/II, Viola I/II, Violoncello I/II, Fagotto, Continuo Full Score: BGA VII/1, NBA I/9: 2, Carus-Verlag; Klavierauszug: Breitkopf und Härtel Setting without Oboes I/II, Taille, and Fagotto; Movement VIII Cantus Firmus set with Viola I/II?, Violoncello in b.c., and Oboe I obligato; Recorded
4 A54b (Version 1724) -- -- Christ lag in Todes Banden, BWV 4 Martin Luther 9 April 1724 1. Ostertag(1st Day of Easter (Easter Sunday)) Early at the Nikolaikirche Leipzig, Vespers at the Thomaskirche Leipzg E minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Violino I/II, Viola I/II, Continuo Full Score: BGA I/4, NBA I/9: 1, Carus-Verlag; TP: Bärenreiter, Carus-Verlag, Editions Eulenburg, Sammelband IBA Nr.16; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Movement VIII now 4-part Chorale; still no Brass instruments; Recorded
66 A56 -- -- Erfreut euch, ihr Herzen, BWV 66 ("Dialogus") Unknown librettist 10 April 1724 2. Ostertag(2nd Day of Easter (Easter Monday)) Early at the Thomaskirche Leipzig, Vespers at the Nikolaikirche Leipzg D major Sacred Cantatas Soli: A T B, Coro: S A T B, Tromba, Oboe I/II, Fagotto, Violino solo, Violino I/II, Viola, Continuo Full Score: BGA XVI/6, NBA I/10: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Trumpet set ad libitum; Recorded
134 A59a (Version 1724) -- -- Ein Herz, das seinen Jesum lebend weiß, BWV 134 Unknown librettist 11 April 1724 3. Ostertag(3rd Day of Easter (Easter Tuesday)) Nikolaikirche Leipzg B major Sacred Cantatas Soli: A T, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XXVIII/4, NBA I/10: 3 and Anhang Recorded
67 A62 (Version 1724) -- -- Halt im Gedächtnis Jesum Christ, BWV 67 Unknown librettist 16 April 1724 Sonntag Quasimodogeniti(Quasimodogeniti Sunday) Thomaskirche Leipzg A major Sacred Cantatas Soli: A T B, Coro: S A T B, Corno da tirarsi, Flauto traverso, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XVI/7, NBA I/11.1: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag, Sammelband IBA Nr. 6 Movement II with Oboe d'Amore I but without Flauto traverso; Recorded
104 A65 -- -- Du Hirte Israel, höre, BWV 104 Unknown librettist 23 April 1724 Sonntag Misericordias Domini(Misericordias Domini Sunday) Nikolaikirche Leipzg G major Sacred Cantatas Soli: T B, Coro: S A T B, Oboe I/II, Taille (Oboe da caccia), Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIII/4, NBA I/11.1: 3, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
12 A68 -- -- Weinen, Klagen, Sorgen, Zagen, BWV 12 Salomo Franck 30 April 1724 Sonntag Jubilate(Jubilate Sunday) Leipzg G minor Sacred Cantatas Soli: A T B, Coro: S A T B, Tromba, Oboe, Fagotto, Violino I/II, Viola I/II, Continuo Full Score: BGA II/2, NBA I/11.2: 1, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
166 A71 -- -- Wo gehest du hin? BWV 166 Unknown librettist 7 May 1724 Sonntag Cantate(Cantate Sunday) Leipzg B major Sacred Cantatas Soli: A T B, Coro: S A T B, Oboe, Violino I/II, Viola, Continuo Full Score: BGA XXXIII/6, NBA I/12: 1; Klavierauszug: Breitkopf und Härtel 2nd Obligato part lost (reconstructed) possibly Violin; Recorded
86 A73 -- -- Wahrlich, wahrlich, ich sage euch, BWV 86 Unknown librettist 14 May 1724 Sonntag Rogate(Rogate Sunday) Leipzg E major Sacred Cantatas Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XX.1/6, NBA I/12: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
37 A75 -- -- Wer da gläubet und getauft wird, BWV 37 Unknown librettist 18 May 1724 Festo Ascensionis Christi (Himmelfahrt)(Feast of the Ascension) Leipzg A major Sacred Cantatas Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA VII/7, NBA I/12: 5, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Obligato part to Movement II lost (most likely Violino); Recorded
44 A78 -- -- Sie werden euch in den Bann tun, BWV 44 Unknown librettist 21 May 1724 Sonntag Exaudi(Exaudi Sunday) Early at the Thomaskirche Leipzg G minor Sacred Cantatas Soli: S A T B, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA X/4, NBA I/12: 8; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
172 A81b (1st Leipzig Version) -- -- Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 Probably Salomo Franck 28 May 1724 1. Pfingsttag(1st Day of Pentecost (Whit Sunday)) Leipzg D major Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Oboe, Violino I/II, Viola I/II, Fagotto, Fagotto, Violoncello, Organo obligato, Continuo Full Score: BGA XXXV/2, NBA I/13: 2; TP: Bärenreiter; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Before the Sermon; Movement I repeated at conclusion; With Flauto traverso in Movements I, IV, and VI; Recorded
59 A82 -- -- Wer mich liebet, der wird mein Wort halten, BWV 59 Erdmann Neumeister 28 May 1724 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) Leipzig C major Sacred Cantatas Soli: S B, Coro: S A T B, Tromba I/II, Tamburi, Violino I/II, Viola, Continuo Full Score: BGA XII.2/9, NBA I/13: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Bärenreiter, Breitkopf und Härtel, Carus-Verlag Movements I-IV in the following order: I, II, IV, III; Movements I and IV reused as Movements I and II in BWV 74; Movement III reused as Movement Movement VII in BWV 175; Recorded
Anh. II 24/Anh. III 167 -- I/P/6 -- Missa in A minor, BWV Anh. II 24 Unknown librettist 28 May 1724 1. Pfingsttag (1st Day of Pentecost (Whit Sunday)) Leipzig A minor Masses and Mass movements (Missa (Bach)) Coro: S A T B, Violino I/II, Viola, Continuo -- By Johann Christoph Pez; Recorded
173 A85 -- -- Erhöhtes Fleisch und Blut, BWV 173 Unknown librettist 29 May 1724 2. Pfingsttag (2nd Day of Pentecost (Whit Monday)) Leipzig D major Sacred Cantatas Soli: S A T B, Coro: S A T B, Flauto traverso I/II, Violino I/II, Viola, Continuo Full Score: BGA XXXV/3, NBA I/14: 1; Klavierauszug: Breitkopf und Härtel Music parodied from BWV 173a Movements I-V (for Movements I-V) and Movement VIII (for Movement VI); Recorded
184 A88 -- -- Erwünschtes Freudenlicht, BWV 184 Unknown librettist 30 May 1724 3. Pfingsttag (3rd Day of Pentecost (Whit Tuesday)) Leipzig G major Sacred Cantatas Soli: S A T, Coro: S A T B, Flauto traverso I/II, Violino I/II, Viola, Continuo Full Score: BGA XXXVII/4, NBA I/14: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movements I-IV and VI parodied from BWV 184a Movements I-V; Movement VI in 1733 reused as Movement XIII of BWV 213 and in 1735 as Movement I (43) of BWV 248/V; Recorded
165 A90 -- -- O heilges Geist- und Wasserbad, BWV 165 Salomo Franck 4 June 1724 Trinitatis (Trinity Sunday) Leipzig G major Sacred cantatas Soli: S A T B, Coro: S A T B, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXXIII/5, NBA I/15: 1; Klavierauszug: Breitkopf und Härtel Preparation of a new score copy (with revisions?); Recorded
194 A91a (1st Leipzig Version) -- -- Höchsterwünschtes Freudenfest, BWV 194 Unknown librettist 4 June 1724 Trinitatis (Trinity Sunday) Leipzig B major Sacred cantatas Soli: S T B, Coro: S A T B, Oboe I-III, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXIX/9, NBA I/31: 5; Klavierauszug: Breitkopf und Härtel End of 1st year in Leipzig and 1st Cantata Cycle; Recorded
20 A95 -- -- O Ewigkeit, du Donnerwort, BWV 20 Unknown librettist 11 June 1724 1. Sonntag nach Trinitatis (Sonntag Corpus Christi) (1st Sunday after Trinity (Corpus Christi Sunday)) Nikolaikirche Leipzig F major Sacred cantatas Soli: A T B, Coro: S A T B, Tromba, Tromba da tirarsi, Oboe I-III, Violino I/II, Viola, Continuo Full Score: BGA II/10, NBA I/15: 5, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movements I and VII with Tromba da tirarsi; 1st work of 2nd Leipzig Year and 2nd Cantata Cycle (Chorale Cantatas); Recorded
2 A98 -- -- Ach Gott, vom Himmel sieh darein, BWV 2 Unknown librettist 18 June 1724 2. Sonntag nach Trinitatis (2nd Sunday after Trinity) Leipzig G minor Sacred cantatas Soli: A T B, Coro: S A T B, Trombone I-IV, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA I/2, NBA I/16: 2, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
7 A177 -- -- Christ unser Herr zum Jordan kam, BWV 7 Unknown librettist 24 June 1724 Johannistag (Feast of the Nativity of St. John the Baptist) Leipzig E minor Sacred cantatas Soli: A T B, Coro: S A T B, Oboe d'amore I/II, Violino concertante I/II, Violino I/II, Viola, Continuo Full Score: BGA I/7, NBA I/29: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
135 A100 -- -- Ach Herr, mich armen Sünder, BWV 135 Unknown librettist 25 June 1724 3. Sonntag nach Trinitatis (3rd Sunday after Trinity) Leipzig A minor Sacred cantatas Soli: A T B, Coro: S A T B, Cornetto, Trombone, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XXVIII/5, NBA I/16: 4; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Performance probably without Bach's involvement, as he was testing an Organ in Gera on that date; Recorded
10 A175 -- -- Meine Seel erhebt den Herren, BWV 10 Unknown librettist 2 July 1724 Festo Mariae Heimsuchung (Feast of the Visitation of Mary) Leipzig G minor Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA I/10, NBA I/28.2: 3; Klavierauszug: Breitkopf und Härtel 4th Sunday after Trinity that year fell on 2 July, hence the Feast of the Visitation took presedence; Movement V with Trumpet; Movement V ca. 1748/1749 reused as BWV 648 (BC K25); Recorded
93 A104 -- -- Wer nur den lieben Gott läßt walten, BWV 93 Unknown librettist 9 July 1724 5. Sonntag nach Trinitatis (5th Sunday after Trinity) Leipzig C minor Sacred cantatas Soli: S A T B, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XXII/3, NBA I/17.2: 1; TP: Editions Eulenburg Movement IV ca. 1748/1749 reused as BWV 647 (BC K24); Recorded
-- -- -- -- -- -- 16 July 1724 6. Sonntag nach Trinitatis (6th Sunday after Trinity) -- -- -- -- -- Skipped
107 A109 -- -- Was willst du dich betrüben, BWV 107 Johann Heermann 23 July 1724 7. Sonntag nach Trinitatis (7th Sunday after Trinity) Leipzig B minor Sacred cantatas Soli: S T B, Coro: S A T B, Corno da caccia, Flauto traverso I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIII/7, NBA I/18: 3; Klavierauszug: Breitkopf und Härtel First known evidence of use of Transverse Flute in Leipzig; Recorded
178 A112 -- -- Wo Gott der Herr nicht bei uns hält, BWV 178 Unknown librettist 30 July 1724 8. Sonntag nach Trinitatis (8th Sunday after Trinity) Leipzig A minor Sacred cantatas Soli: A T B, Coro: S A T B, Oboe I/II, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXXV/8 (other instrumental parts in BGA XLI/11), NBA I/18: 6, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag After 1750 performed in Leipzig by Bach's successor Johann Gottlob Harrer and in Halle by Wilhelm Friedemann Bach; Recorded
94 A115 -- -- Wo Gott der Herr nicht bei uns hält, BWV 178 Unknown librettist 6 August 1724 9. Sonntag nach Trinitatis (9th Sunday after Trinity) Leipzig D major Sacred cantatas Soli: S A T B, Coro: S A T B, Flauto traverso, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Continuo Full Score: BGA XIX/4, NBA I/19: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag With Organ in Movements II, IV, and VII; possibly by performance Flauto traverso replaced by Recorder?; Recorded
101 A118 (Orignial version) -- -- Nimm von uns, Herr, du treuer Gott, BWV 101 Unknown librettist before 13 August 1724 10. Sonntag nach Trinitatis (10th Sunday after Trinity) Leipzig D minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Tromba I-III, Oboe I/II, Oboe da caccia (Taille), Flauto traverso solo, Violino I/II, Viola, Continuo Full Score: NBA I/19: 5 and Anhang Movement II with Flauto traverso solo; Recorded
101 A118 -- -- Nimm von uns, Herr, du treuer Gott, BWV 101 Unknown librettist 13 August 1724 10. Sonntag nach Trinitatis (10th Sunday after Trinity) Leipzig D minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Tromba I-III, Oboe I/II, Oboe da caccia (Taille), Violino solo, Violino I/II, Viola, Continuo Full Score: BGA XXIII/1, NBA I/19: 5, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement II with Violino solo; Recorded
113 A122 -- -- Herr Jesu Christ, du höchstes Gut, BWV 113 Unknown librettist 20 August 1724 11. Sonntag nach Trinitatis (11th Sunday after Trinity) Leipzig B minor Sacred cantatas Soli: S A T B, Coro: S A T B, Flauto traverso, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIV/3, NBA I/20: 7, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
-- -- -- -- -- -- 27 August 1724 12. Sonntag nach Trinitatis (12th Sunday after Trinity) -- -- -- -- -- Skipped
-- -- -- -- -- -- 28 August 1724 Ratswahl (Change of Town Council) -- -- -- -- -- Text and Music lost
33 A127 -- -- Allein zu dir, Herr Jesu Christ, BWV 33 Unknown librettist 3 September 1724 13. Sonntag nach Trinitatis (13th Sunday after Trinity) Leipzig A minor Sacred cantatas Soli: A T B, Coro: S A T B, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA VII/3, NBA I/21: 2; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
78 A130 (Version 1724) -- -- Jesu, der du meine Seele, BWV 78 Unknown librettist 10 September 1724 14. Sonntag nach Trinitatis (14th Sunday after Trinity) Leipzig G minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Oboe I/II, Violino I/II, Viola, Violone, Organo, Continuo Full Score: BGA XVIII/8, NBA I/21: 5, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movements I and VII with Horn, but without Flauto traverso; Recorded
99 A133 -- -- Was Gott tut, das ist wohlgetan, BWV 99 Unknown librettist 17 September 1724 15. Sonntag nach Trinitatis (15th Sunday after Trinity) Leipzig G major Sacred cantatas Soli: S A T B, Coro: S A T B, Cornetto, Flauto traverso, Oboe d'amore, Violino I/II, Viola, Continuo Full Score: BGA XXII/9, NBA I/22: 2, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement I ca. 1734 reused as Movement I of BWV 100; Recorded
8 A137 (Original Version) -- -- Liebster Gott, wenn werd ich sterben? BWV 8 Unknown librettist Before 24 September 1724 16. Sonntag nach Trinitatis (16th Sunday after Trinity) Leipzig E major Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Flauto piccolo, Oboe d'amore I/II, Violino I/II, Viola, Continuo -- Movements I, IV, and VI set with Flauto piccolo instead of Flauto traverso
8 A137a (Early Version) -- -- Liebster Gott, wenn werd ich sterben? BWV 8 Unknown librettist 24 September 1724 16. Sonntag nach Trinitatis (16th Sunday after Trinity) Leipzig E major Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Flauto piccolo, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA I/8, NBA I/23: 4, Carus-Verlag (E major); TP: Carus-Verlag (E major); Klavierauszug: Breitkopf und Härtel, Carus-Verlag (E major) Movement I with Flauto traverso instead of Flauto piccolo, Measures 41-50 adapted; Movement IV with Flauto traverso/piccolo; Movement VI with Flauto traverso/piccolo all' ottava; Recorded
130 A179a (Earlier Version) -- -- Herr Gott, dich loben alle wir, BWV 130 Unknown librettist 29 September 1724 Michaelistag (Michaelmas) Leipzig C major Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto traverso, Oboe I-III, Violino I/II, Viola, Continuo Full Score: BGA XXVI/10, NBA I/30: 1; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement III with Trumpets I-III and Timpani; Recorded
114 A139 -- -- Ach, lieben Christen, seid getrost, BWV 114 Unknown librettist 1 October 1724 17. Sonntag nach Trinitatis (17th Sunday after Trinity) Nikolaikirche Leipzig G minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Flauto traverso solo, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIV/4, NBA I/23: 8, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
96 A142 (Earlier Version) -- -- Herr Christ, der einge Gottessohn, BWV 96 Unknown librettist 8 October 1724 18. Sonntag nach Trinitatis (18th Sunday after Trinity) Thomaskirche Leipzig F major Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Trombone, Flauto traverso, Flauto piccolo, Oboe I/II, Violino piccolo, Violino I/II, Viola, Continuo Full Score: BGA XXII/6, NBA I/24: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement I with Flauto piccolo; Recorded
5 A145 -- -- Wo soll ich fliehen hin, BWV 5 Unknown librettist 15 October 1724 19. Sonntag nach Trinitatis (19th Sunday after Trinity) Nikolaikirche Leipzig G minor Sacred cantatas Soli: S A T B, Coro: S A T B, Tromba da tirarsi, Oboe I/II, Violino I/II, Viola, Violoncello, Continuo Full Score: BGA I/5, NBA I/24: 4, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
180 A149 -- -- Schmücke dich, o liebe Seele, BWV 180 Unknown librettist 22 October 1724 20. Sonntag nach Trinitatis (20th Sunday after Trinity) Thomaskirche Leipzig F major Sacred cantatas Soli: S A T B, Coro: S A T B, Flauto I/II, Flauto traverso, Oboe, Oboe da caccia, Violino I/II, Viola, Violoncello piccolo, Continuo Full Score: BGA XXXV/10, NBA I/25: 3, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
38 A152 -- -- Aus tiefer Not schrei ich zu dir, BWV 38 Unknown librettist 29 October 1724 21. Sonntag nach Trinitatis (21st Sunday after Trinity) Thomaskirche Leipzig E Phrygian Sacred cantatas Soli: S A T B, Coro: S A T B, Trombone I-IV, Oboe I/II, Violino I/II, Viola, Continuo Full Score: BGA VII/8, NBA I/25: 6, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
76/II A185(b) -- -- Gott segne noch die treue Schar, BWV 76/II Unknown librettist 31 October 1724 Reformationsfest (Reformation Day) Leipzig E minor Sacred cantatas Soli: A T B, Coro: S A T B, Tromba, Oboe I/II, Oboe d'amore, Violino I/II, Violino solo, Viola da gamba, Continuo Full Score: BGA XVIII/6, NBA I/16: 1, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement I ca. 1730 arranged as Movement I of BWV 528; Recorded
-- -- I/T/1 TWV 8: 6 Der Herr ist König, TWV 8: 6 Unknown librettist 31 October 1724 Reformationsfest (Reformation Day) Paulinerkirhce, Leipzig ? Motets Coro: S A T B -- 1 Movement arranged by Bach
115 A156 -- -- Mache dich, mein Geist, bereit, BWV 115 Unknown librettist 5 November 1724 22. Sonntag nach Trinitatis (22nd Sunday after Trinity) Leipzig G major Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Oboe d'amore, Violino I/II, Viola, Violoncello piccolo, Continuo Full Score: BGA XXIV/5, NBA I/26: 2, Carus-Verlag; TP: Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
139 A159 -- -- Wohl dem, der sich auf seinen Gott, BWV 139 Unknown librettist 12 November 1724 23. Sonntag nach Trinitatis (23rd Sunday after Trinity) Leipzig E major Sacred cantatas Soli: S A T B, Coro: S A T B, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXVIII/9, NBA I/26: 6; Klavierauszug: Breitkopf und Härtel 2nd Obligato Instrument in Movement II lost; Recorded
26 A162 -- -- Ach wie flüchtig, ach wie nichtig, BWV 26 Unknown librettist 19 November 1724 24. Sonntag nach Trinitatis (24th Sunday after Trinity) Leipzig A minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Flauto traverso, Oboe I-III, Violino solo, Violino I/II, Viola, Organo, Continuo Full Score: BGA V.1/6, NBA I/27: 2; TP: Bärenreiter; Klavierauszug: Breitkopf und Härtel Recorded
116 A164 -- -- Du Friedefürst, Herr Jesu Christ, BWV 116 Unknown librettist 26 November 1724 25. Sonntag nach Trinitatis (25th Sunday after Trinity) Leipzig A major Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXIV/6, NBA I/27: 4; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Movement IV in two different versions; Recorded
62 A2 -- -- Nun komm, der Heiden Heiland, BWV 62 Unknown librettist 3 December 1724 1. Adventsonntag (1st Sunday of Advent) Leipzig B minor Sacred cantatas Soli: S A T B, Coro: S A T B, Corno, Oboe I/II, Violino I/II, Viola, Violone, Continuo Full Score: BGA XVI/2, NBA I/1: 4, Carus-Verlag; TP: Editions Eulenburg, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Original parts of Movement IV with Violins and Violas all'ottava along with Solo Bass and b.c., Fair Score Copy of Movement IV only Solo Bass and b.c.; Recorded
91 A9a (Early Version) -- -- Gelobet seist du, Jesu Christ, BWV 91 Unknown librettist 25 December 1724 1. Weinachtstag (1st Day of Christmas (Christmas Day)) Leipzig G major Sacred cantatas Soli: S A T B, Coro: S A T B, Corno I/II, Tamburi, Oboe I-III, Violino I/II, Viola, Fagotto, Continuo Full Score: BGA XXII/1, NBA I/2: 4, Carus-Verlag; TP: Bärenreiter, Carus-Verlag; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
232 III E12 -- -- Sanctus in D major, BWV 232 III Unknown librettist 25 December 1724 1. Weinachtstag (1st Day of Christmas (Christmas Day)) Leipzig D major Masses and Mass movements (Sanctuses) Coro: S.I S.II A.I A.II T B, Tromba I-III, Tamburi, Oboe I-III, Violino I/II, Viola, Continuo Full Score: BGA VI/3, NBA II/1a: 3 Recorded
121 A13 -- -- Christum wir sollen loben schon, BWV 121 Unknown librettist 26 December 1724 2. Weinachtstag (Stephanustag) (2nd Day of Christmas (St. Stephen's Day)) Leipzig E dorian Sacred cantatas Soli: S A T B, Coro: S A T B, Cornetto, Trombone I-III, Oboe d'amore, Violino I/II, Viola, Continuo Full Score: BGA XXVI/1, NBA I/3.1: 2; Klavierauszug: Breitkopf und Härtel Recorded
133 A16 -- -- Ich freue mich in dir, BWV 133 Unknown librettist 27 December 1724 3. Weinachtstag (Johannesstag) (3rd Day of Christmas (Feast of St. John the Apostle (St. John the Evangelist))) Leipzig D major Sacred cantatas Soli: S A T B, Coro: S A T B, Cornetto, Oboe d'amore I/II, Violino I/II, Viola, Continuo Full Score: BGA XXVIII/3, NBA I/3.1: 5; Klavierauszug: Breitkopf und Härtel, Carus-Verlag Recorded
122 A19 -- -- Das neugeborne Kindelein, BWV 122 Unknown librettist 31 December 1724 Sonntag nach Weinachtsen (Sylvestertag) (Sunday after Christmas Day (Feast of St. Sylvester)) Leipzig G minor Sacred cantatas Soli: S A T B, Coro: S A T B, Flauto I-III, Oboe I/II, Taille, Violino I/II, Viola, Continuo Full Score: BGA XXVIII/3, NBA I/3.1: 5; Klavierauszug: Breitkopf und Härtel Recorded
120 B6 {{LinkWorkN|Gott, man lobet dich in der Stille|BWV 120|Bach|Johann Sebastian|0}} A major 1728–29? Secular cantatas For 4 voices, mixed chorus, orchestra re-used in BWV 120a, 120b
120a B15 {{LinkWorkN|Herr Gott, Beherrscher aller Dinge|BWV 120a|Bach|Johann Sebastian|0}} D major 1729? Secular cantatas For 4 voices, mixed chorus, orchestra based on BWV 120; partly lost
120b B28 Gott, man lobet dich in der Stille 1730 Secular cantatas lost
121 A13 {{LinkWorkN|Christum wir sollen loben schon|BWV 121|Bach|Johann Sebastian|0}} E minor 1724 Sacred cantatas For 4 voices, mixed chorus, orchestra
122 A19 {{LinkWorkN|Das neugeborne Kindelein|BWV 122|Bach|Johann Sebastian|0}} G minor 1724 Sacred cantatas For 4 voices, mixed chorus, orchestra
123 A28 {{LinkWorkN|Liebster Immanuel, Herzog der Frommen|BWV 123|Bach|Johann Sebastian|0}} B minor 1725 Sacred cantatas For 3 voices, mixed chorus, orchestra
124 A30 {{LinkWorkN|Meinen Jesum lass ich nicht|BWV 124|Bach|Johann Sebastian|0}} E major 1725 Sacred cantatas For 4 voices, mixed chorus, orchestra
125 A168 {{LinkWorkN|Mit Fried und Freud ich fahr dahin|BWV 125|Bach|Johann Sebastian|0}} E minor 1725 Sacred cantatas For 3 voices, mixed chorus, orchestra
126 A46 {{LinkWorkN|Erhalt uns, Herr, bei deinem Wort|BWV 126|Bach|Johann Sebastian|0}} A minor 1725 Sacred cantatas For 3 voices, mixed chorus, orchestra
127 A49 {{LinkWorkN|Herr Jesu Christ, wahr' Mensch und Gott|BWV 127|Bach|Johann Sebastian|0}} F major 1725 Sacred cantatas For 3 voices, mixed chorus, orchestra
128 A76 {{LinkWorkN|Auf Christi Himmelfahrt allein|BWV 128|Bach|Johann Sebastian|0}} G major 1725 Sacred cantatas For 3 voices, mixed chorus, orchestra
129 A93 {{LinkWorkN|Gelobet sei der Herr, mein Gott|BWV 129|Bach|Johann Sebastian|0}} D major 1726 Sacred cantatas For 3 voices, mixed chorus, orchestra
130 A179 {{LinkWorkN|Herr Gott, dich loben alle wir|BWV 130|Bach|Johann Sebastian|0}} C major 1724 Sacred cantatas For 4 voices, mixed chorus, orchestra
131 B25 {{LinkWorkN|Aus der Tiefe rufe ich, Herr, zu dir|BWV 131|Bach|Johann Sebastian|0}} G minor 1707–08 Sacred cantatas For 4 voices, mixed chorus, orchestra
131a J62 Fugue G minor Fugues For organ Bach's authorship uncertain; arranged from the finale of BWV 131
132 A6 {{LinkWorkN|Bereitet die Wege, bereitet die Bahn|BWV 132|Bach|Johann Sebastian|0}} A major 1715 Sacred cantatas For 4 voices, mixed chorus, orchestra
133 A16 {{LinkWorkN|Ich freue mich in dir|BWV 133|Bach|Johann Sebastian|0}} D major 1724 Sacred cantatas For 4 voices, mixed chorus, orchestra
134 A59 {{LinkWorkN|Ein Herz, das seinen Jesum lebend weiss|BWV 134|Bach|Johann Sebastian|0}} B major 1724 Sacred cantatas For 2 voices, mixed chorus, orchestra based on BWV 134a
134a G5 {{LinkWorkN|Die Zeit, die Tag und Jahre macht|BWV 134a|Bach|Johann Sebastian|0}} B major 1718 Sacred cantatas For 2 voices, mixed chorus, orchestra revised as BWV 134
135 A100 {{LinkWorkN|Ach Herr, mich armen Sünder|BWV 135|Bach|Johann Sebastian|0}} E minor 1724 Sacred cantatas For 3 voices, mixed chorus, orchestra
136 A111 {{LinkWorkN|Erforsche mich, Gott, und erfahre mein Herz|BWV 136|Bach|Johann Sebastian|0}} A major 1723 Sacred cantatas For 3 voices, mixed chorus, orchestra partly re-used in BWV 234
137 A124 {{LinkWorkN|Lobe den Herren, den mächtigen König der Ehren|BWV 137|Bach|Johann Sebastian|0}} C major 1725 Sacred cantatas For 4 voices, mixed chorus, orchestra movt.II adapted in BWV 650
138 A132 {{LinkWorkN|Warum betrübst du dich, mein Herz|BWV 138|Bach|Johann Sebastian|0}} B minor 1723 Sacred cantatas For 4 voices, mixed chorus, orchestra partly re-used in BWV 236
139 A159 {{LinkWorkN|Wohl dem, der sich auf seinen Gott|BWV 139|Bach|Johann Sebastian|0}} E major 1724 Sacred cantatas For 4 voices, mixed chorus, orchestra
140 A166 {{LinkWorkN|Wachet auf, ruft uns die Stimme|BWV 140|Bach|Johann Sebastian|0}} E major 1731 Sacred cantatas For 3 voices, mixed chorus, orchestra movt.IV adapted in BWV 645
141 V3 {{LinkWorkN|Das ist je gewisslich wahr|BWV 141|Bach|Johann Sebastian|0}} G major Sacred cantatas For 3 voices, mixed chorus, orchestra spurious; composed by {{LinkComp|Georg Philipp|Telemann}}
142 V4 {{LinkWorkN|Uns ist ein Kind geboren||Kuhnau|Johann|0}} A minor Sacred cantatas For 3 voices, mixed chorus, orchestra spurious; probably compoed by {{LinkComp|Johann|Kuhnau}}
143 T1 {{LinkWorkN|Lobe den Herrn, meine Seele|BWV 143|Bach|Johann Sebastian|0}} B major 1708–14 Sacred cantatas For 3 voices, mixed chorus, orchestra Bach's authorship uncertain
144 A41 {{LinkWorkN|Nimm, was dein ist, und gehe hin|BWV 144|Bach|Johann Sebastian|0}} B minor 1724 Sacred cantatas For 3 voices, mixed chorus, orchestra
145 A60 {{LinkWorkN|Ich lebe, mein Herze, zu deinem Ergötzen|BWV 145|Bach|Johann Sebastian|0}} D major 1729 Sacred cantatas For 3 voices, mixed chorus, orchestra
146 A70 {{LinkWorkN|Wir müssen durch viel Trübsal|BWV 146|Bach|Johann Sebastian|0}} D minor 1726 Sacred cantatas For 4 voices, mixed chorus, orchestra partly based on BWV 1052
147 A174 {{LinkWorkN|Herz und Mund und Tat und Leben|BWV 147|Bach|Johann Sebastian|0}} C major 1723 Sacred cantatas For 4 voices, mixed chorus, orchestra based on BWV 147a
147a A7 Herz und Mund und Tat und Leben 1716 Sacred cantatas lost; revised as BWV 147
148 A140 {{LinkWorkN|Bringet dem Herrn Ehre seines Namens|BWV 148|Bach|Johann Sebastian|0}} D major 1723 Sacred cantatas For 2 voices, mixed chorus, orchestra
149 A181 {{LinkWorkN|Man singet mit Freuden vom Sieg|BWV 149|Bach|Johann Sebastian|0}} D major 1729 Sacred cantatas For 4 voices, mixed chorus, orchestra
150 B24 {{LinkWorkN|Nach dir, Herr, verlanget mich|BWV 150|Bach|Johann Sebastian|0}} B minor 1706 Secular cantatas For 4 voices, mixed chorus, orchestra
151 A17 {{LinkWorkN|Süsser Trost, mein Jesus kömmt|BWV 151|Bach|Johann Sebastian|0}} G major 1726, rev. 1727? Sacred cantatas For 4 voices, mixed chorus, orchestra
152 A18 {{LinkWorkN|Tritt auf die Glaubensbahn|BWV 152|Bach|Johann Sebastian|0}} 1714 Sacred cantatas For 2 voices, orchestra
153 A25 {{LinkWorkN|Schau, lieber Gott, wie meine Feind|BWV 153|Bach|Johann Sebastian|0}} A minor 1723 Sacred cantatas For 3 voices, mixed chorus, orchestra
154 A29 {{LinkWorkN|Mein liebster Jesus ist verloren|BWV 154|Bach|Johann Sebastian|0}} B minor 1724 Sacred cantatas For 3 voices, mixed chorus, orchestra
155 A32 {{LinkWorkN|Mein Gott, wie lang, ach lange|BWV 155|Bach|Johann Sebastian|0}} D minor 1716 Sacred cantatas For 4 voices, mixed chorus, orchestra
156 A38 {{LinkWorkN|Ich steh mit einem Fuss im Grabe|BWV 156|Bach|Johann Sebastian|0}} F major 1729 Sacred cantatas For 3 voices, mixed chorus, orchestra sinfonia based on BWV 1056
157 A170 {{LinkWorkN|Ich lasse dich nicht, du segnest mich denn!|BWV 157|Bach|Johann Sebastian|0}} B minor 1728 Sacred cantatas For 2 voices, mixed chorus, orchestra based on BWV 157a
157a B20 Ich lasse dich nicht, du segnest mich denn! B minor 1727 Secular cantatas For 2 voices, mixed chorus, orchestra revised as BWV 157
158 A61 {{LinkWorkN|Der Friede sei mit dir|BWV 158|Bach|Johann Sebastian|0}} D major 1732–35 Sacred cantatas For voice, mixed chorus, oboe, violin, continuo based on BWV 158a
158a A61 Der Friede sei mit dir D major 1732–35 Sacred cantatas For voice, mixed chorus, oboe, violin, continuo incomplete; revised as BWV 158
159 A50 {{LinkWorkN|Sehet, wir geh'n hinauf gen Jerusalem|BWV 159|Bach|Johann Sebastian|0}} C minor 1729 Sacred cantatas For 3 voices, mixed chorus, orchestra
160 V5 {{LinkWorkN|Ich weiss, dass mein Erlöser lebt|BWV 160|Bach|Johann Sebastian|0}} C major Sacred cantatas For voice, bassoon, violin, continuo spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:877)
161 A135 {{LinkWorkN|Komm, du süsse Todesstunde|BWV 161|Bach|Johann Sebastian|0}} C major 1715 Sacred cantatas For 2 voices, mixed chorus, orchestra
162 A90 {{LinkWorkN|Ach! ich sehe, itzt, da ich zur Hochzeit gehe|BWV 162|Bach|Johann Sebastian|0}} A minor 1716 Sacred cantatas For 4 voices, mixed chorus, orchestra incomplete
163 A158 {{LinkWorkN|Nur jedem das Seine|BWV 163|Bach|Johann Sebastian|0}} B mnor 1715 Sacred cantatas For 4 voices, mixed chorus, orchestra
164 A128 {{LinkWorkN|Ihr, die ihr euch von Christo nennet|BWV 164|Bach|Johann Sebastian|0}} G minor 1725 Sacred cantatas For 4 voices, mixed chorus, orchestra
165 A90 {{LinkWorkN|O heilges Geist- und Wasserbad|BWV 165|Bach|Johann Sebastian|0}} G major 1715 Sacred cantatas For 4 voices, mixed chorus, orchestra
166 A71 {{LinkWorkN|Wo gehest du hin?|BWV 166|Bach|Johann Sebastian|0}} B major 1724 Sacred cantatas For 3 voices, mixed chorus, orchestra incomplete
167 A176 {{LinkWorkN|Ihr Menschen, rühmet Gottes Liebe|BWV 167|Bach|Johann Sebastian|0}} G major 1723 Sacred cantatas For 4 voices, mixed chorus, orchestra
168 A116 {{LinkWorkN|Tue Rechnung! Donnerwort|BWV 168|Bach|Johann Sebastian|0}} B minor 1725 Sacred cantatas For 4 voices, mixed chorus, orchestra
169 A143 {{LinkWorkN|Gott soll allein mein Herze haben|BWV 169|Bach|Johann Sebastian|0}} D major 1726 Sacred cantatas For voice, mixed chorus, orchestra partly based on BWV 1053
170 A106 {{LinkWorkN|Vergnügte Ruh, beliebte Seelenlust|BWV 170|Bach|Johann Sebastian|0}} D major 1726 Sacred cantatas For voice, orchestra
171 A24 {{LinkWorkN|Gott, wie dein Name, so ist auch dein Ruhm|BWV 171|Bach|Johann Sebastian|0}} D major 1728? Sacred cantatas For 4 voices, mixed chorus, orchestra
172/1 A81a {{LinkWorkN|Erschallet, ihr Lieder|BWV 172|Bach|Johann Sebastian|0}} D major 1714 Sacred cantatas For 4 voices, mixed chorus, orchestra 1st version
172/2 A81b {{LinkWorkN|Erschallet, ihr Lieder|BWV 172|Bach|Johann Sebastian|0}} C major 1731 Sacred cantatas For 4 voices, mixed chorus, orchestra 2nd version
173 A85 {{LinkWorkN|Erhöhtes Fleisch und Blut|BWV 173|Bach|Johann Sebastian|0}} D major 1724 Sacred cantatas For 4 voices, mixed chorus, orchestra based on BWV 173a
173a G9 {{LinkWorkN|Durchlauchtster Leopold|BWV 173a|Bach|Johann Sebastian|0}} D major 1717–22? Secular cantatas For 2 voices, orchestra revised as BWV 173
174 A87 {{LinkWorkN|Ich liebe den Höchsten von ganzem Gemüte|BWV 174|Bach|Johann Sebastian|0}} G major 1729 Sacred cantatas For 3 voices, mixed chorus, orchestra
175 A89 {{LinkWorkN|Er rufet seinen Schafen mit Namen|BWV 175|Bach|Johann Sebastian|0}} G major 1725 Sacred cantatas For 3 voices, mixed chorus, orchestra
176 A92 {{LinkWorkN|Es ist ein trotzig und verzagt Ding|BWV 176|Bach|Johann Sebastian|0}} C minor 1725 Sacred cantatas For 3 voices, mixed chorus, orchestra
177 A103 {{LinkWorkN|Ich ruf zu dir, Herr Jesu Christ|BWV 177|Bach|Johann Sebastian|0}} G minor 1732 Sacred cantatas For 3 voices, mixed chorus, orchestra
178 A112 {{LinkWorkN|Wo Gott der Herr nicht bei uns hält|BWV 178|Bach|Johann Sebastian|0}} A minor 1724 Sacred cantatas For 3 voices, mixed chorus, orchestra
179 A121 {{LinkWorkN|Siehe zu, dass deine Gottesfurcht|BWV 179|Bach|Johann Sebastian|0}} G major 1723 Sacred cantatas For 3 voices, mixed chorus, orchestra partly re-used in BWV 234, BWV 236
180 A149 {{LinkWorkN|Schmücke dich, o liebe Seele|BWV 180|Bach|Johann Sebastian|0}} F major 1724 Sacred cantatas For 4 voices, mixed chorus, orchestra
181/1 A45 {{LinkWorkN|Leichtgesinnte Flattergeister|BWV 181|Bach|Johann Sebastian|0}} E minor 1724, rev. 1743–46 Sacred cantatas For 4 voices, mixed chorus, orchestra
182/1 A53 {{LinkWorkN|Himmelskönig, sei willkommen|BWV 182|Bach|Johann Sebastian|0}} G major 1714 Sacred cantatas For 3 voices, mixed chorus, orchestra 1st version
182/2 A172 {{LinkWorkN|Himmelskönig, sei willkommen|BWV 182|Bach|Johann Sebastian|0}} G major 1728 Sacred cantatas For 3 voices, mixed chorus, orchestra 2nd version
183 A79 {{LinkWorkN|Sie werden euch in den Bann tun|BWV 183|Bach|Johann Sebastian|0}} A minor 1725 Sacred cantatas For 4 voices, mixed chorus, orchestra
184 A88 {{LinkWorkN|Erwünschtes Freudenlicht|BWV 184|Bach|Johann Sebastian|0}} G major 1724 Sacred cantatas For 3 voices, mixed chorus, orchestra based on BWV 184a
184a G8 Cantata G major 1720 Sacred cantatas lost; possibly the same as BWV Anh.8; revised as BWV 184
185 A101 {{LinkWorkN|Barmherziges Herze der ewigen Liebe|BWV 185|Bach|Johann Sebastian|0}} F minor 1715 Sacred cantatas For 4 voices, mixed chorus, orchestra
186 A108 {{LinkWorkN|Ärgre dich, o Seele, nicht|BWV 186|Bach|Johann Sebastian|0}} G minor 1723 Sacred cantatas For 4 voices, mixed chorus, orchestra based on BWV 186a
186a A108 Ärgre dich, o Seele, nicht 1716 Sacred cantatas lost; revised as BWV 186
187 A110 {{LinkWorkN|Es wartet Alles auf dich|BWV 187|Bach|Johann Sebastian|0}} G minor 1726 Sacred cantatas For 3 voices, mixed chorus, orchestra parts re-used in BWV 235
188 A154 {{LinkWorkN|Ich habe meine Zuversicht|BWV 188|Bach|Johann Sebastian|0}} D minor 1728 Sacred cantatas For 4 voices, mixed chorus, orchestra sinfonia based on BWV 1052
189 V6 {{LinkWorkN|Meine Seele rühmt und preist||Hoffmann|Melchior|0}} B major Sacred cantatas For voice, orchestra spurious; composed by {{LinkComp|Melchior|Hoffmann}}
190 A21 {{LinkWorkN|Singet dem Herrn ein neues Lied|BWV 190|Bach|Johann Sebastian|0}} D major 1723 Sacred cantatas For 3 voices, mixed chorus, orchestra partly lost; revised as BWV 190a
190a B27 Singet dem Herrn ein neues Lied D major 1730 Secular cantatas lost
191 E16 {{LinkWorkN|Gloria in excelsis Deo|BWV 191|Bach|Johann Sebastian|0}} D major 1741–45 Sacred cantatas For 2 voices, mixed chorus, orchestra based on BWV 232/1
192 A188 {{LinkWorkN|Nun danket alle Gott|BWV 192|Bach|Johann Sebastian|0}} G major 1730 Sacred cantatas For 2 voices, mixed chorus, orchestra partly lost
193 B5 {{LinkWorkN|Ihr Tore zu Zion|BWV 193|Bach|Johann Sebastian|0}} D major 1727 Secular cantatas For 2 voices, mixed chorus, orchestra incomplete
193a G15 Ihr Häuser des Himmels, ihr scheinenden Lichter 1727 Secular cantatas lost
194 A91 {{LinkWorkN|Höchsterwünschtes Freudenfest|BWV 194|Bach|Johann Sebastian|0}} B major 1723 Sacred cantatas For 3 voices, mixed chorus, orchestra based on BWV 194a
194a G11 Cantata [for the consecration of the organ at Störmthal] 1723 Secular cantatas lost; revised as BWV 194
195 B14 {{LinkWorkN|Dem Gerechten muss das Licht|BWV 195|Bach|Johann Sebastian|0}} D major 1727–31, rev. 1742, 1748–49 Secular cantatas partly lost
196 B11 {{LinkWorkN|Der Herr denket an uns|BWV 196|Bach|Johann Sebastian|0}} C major 1707–08 Secular cantatas For 3 voices, mixed chorus, orchestra
197 B16 {{LinkWorkN|Gott ist unsre Zuversicht|BWV 197|Bach|Johann Sebastian|0}} D major 1736–37 Secular cantatas For 3 voices, mixed chorus, orchestra partly based on BWV 197a
197a A11 {{LinkWorkN|Ehre sei Gott in der Höhe|BWV 197a|Bach|Johann Sebastian|0}} D major 1728 Sacred cantatas For 2 voices, mixed chorus, orchestra re-used in BWV 197; partly lost
198 G34 {{LinkWorkN|Lass, Fürstin, lass noch einen Strahl|BWV 198|Bach|Johann Sebastian|0}} (Trauer-Ode) B minor 1727 Secular cantatas For 4 voices, mixed chorus, orchestra partly re-used in BWV 244a, BWV 247
199 A120 {{LinkWorkN|Mein Herze schwimmt im Blut|BWV 199|Bach|Johann Sebastian|0}} C minor 1714 Sacred cantatas For voice, orchestra
200 A192 {{LinkWorkN|Bekennen will ich seinen Namen|BWV 200|Bach|Johann Sebastian|0}} E major 1742–43 Sacred cantatas For voice, 2 violins, continuo incomplete (aria only)
201 G46 {{LinkWorkN|Geschwinde, ihr wirbelnden Winde|BWV 201|Bach|Johann Sebastian|0}} (Der Streit zwischen Phoebus und Pan) D major 1729? Secular cantatas For 6 voices, mixed chorus, orchestra
202 G41 {{LinkWorkN|Weichet nur, betrübte Schatten|BWV 202|Bach|Johann Sebastian|0}} G major 1730? Secular cantatas For voice, oboe, strings, continuo
203 G51 {{LinkWorkN|Amore traditore|BWV 203|Bach|Johann Sebastian|0}} A minor 1723? Secular cantatas For voice, harpsichord Bach's authorship uncertain
204 G45 {{LinkWorkN|Ich bin in mir vergnügt|BWV 204|Bach|Johann Sebastian|0}} B major 1726–27 Secular cantatas For voice, orchestra
205 G36 {{LinkWorkN|Zerreißet, zersprenget, zertrümmert die Gruft|BWV 205|Bach|Johann Sebastian|0}} (Der zufriedengestellte Aeolus) D major 1725 Secular cantatas For 4 voices, mixed chorus, orchestra dramma per musica, for the birthday of Professor Augustus Friedrich Müller; parts re-used in BWV 205a
205a G20 Blast Lärmen, ihr Feinde! verstärket die Macht D major 1731 Secular cantatas incomplete
206/1 G23 {{LinkWorkN|Schleicht, spielende Wellen|BWV 206|Bach|Johann Sebastian|0}} D major 1736 Secular cantatas For 4 voices, mixed chorus, orchestra 1st version
206/2 G26 {{LinkWorkN|Schleicht, spielende Wellen|BWV 206|Bach|Johann Sebastian|0}} D major 1740 Secular cantatas For 4 voices, mixed chorus, orchestra 2nd version
207 G37 {{LinkWorkN|Vereinigte Zwietracht der wechselnden Saiten|BWV 207|Bach|Johann Sebastian|0}} D major 1726 Secular cantatas For 4 voices, mixed chorus, orchestra
207a G22 {{LinkWorkN|Auf, schmetternde Töne der muntern Trompeten|BWV 207a|Bach|Johann Sebastian|0}} D major 1735 Secular cantatas For 4 voices, mixed chorus, orchestra
208/1 G1 {{LinkWorkN|Was mir behagt, ist nur die muntre Jagd|BWV 208|Bach|Johann Sebastian|0}} (Jagdkantate) F major 1713 Secular cantatas For 4 voices, orchestra 1st version of BWV 208/2; partly re-used in BWV 208a, BWV Anh.193
208/2 G3 {{LinkWorkN|Was mir behagt, ist nur die muntre Jagd|BWV 208|Bach|Johann Sebastian|0}} (Jagdkantate) F major 1716? Secular cantatas For 4 voices, orchestra 2nd version of BWV 208/1
208a G26 Was mir behagt, ist nur die muntre Jagd (Frolockender Goetterstreit) F major 1740? Secular cantatas cantata for the nameday of King August III; based on BWV 208; lost
209 G50 {{LinkWorkN|Non sa che sia dolore|BWV 209|Bach|Johann Sebastian|0}} B minor 1729? Secular cantatas For voice, flute, strings, continuo
210 G44 {{LinkWorkN|O holder Tag, erwünschte Zeit|BWV 210|Bach|Johann Sebastian|0}} A major 1738–41? Secular cantatas For voice, orchestra re-used in BWV 210?
210a G29 {{LinkWorkN|O angenehme Melodei|BWV 210a|Bach|Johann Sebastian|0}} A major 1740 Secular cantatas incomplete; based on BWV 210?
211 G48 {{LinkWorkN|Schweigt stille, plaudert nicht|BWV 211|Bach|Johann Sebastian|0}} ("Kaffee-Kantate" / "Coffee Cantata") G major 1732–34 Secular cantatas For 3 voices, orchestra
212 G32 {{LinkWorkN|Mer hahn en neue Oberkeet|BWV 212|Bach|Johann Sebastian|0}} ("Bauernkantate" / "Peasant Cantata") A major 1742 Secular cantatas For 2 voices, orchestra
213 G18 {{LinkWorkN|Laßt uns sorgen, laßt uns wachen|BWV 213|Bach|Johann Sebastian|0}} (Hercules auf dem Scheidewege) F major 1733 Secular cantatas For 5 voices, mixed chorus, orchestra partly re-used in BWV 248/1–5
214 G19 {{LinkWorkN|Tönet, ihr Pauken! Erschallet, Trompeten!|BWV 214|Bach|Johann Sebastian|0}} D major 1733 Secular cantatas For 4 voices, orchestra
215 G21 {{LinkWorkN|Preise dein Glücke, gesegnetes Sachsen|BWV 215|Bach|Johann Sebastian|0}} D major 1734 Secular cantatas For 3 voices, 2 mixed choruses, orchestra partly re-used in BWV 248/1–5
216 G43 {{LinkWorkN|Vergnügte Pleissenstadt|BWV 216|Bach|Johann Sebastian|0}} (Apollo et Mercurius) C major 1728 Secular cantatas For 2 voices (orchestra?) incomplete
216a G47 {{LinkWorkN|Erwählte Pleissenstadt|BWV 216a|Bach|Johann Sebastian|0}} (Apollo et Mercurius) 1728 Secular cantatas lost
217 V7 {{LinkWorkN|Gedenke, Herr, wie es uns gehet|BWV 217|Bach|Johann Sebastian|0}} D minor Sacred cantatas For 4 voices, mixed chorus, orchestra spurious; probably composed by Johann Christoph Altnikol
218 V8 {{LinkWorkN|Gott der Hoffnung erfülle euch|BWV 218|Bach|Johann Sebastian|0}} D major Sacred cantatas For 4 voices, mixed chorus, orchestra spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:634)
219 V9 {{LinkWorkN|Siehe, es hat überwunden|BWV 219|Bach|Johann Sebastian|0}} D major Sacred cantatas For 3 voices, mixed chorus, orchestra spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:1328)
220 V10 {{LinkWorkN|Lobt ihn mit Herz und Munde|BWV 220|Bach|Johann Sebastian|0}} B minor Sacred cantatas For 3 voices, mixed chorus, orchestra spurious; composer unidentified
221 V11 Wer sucht die Pracht, wer wünscht den Glanz B minor Sacred cantatas For 2 voices, orchestra spurious; composer unidentified
222 V12 Mein Odem ist schwach D major Sacred cantatas For 2 voices, mixed chorus, organ, strings spurious; composed by {{LinkComp|Johann Ernst|Bach}}
223 A186 Meine Seele soll Gott loben B major 1707–08? Sacred cantatas incomplete
224 T2 Reißt euch los, bekränkte Sinnen D minor 1724 Sacred cantatas incomplete; spurious; probably composed by {{LinkComp|Carl Philipp Emanuel|Bach}}
225 C1 {{LinkWorkN|Singet dem Herrn ein neues Lied|BWV 225|Bach|Johann Sebastian|0}} B major 1727 Motets For 2 mixed choruses
226 C2 {{LinkWorkN|Der Geist hilft unsrer Schwachheit auf|BWV 226|Bach|Johann Sebastian|0}} B major 1729 Motets For 2 mixed choruses, orchestra
227 C5 {{LinkWorkN|Jesu, meine Freude|BWV 227|Bach|Johann Sebastian|0}} E minor 1723? Motets For mixed chorus
228 C4 {{LinkWorkN|Fürchte dich nicht, ich bin bei dir|BWV 228|Bach|Johann Sebastian|0}} A major 1726 Motets For 2 mixed choruses A major
229 C3 {{LinkWorkN|Komm, Jesu, komm|BWV 229|Bach|Johann Sebastian|0}} G minor 1723–24? Motets For 2 mixed choruses
230 C6 {{LinkWorkN|Lobet den Herrn, alle Heiden|BWV 230|Bach|Johann Sebastian|0}} (Psalm 117) C major ? Motets For mixed chorus, continuo
231 C7 {{LinkWorkN|Sei Lob und Preis mit Ehren|BWV 231|Bach|Johann Sebastian|0}} C major Motets 2 mixed choruses based partly on BWV 28 and music by {{LinkComp|Georg Philipp|Telemann}}; spurious; probably composed by Johann Gottlob Harrer
232 E1 Mass B minor 1747–49 Masses For 5 voices, 2 mixed choruses, orchestra assembled from previous compositions
233 E6 Mass F major 1738–39? Masses For 3 voices, mixed chorus, orchestra based on BWV 233a, BWV 11, BWV 40, BWV 102, BWV Anh.18
233a E7 Kyrie ("Christe du Lamm Gottes") F major 1708–17? Kyrie For mixed chorus, continuo revised in BWV 233
234 E3 Mass A major 1738–39? Masses For 3 voices, mixed chorus, orchestra based on BWV 67, BWV 79, BWV 136, BWV 179
235 E5 Mass G minor 1738–39? Masses For 3 voices, mixed chorus, orchestra based on BWV 72, BWV 102, BWV 187
236 E4 Mass G major 1738–39? Masses For 4 voices, mixed chorus, orchestra based on BWV 17, BWV 79, BWV 138, BWV 179
237 E10 Sanctus C major 1723 Sanctus For mixed chorus, orchestra
238 E12 Sanctus D major 1723 Sanctus For mixed chorus, orchestra
239 Sanctus D minor 1738–41? Sanctus For mixed chorus, strings, continuo
240 Sanctus G major 1742? Sanctus For mixed chorus, orchestra Bach's authorship uncertain
241 E17 Sanctus D major 1747–48 Sanctus For 2 mixed choruses, orchestra arrangement of the Sanctus from the Missa superba by Johann Kasper Kerll
242 E8 Christe eleison G minor 1727–32 Masses For 2 voices, mixed chorus, orchestra adapted from a Mass in C minor by {{LinkComp|Francesco|Durante}} (see BWV Anh.26)
243 E14 Magnificat D major 1733 Magnificats For 5 voices, mixed chorus, orchestra 2nd version of BWV 243a
243a E14 Magnificat E major 1723 Magnificats For 5 voices, mixed chorus, orchestra 1st version of BWV 243
deest D5a I/K/1 Markus-Passion (St Mark Passion pastiche) Unknown librettist 18 April 1710, 3 April 1711, 25 March 1712, 14 April 1713, or 30 March 1714 Karfreitag (Good Friday) Schloßkirche Himmelsburg (Castle Church Himmelsburg) Weimar G minor Passions Soloists: Soprano, Alto, Tenor, Bass (voice type); Choir: SATB, 2 violins, 2 violas, basso continuo Full Score: NBA II/9: 6-7, Carus-Verlag Movements XIV and XXIX alla breve (quarter notes) by Bach; Possibly 1 or even 2 oboes used in work (Sinfonias and Movement XIX [the oboe part in the latter in the Violino I part]); Recorded
deest D1 -- Weimarer Passion Unknown librettist 26 March 1717 Karfreitag (Good Friday) Kirche zu Schloß Friedrichstein (Church to Friedrichstein Castle) Gotha -- Passions Soloists: Tenor, Bass; Choir: SATB, 2 flutes, 2 oboes, 2 violins, viola, lute, b.c. -- Music and text lost; 5 movements re-used in St John Passion Version 1725 (1 later in St Matthew Passion, another in Du wahrer Gott und Davids Sohn, BWV 23), also included the Chorale "Christus, der uns selig macht, BWV 283 and Movements III-V of Ich armer Mensch, ich Sündenknecht, BWV 55
245 (I) D2a -- Johannes-Passion Fassung 1724 (St John Passion Version 1724) (Herr, unser Herrscher) Unknown librettist 7 April 1724 Karfreitag (Good Friday) Nikolaikirche zu Leipzig (St. Nicholas Church, Leipzig) G minor Passions Soloists: Soprano, Alto, Tenor, Bass; Choir: SATB, 2 oboes, 2 oboe da caccias, 2 violins, viola, 2 viola d'Amore]]s, viola da gamba, lute, b.c. Full Score: NBA II/4: Anh. I and main body No Flute parts extant; Movement XXX B-Section, Viola da Gamba part colla parte with the Continuo; Movement XXXII, Choir not doubled with strings; Movement XXXIII only three bars long (uses Mark 15: 38); Movement XXXVIII only 23 measures long; Recorded
245 (II) D2b -- Johannes-Passion Fassung 1725 (St John Passion Version 1725) (O Mensch, bewein' dein' Sünde groß) Unknown librettist 30 March 1725 Karfreitag (Good Friday) Thomaskirche zu Leipzig (St. Thomas Church, Leipzig) E Major Passions Soloists: Soprano, Alto, Tenor Bass; Choir: SATB, 2 flutes, 2 oboes, 2 oboes da caccia, 2 violins, viola, viola da gamba, b.c. Full Score: BGA XII.1/Anh., NBA II/4: Anh. II and body, Carus-Verlag Reorganization of movements from Version I: Movements 2-11 Version I = Movements 2-11; Movements 12-14 Version I = Movements 13-15, Movement 13 Version I replaced by new Aria; New Movement 12; Movements 15-19 Version I = Movements 16-20, Movement 19 replaced by new Aria; Movement 20 Version I discarded; Movements 21-40 Version I = Movements 21-40, New Movement 40; Movement XXXIII now 7 measures long (using Matthew 27: 51-52); Movement XXXIV now set with two flutes and two oboes da caccia; Movement XXXV now set with flute and oboe da caccia; Recorded
249 D8aI -- Kommt, gehet und eilet overo Kommt, fliehet und eilet (Osterkantate) (Come, go and hurry or Come, escape and hurry (Easter Oratorio)) Christian Friedrich Henrici (also known as Picander) 1 April 1725 1. Ostertag (1st day of Easter (Easter Sunday)) Thomaskirche zu Leipzig (St. Thomas Church, Leipzig) D Major Oratorios; Sacred Cantatas Soli: S A T B, Coro: S A T B, Tromba I-III, Tamburi, Flauto traverso, Flauto I/II, Oboe I/II, Oboe d'amore, Violino I/II, Viola, Fagotto, Continuo Full Score: Carus-Verlag, Hänssler-Verlag Movement I without measure 163; Movement II with oboe solo; Movement III no Choir; Movement V B-part different text; Movement 9 without measure 67, 6th eighth to measure 72 in middle part
deest D5b (1st Leipzig Version) I/K/1 Markus-Passion (St Mark Passion pastiche) Unknown librettist 19 April 1726 Karfreitag (Good Friday) Nikolaikirche zu Leipzig (St. Nicholas Church, Leipzig) G minor Passions Soloists: Soprano, Alto, Tenor, Bass; Choir: SATB, 2 violins, 2 violas, b.c. Full Score: NBA II/9: 8-10, Carus-Verlag Reorganization of Movments: Movements 1-9 Weimar Version = Movements 1-9; New Movement 10 (= BWV 500a); Movements 10-32 Weimar Version = Movements 11-33; Movement 15 now half-note value (= BWV 1084) replaces Movement 14 of Weimar Version; Movement 30 now Half-note value replaces Movement 29 of Weimar Version; Movements X, XV, and XXX by Bach; See above about Oboe parts; Violino I parts for Movements X, XV, and XXX missing and reconstructed; Recorded
deest D1 -- Weimarer Passion Unknown librettist 26 March 1717 Karfreitag (Good Friday) -- Passions Soloists: Tenor, Bass; Choir: SATB, 2 flutes, 2 oboes, 2 violins, viola, lute, b.c. -- Music and text lost; 5 movements re-used in St John Passion Version 1725 (1 later in St Matthew Passion, another in Du wahrer Gott und Davids Sohn, BWV 23), also included the Chorale "Christus, der uns selig macht, BWV 283 and Movements III-V of Ich armer Mensch, ich Sündenknecht, BWV 55
244 D3b -- St. Matthew Passion BWV 244 Picander (Christian Friedrich Henrici) -- 23 March 1742 St. Nicholas Church, Leipzig Passions Soloists: Soprano, Alto, Tenor, Bass; Choir I: SATB; Choir II: SATB, Orchestra I: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo, Orchestra II: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo -- Essential change: Setting B. c. Choir II with harpsichord. in place of of Organo II; Movements 1 & 29: "Soprano in ripieno" - strengthening of the C. f.; Movements 34 & 35 strengthenings B. c with Va da gamba; Recorded
244 D3b -- St. Matthew Passion BWV 244 Picander (Christian Friedrich Henrici) -- ca. 1743-1746 Passions Soloists: Soprano, Alto, Tenor, Bass; Choir I: SATB; Choir II: SATB, Orchestra I: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo, Orchestra II: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo Full Score: BGA 4, NBA 5, Breitkopf und Härtel, Novello & Company, Edition Peters, G. Schirmer Inc., Schott Music; TP: Breitkopf und Härtel, Bärenreiter, Editions Eulenburg, Editions Peters, G. Schirmer Inc., Schott Music; Klavierauszug: Breitkopf und Härtel, Bärenreiter, Novello & Company, Edition Peters, G. Schirmer Inc., Schott Music Essential change: Revision of Basso continuo parts in Recitatives (now only Jesus Recitatives are sustained); Recorded
244a B22 -- Klagt, Kinder, klagt es aller Welt, BWV 244a Picander (Christian Friedrich Henrici) -- 24 March 1729 (before Noon) Sacred cantatas Soloists: Soprano, Alto, Tenor, Bass; Choir I: SATB; Choir II: SATB, Orchestra I: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo, Orchestra II: 2 flutes dolce, 2 transverse flutes, 2 oboes, 2 oboes d'amore, 2 oboes da caccia, 2 violins, viola, viola da gamba, continuo; 2 Violas da gamba, 2 Lutes -- Lost, but mostly based on BWV 198 (Movements 1 and 10) and BWV 244b
244b D3a {{LinkWorkN|Matthäuspassion|BWV 244|Bach|Johann Sebastian|0}} (St. Matthew Passion) 1727 Passions For voices, 2 mixed choruses, 2 orchestras 1st version of BWV 244; text partly re-used in BWV 244a
245 D2 {{LinkWorkN|Johannespassion|BWV 245|Bach|Johann Sebastian|0}} (St. John Passion) 1724, rev. 1725–49 Passions For 4 voices, mixed chorus, orchestra
246 D6 {{LinkWorkN|Lukaspassion|BWV 246|Bach|Johann Sebastian|0}} (St. Luke Passion) Passions For 4 voices, mixed chorus, orchestra spurious; probably composed by Johann Melchior Molter
247 D4 Markuspassion (St. Mark Passion) 1731 Passions For 4 voices, mixed chorus, orchestra partly based on BWV 198, BWV 54; lost, but various modern reconstructions exist; partly revised in BWV 248?
248 D7 {{LinkWorkN|Weihnachts-Oratorium|BWV 248|Bach|Johann Sebastian|0}} (Christmas Oratorio): 1734 Sacred oratorios For 4 voices, mixed chorus, orchestra
248/1 D7/1
    Jauchzet, frohlocket, auf, preiset die Tage
1734 Sacred cantatas For 4 voices, mixed chorus, orchestra partly based on BWV 213, BWV 215
248/2 D7/2
    Und es waren Hirten in derselben Gegend
1734 Sacred cantatas For 4 voices, mixed chorus, orchestra partly based on BWV 213, BWV 215
248/3 D7/3
    Herrscher des Himmels, erhöre das Lallen
1734 Sacred cantatas For 4 voices, mixed chorus, orchestra partly based on BWV 213, BWV 215
248/4 D7/4
    Fallt mit Danken, fallt mit Loben
1734 Sacred cantatas For 4 voices, mixed chorus, orchestra partly based on BWV 213, BWV 215
248/5 D7/5
    Ehre sei dir, Gott, gesungen
1734 Sacred cantatas For 4 voices, mixed chorus, orchestra partly based on BWV 213, BWV 215
248/6 D7/6
    'Herr, wenn die stolzen Feinde schnauben
1734 Sacred cantatas For 4 voices, mixed chorus, orchestra based on BWV 248a
248a A190 Cantata 1730–34? Sacred cantatas ? incomplete; revised as BWV 248/6
249/1 D8a Kommt, eilet und laufet 1725 Sacred cantatas For 4 voices, mixed chorus, orchestra cantata for Easter Sunday; based on BWV.249a; 1st version of BWV 249/2
249/2 D8b {{LinkWorkN|Oster-Oratorium|BWV 249|Bach|Johann Sebastian|0}} (Easter Oratorio) 1738 Sacred oratorios For 4 voices, mixed chorus, orchestra 2nd version of BWV 249/1
249a G2 Entfliehet, verschwindet, entweichet, ihr Sorgen ("Schäferkantate" or "Shepherd Cantata") 1725 Secular cantatas For 4 voices, orchestra lost; revised as BWV.249/1
249b G28 Verjaget, zerstreuet, zerrütet, ihr Sterne ("Die Feier des Genius") 1726 Secular cantatas ? lost
250 F193.3 Was Gott tut, das ist wohlgetan 1730? Chorales For mixed chorus, orchestra
251 F59.4 Sei Lob und Ehr dem höchsten Gut 1730? Chorales For mixed chorus, orchestra
252 F148.2 Nun danket alle Gott 1730? Chorales For mixed chorus, orchestra
253 F35 Ach bleib bei uns, Herr Jesu Christ ? Chorales For mixed chorus
254 F1 Ach Gott, erhör' mein Seufzen ? Chorales For mixed chorus
255 F2 Ach Gott und Herr ? Chorales For mixed chorus
256 F212 Ach, lieben Christen, seidgetrost ? Chorales For mixed chorus
257 F212.2 Wär Gott nicht mit uns diese Zeit ? Chorales For mixed chorus
258 F212.3 Wo Gott der Herr nicht bei uns hält ? Chorales For mixed chorus
259 F5 Ach, was soll ich Sünder machen ? Chorales For mixed chorus
260 F10 Allein Gott in der Höh sei Ehr ? Chorales For mixed chorus
261 F11 Allein zu dir, Herr Jesu Christ ? Chorales For mixed chorus
262 F8 Alle Menschen müssen sterben ? Chorales For mixed chorus
263 F12 Alles ist an Gottes Segen ? Chorales For mixed chorus
264 F13 Als der gütige Gott ? Chorales For mixed chorus
265 F14 Als Jesus Christus in der Nacht ? Chorales For mixed chorus
266 F15 Als vierzig Tag nach Ostern war ? Chorales For mixed chorus
267 F17 An Wasserflüssen Babylon ? Chorales For mixed chorus
268 F19 Auf, auf, mein Herz, und du, meinganzer Sinn ? Chorales For mixed chorus
269 F21 Aus meines Herzens Grunde ? Chorales For mixed chorus
270 F92.1 Befiehl du deine Wege (I) ? Chorales For mixed chorus
271 F92.2 Befiehl du deine Wege (II) ? Chorales For mixed chorus
272 F136.2 Befiehl du deine Wege (III) ? Chorales For mixed chorus
273 F24 Christ, der du bist der helleTag ? Chorales For mixed chorus
274 F27 Christe, der du bist Tag undLicht ? Chorales For mixed chorus
275 F28 Christe du Beistand deinerKreuzgemeine ? Chorales For mixed chorus
276 F25 Christ ist erstanden'' ? Chorales For mixed chorus
277 F26.1 Christ lag in Todes Banden (I) ? Chorales For mixed chorus
278 F26.2 Christ lag in Todes Banden (II) ? Chorales For mixed chorus
279 A61/4 Christ lag in Todes Banden (III) ? Chorales For mixed chorus
280 F65 Christ, unser Herr, zum Jordankam ? Chorales For mixed chorus
281 F30.1 Christus, der ist mein Leben (I) ? Chorales For mixed chorus
282 F30.2 Christus, der ist mein Leben (II) ? Chorales For mixed chorus
283 F31 Christus, der uns selig macht ? Chorales For mixed chorus
284 F32 Christus ist erstanden, hat überwunden ? Chorales For mixed chorus
285 F34 Da der Herr Christ zu Tischesass ? Chorales For mixed chorus
286 F183 Danket dem Herren, denn er istsehr freundlich ? Chorales For mixed chorus
287 F119 Dank sei Gott in der Höhe ? Chorales For mixed chorus
288 F36.1 Das alte Jahr vergangen ist (I) ? Chorales For mixed chorus
289 F36.2 Das alte Jahr vergangen ist (II) ? Chorales For mixed chorus
290 F38 Das walt' mein Gott Vater undGott Sohn ? Chorales For mixed chorus
291 F39 Das walt' mein Gott Vater undGott Sohn und heil'ger Geist ? Chorales For mixed chorus
292 F40 Den Vater dort oben ? Chorales For mixed chorus
293 F42 Der du bist drei in Einigkeit ? Chorales For mixed chorus
294 F43 Der Tag, der ist so freudenreich ? Chorales For mixed chorus
295 F178 Des heil'gen Geistes reiche Gnad' ? Chorales For mixed chorus
296 F44 Die Nacht ist kommen ? Chorales For mixed chorus
297 F161 Die Sonn' hat sich mit ihrem Glanz] ? Chorales For mixed chorus
298 F46 Dies sind die heil'gen zehn Gebot' ? Chorales For mixed chorus
299 F47 Dir, dir, Jehova, will ichsingen ? Chorales For mixed chorus
300 F51 Du grosser Schmerzensmann ? Chorales For mixed chorus
301 F50 Du, o schönes Weltgebäude ? Chorales For mixed chorus
302 F53.1 Ein feste Burg ist unser Gott (I) ? Chorales For mixed chorus
303 F53.2 Ein feste Burg ist unser Gott (II) ? Chorales For mixed chorus
304 F54 Eins ist Not! ach Herr, diesEine ? Chorales For mixed chorus
305 F55 Erbarm' dich mein, o Herre Gott ? Chorales For mixed chorus
306 F58 Erstanden ist der heil'ge Christ ? Chorales For mixed chorus
307 F150 Es ist gewisslich an der Zeit ? Chorales For mixed chorus
308 F62 Es spricht der unweisen Mundwohl ? Chorales For mixed chorus
309 F63 Es steh'n vor Gottes Throne ? Chorales For mixed chorus
310 F64 Es wird schier der letzte Tagherkommen ? Chorales For mixed chorus
311 F66.1 Es woll' uns Gott genädig sein (I) ? Chorales For mixed chorus
312 F66.2 Es woll' uns Gott genädig sein (II) ? Chorales For mixed chorus
313 F68 Für Freuden lasst uns springen ? Chorales For mixed chorus
314 F69 Gelobet seist du, Jesu Christ ? Chorales For mixed chorus
315 F70 Gib dich zufrieden und sei stille (I) ? Chorales For mixed chorus
316 F71 Gott, der du selber bist das Licht ? Chorales For mixed chorus
317 F72 Gott, der Vater wohn' uns bei ? Chorales For mixed chorus
318 F143 Gottes Sohn ist kommen ? Chorales For mixed chorus
319 F74 Gott hat das Evangeliums ? Chorales For mixed chorus
320 F75 Gott lebet noch ? Chorales For mixed chorus
321 F77 Gottlob, es geht nunmehr zu Ende ? Chorales For mixed chorus
322 F76 Gott sei gelobet und gebenedeiet ? Chorales For mixed chorus
323 F140 Gott sei uns gnädig und barmherzig ? Chorales For mixed chorus
324 F140 Meine Seele erhebt den Herrn ? Chorales For mixed chorus
325 F79 Heilig, heilig, heilig ? Chorales For mixed chorus
326 F105 Herr Gott, dich loben alle wir ? Chorales For mixed chorus
327 F105.2 Für deinen Thron tret' ich hiermit ? Chorales For mixed chorus
328 F83 Herr Gott, dich loben wir ? Chorales For mixed chorus
329 F134 Herr, ich denk an jene Zeit ? Chorales For mixed chorus
330 F84.1 Herr, ich habe missgehandelt (I) ? Chorales For mixed chorus
331 F84.2 Herr, ich habe missgehandelt (II) ? Chorales For mixed chorus
332 F85 Herr Jesu Christ, dich zu unswend ? Chorales For mixed chorus
333 F86 Herr Jesu Christ, du hast bereit ? Chorales For mixed chorus
334 F202 Herr Jesu Christ, du höchstes Gut ? Chorales For mixed chorus
335 F170 Herr Jesu Christ, meins LebensLicht ? Chorales For mixed chorus
336 F88 Herr Jesu Christ, wah'r Menschund Gott ? Chorales For mixed chorus
337 F89 Herr, nun lass in Friede ? Chorales For mixed chorus
338 F90 Herr, straf mich nicht in deinem Zorn ? Chorales For mixed chorus
339 F23 Herr, wie du willst, so schick'smit mir ? Chorales For mixed chorus
340 F91.1 Herzlich lieb hab ich dich, oHerr ? Chorales For mixed chorus
341 F94.1a Heut ist, o Mensch, ein grosserTrauertag ? Chorales For mixed chorus
342 F95 Heut' triumphieret Gottes Sohn ? Chorales For mixed chorus
343 F96 Hilf, Gott, dass mir's gelinge ? Chorales For mixed chorus
344 F97 Hilf, Herr Jesu, lass gelingen ? Chorales For mixed chorus
345 F99 Ich bin ja, Herr, in deinerMacht ? Chorales For mixed chorus
346 F100 Ich dank' dir, Gott, für all' Wohltat ? Chorales For mixed chorus
347 F101.1 Ich dank dir, lieber Herre (I) ? Chorales For mixed chorus
348 F101.2 Ich dank dir, lieber Herre (II) ? Chorales For mixed chorus
349 F4 Ich dank dir schon durch deinen Sohn ? Chorales For mixed chorus
350 F139 Ich dank dir, o Gott, in deinem Throne ? Chorales For mixed chorus
351 F102 Ich hab' mein' Sach' Gottheimgestellt ? Chorales For mixed chorus
352 F187.1 Jesu, der du meine Seele (I) ? Chorales For mixed chorus
353 F187.2 Jesu, der du meine Seele (II) ? Chorales For mixed chorus
354 F187.3 Jesu, der du meine Seele (III) ? Chorales For mixed chorus
355 F112.1 Jesu, der du selbsten wohl ? Chorales For mixed chorus
356 F113 Jesu, du mein habstes Leben ? Chorales For mixed chorus
357 F114 Jesu, Jesu, du bist mein ? Chorales For mixed chorus
358 F116 Jesu, meine Freude ? Chorales For mixed chorus
359 F206.1b Jesu, meiner Seelen Wonne (I) ? Chorales For mixed chorus
360 F206.2 Jesu, meiner Seelen Wonne (II) ? Chorales For mixed chorus
361 F117.1 Jesu, meines Herzens Freud' ? Chorales For mixed chorus
362 F118 Jesu, nun sei gepreiset ? Chorales For mixed chorus
363 F121.1 Jesus Christus, unser Heiland (I) ? Chorales For mixed chorus
363 F121.2 Jesus Christus, unser Heiland (II) ? Chorales For mixed chorus
364 F120.1 Jesus Christus, unser Heiland (III) ? Chorales For mixed chorus
365 F123 Jesus, Meine Zuversicht ? Chorales For mixed chorus
366 F104 Ihr Gestrin', ihr hohlen Lüfte ? Chorales For mixed chorus
367 F107 In allen meinen Taten ? Chorales For mixed chorus
368 F110 In dulci jubilo ? Chorales For mixed chorus
369 F124 Keinen hat Gott verlassen ? Chorales For mixed chorus
370 F125 Komm, Gott Schöpfer, heiliger Geist ? Chorales For mixed chorus
371 F129 Kyrie, Gott Vater in Ewigkeit ? Chorales For mixed chorus
372 F82 Lass, o Herr, dein Ohr sichneigen ? Chorales For mixed chorus
373 F133 Liebster Jesu, wir sind hier ? Chorales For mixed chorus
374 F135 Lobet den Herrn, denn er ist sehrfreundlich ? Chorales For mixed chorus
375 F127 Lobt Gott, ihr Christen,allzugleich (I) ? Chorales For mixed chorus
376 F128 Lobt Gott, ihr Christen,allzugleich (II) ? Chorales For mixed chorus
377 F137 Machs mit mir, Gott, nach deiner Güt' ? Chorales For mixed chorus
378 F138 Mein' augen schliess ich jetzt ? Chorales For mixed chorus
379 F122 Meinem Jesum lass' ich nicht,Jesus ? Chorales For mixed chorus
380 F141 Meinem Jesum lass' ich nicht,weil ? Chorales For mixed chorus
381 F142 Meines Lebens letzte Zeit ? Chorales For mixed chorus
382 F144 Mit Fried und Freud ich fahrdahin ? Chorales For mixed chorus
383 F145 Mitten wir im Leben sind ? Chorales For mixed chorus
384 F146 Nicht so traurig, nicht so sehr ? Chorales For mixed chorus
385 F147 Nun bitten wir den heiligen Geist ? Chorales For mixed chorus
386 F148.1 Nun danket alle Gott ? Chorales For mixed chorus
387 F106 Nun freut euch, Gottes Kinderall' ? Chorales For mixed chorus
388 F149 Nun freut euch, lieben Christeng'mein ? Chorales For mixed chorus
389 F153.1 Nun lob, mein Seel, den Herren (I) ? Chorales For mixed chorus
390 F153.2 Nun lob, mein Seel, den Herren (II) ? Chorales For mixed chorus
391 F154 Nun preiset alle GottesBarmherzigkeit ? Chorales For mixed chorus
392 F166 Nun ruhen alle Wälder ? Chorales For mixed chorus
393 F166.2 O Welt, sieh hier dein Leben (I) ? Chorales For mixed chorus
394 F166.5 O Welt, sieh hier dein Leben (II) ? Chorales For mixed chorus
395 F166.9 O Welt, sieh hier dein Leben (III) ? Chorales For mixed chorus
396 F155 Nun sich der Tag geendet hat ? Chorales For mixed chorus
397 F156 O Ewigkeit, du Donnerwort ? Chorales For mixed chorus
398 F45.2b O Gott, du frommer Gott (II) ? Chorales For mixed chorus
399 F157 O Gott, du frommer Gott (I) ? Chorales For mixed chorus
400 F160 O Herzensangst, o Bangigkeit, undZagen! ? Chorales For mixed chorus
401 F162 O Lamm Gottes, unschuldig ? Chorales For mixed chorus
402 F61 O Mensch, bewein dein Sünde gross ? Chorales For mixed chorus
403 F163 O Mensch, schau Jesum Christuman ? Chorales For mixed chorus
404 F165 O Traurigkeit, o Herzeleid ? Chorales For mixed chorus
405 F167 O wie selig seid ihr doch, ihrFrommen (I) ? Chorales For mixed chorus
406 F7 O wie selig seid ihr doch, ihrFrommen (II) ? Chorales For mixed chorus
407 F168 O wir armen Sünder ? Chorales For mixed chorus
408 F94.1b Schaut, ihr Sünder! ? Chorales For mixed chorus
409 F173 Seelen-Bräutigam ? Chorales For mixed chorus
410 F174 Sei gegrüsset, Jesu gütig, ? Chorales For mixed chorus
411 F175 Singet dem Herrn ein neues Lied ? Chorales For mixed chorus
412 F177 So giebst du nun, mein Jesu, guteNacht ? Chorales For mixed chorus
413 F130 Sollt' ich meinem Gott nichtsingen ? Chorales For mixed chorus
414 F35 Uns ist ein Kindlein heut'gebor'n ? Chorales For mixed chorus
415 F18 Valet will ich dir geben ? Chorales For mixed chorus
416 F181.4a Vater unser im Himmelreich ? Chorales For mixed chorus
417 F185.1 Von Gott will ich nicht lassen (I) ? Chorales For mixed chorus
418 F185.2 Von Gott will ich nicht lassen (II) ? Chorales For mixed chorus
419 F185.3 Von Gott will ich nicht lassen (III) ? Chorales For mixed chorus
420 F189.1 Warum betrübst du dich, mein Herz (I) ? Chorales For mixed chorus
421 F189.2 Warum betrübst du dich, mein Herz (II) ? Chorales For mixed chorus
422 F190 Warum sollt' ich mich denn grämen ? Chorales For mixed chorus
423 F191 Was betrübst du dich, mein Herz ? Chorales For mixed chorus
424 F192 Was bist du doch, o Seele, sobetrübet ? Chorales For mixed chorus
425 F195 Was willst du dich, o meineSeele ? Chorales For mixed chorus
426 F197 Weltlich Ehr' und zeitlich Gut ? Chorales For mixed chorus
427 F200 Wenn ich in Angst und Not ? Chorales For mixed chorus
428 F201.1 Wenn mein Stündlein vorhanden ist (I) ? Chorales For mixed chorus
429 F201.2 Wenn mein Stündlein vorhanden ist (II) ? Chorales For mixed chorus
430 F201.3 Wenn mein Stündlein vorhanden ist (III) ? Chorales For mixed chorus
431 F203.1 Wenn wir in höchsten Nöten sein (I) ? Chorales For mixed chorus
432 F203.2 Wenn wir in höchsten Nöten sein (II) ? Chorales For mixed chorus
433 F204 Wer Gott vertraut, hat wohlgebaut ? Chorales For mixed chorus
434 F205 Wer nur den lieben Gott lässt walten ? Chorales For mixed chorus
435 F207 Wie bist du, Seele, in mir so garbetrübt ? Chorales For mixed chorus
436 F109 Wie schön leuchtet der Morgenstern ? Chorales For mixed chorus
437 F211 Wir glauben all' an einen Gott ? Chorales For mixed chorus
438 F213 Wo Gott zum Haus nicht gibt sein' Gunst (I) ? Chorales For mixed chorus
439 F274 Ach, dass nicht die letzte Stunde 1736 Sacred songs For voice, continuo
440 F229 Auf, auf! die rechte Zeit isthier 1736 Sacred songs For voice, continuo
441 F245 Auf, auf! mein Herz, mit Freuden 1736 Sacred songs For voice, continuo
442 F257 Beglücketer Stand getreuer Seelen 1736 Sacred songs For voice, continuo
443 F265 Beschränkt, ihr Weisen dieser Welt 1736 Sacred songs For voice, continuo
444 F242 Bricht entzwei, mein armes Herze 1736 Sacred songs For voice, continuo
445 F247 Brunnquell aller Güter 1736 Sacred songs For voice, continuo
446 F220 Der lieben Sonne Licht und Pracht 1736 Sacred songs For voice, continuo
447 F221 Der Tag ist hin, die Sonne gehetnieder 1736 Sacred songs For voice, continuo
448 F222 Der Tag mit seinem Lichte 1736 Sacred songs For voice, continuo
449 F249 Dich bet' ich an, mein höchster Gott 1736 Sacred songs For voice, continuo
450 F235 Die bittre Leidenszeit beginnetabermal 1736 Sacred songs For voice, continuo
451 F219 Die goldne Sonne, voll Freud und Wonne 1736 Sacred songs For voice, continuo
452 F250 Dir, dir, Jehova, will ichsingen 1736 Sacred songs For voice, continuo
453 F225 Eins ist Noth! ach Herr, diess Eine 1736 Sacred songs For voice, continuo
454 F230 Ermuntre dich, mein schwacher Geist 1736 Sacred songs For voice, continuo
455 F261 Erwürgtes Lamm, das die erwahrten siegel ? Sacred songs For voice, continuo
456 F258 Es glänzet der Christen innwendiges Leben 1736 Sacred songs For voice, continuo
457 F275 Es ist nun aus mit meinem Leben 1736 Sacred songs For voice, continuo
458 F243 Es ist vollbracht! vergiss janicht 1736 Sacred songs For voice, continuo
459 F256 Es kostet viel, ein Christ zusein 1736 Sacred songs For voice, continuo
460 F263 Gieb dich zufrieden und seistille 1736 Sacred songs For voice, continuo
461 F255 Gott lebet noch 1736 Sacred songs For voice, continuo
462 F248 Gott, wie gross ist deine Güte 1736 Sacred songs For voice, continuo
463 F223 Herr, nicht schicke deine Rache 1736 Sacred songs For voice, continuo
464 F276 Ich bin ja, Herr, in deiner Macht 1736 Sacred songs For voice, continuo
465 F231 Ich freue mich in dir 1736 Sacred songs For voice, continuo
466 F264 Ich halte treulich still 1736 Sacred songs For voice, continuo
467 F269 Ich lass' dich nicht 1736 Sacred songs For voice, continuo
468 F270 Ich liebe Jesum alle Stund 1736 Sacred songs For voice, continuo
469 F232 Ich steh an deiner Krippen hier 1736 Sacred songs For voice, continuo
470 F271 Jesu, Jesu, du bist mein 1736 Sacred songs For voice, continuo
471 F228 Jesu, deine Liebeswunden 1736 Sacred songs For voice, continuo
472 F226 Jesu, meines Glaubens Zier 1736 Sacred songs For voice, continuo
473 F266 Jesu, meines Herzens Freud' 1736 Sacred songs For voice, continuo
474 F251 Jesu ist das schönste Licht 1736 Sacred songs For voice, continuo
475 F246 Jesus, unser Trost und Leben 1736 Sacred songs For voice, continuo
476 F233 Ihr Gestirn, ihr hohen Lüfte 1736 Sacred songs For voice, continuo
477 F278 Kein stündlein geht dahin 1736 Sacred songs For voice, continuo
478 F227 Komm, süsser Tod 1736 Sacred songs For voice, continuo
479 F235 Kommt, Seelen, dieser Tag 1736 Sacred songs For voice, continuo
480 F286 Kommt wieder aus der finstern Gruft 1736 Sacred songs For voice, continuo
481 F236 Lasset uns mit Jesu ziehen 1736 Sacred songs For voice, continuo
482 F252 Liebes Herz, bedenke doch 1736 Sacred songs For voice, continuo
483 F279 Liebster Gott, wann werd' ichsterben 1736 Sacred songs For voice, continuo
484 F280 Liebster Herr Jesu! 1736 Sacred songs For voice, continuo
485 F272 Liebster Immanuel Herzog der Frommen 1736 Sacred songs For voice, continuo
486 F227 Mein Jesu, dem die Seraphinen 1736 Sacred songs For voice, continuo
487 F237 {{LinkWorkN|Mein Jesu! was für Seelenweh|BWV 487|Bach|Johann Sebastian|0}} 1736 Sacred songs For voice, continuo
488 F281 Meines Lebens letzte Zeit 1736 Sacred songs For voice, continuo
489 F259 Nicht so traurig, nicht so sehr 1736 Sacred songs For voice, continuo
490 F267 Nur mein Jesus ist mein Leben 1736 Sacred songs For voice, continuo
491 F238 O du Liebe meinder Liebe 1736 Sacred songs For voice, continuo
492 F282 O finstre Nacht, wann wirst dudoch vergeben 1736 Sacred songs For voice, continuo
493 F234 O Jesulein süss 1736 Sacred songs For voice, continuo
494 F260 O liebe Seele, zieh' die Sinnen 1736 Sacred songs For voice, continuo
495 F283 O wie selig seid ihr doch 1736 Sacred songs For voice, continuo
496 F253 Seelen-Bräutigam, Jesu, Gottes Lamm 1736 Sacred songs For voice, continuo
497 F268 Seelenweide, mein Freude 1736 Sacred songs For voice, continuo
498 F239 Selig, wer an Jesum denkt 1736 Sacred songs For voice, continuo
499 F268 Sei gegrüsset, Jesu gütig 1736 Sacred songs For voice, continuo
500 F241 So gehst du nun, mein Jesu, hin 1736 Sacred songs For voice, continuo see also BWV 500a
500a So gehst du nun, mein Jesu, hin 1736 Sacred songs For voice, continuo alternative version of BWV 500
501 F244 So gibst du nun, mein Jesu, gut Nacht 1736 Sacred songs For voice, continuo
502 F284 So wünsch' ich mir zu guter Letzt 1736 Sacred songs For voice, continuo
503 F287 Steh ich bei meinem Gott 1736 Sacred songs For voice, continuo
504 F475 Vergiss mein nicht, dass ich deinnicht vergesse 1736 Sacred songs For voice, continuo
505 F262 Vergiss mein nicht 1736 Sacred songs For voice, continuo
506 F273 Was bist du doch, o Seele 1736 Sacred songs For voice, continuo
507 F224 {{LinkWorkN|Wo ist mein Schäflein|BWV 507|Bach|Johann Sebastian|0}} 1736 Sacred songs For voice, continuo
508 Bist du bei mir Arias For voice, continuo spurious; composed by Gottfried Stölzel
509 Gedenke doch, mein Geist 1725 Arias For voice, continuo Bach's authorship uncertain
510 Gib dich zufrieden und sei stille (II) 1725 Chorales For voice, continuo Bach's authorship uncertain
511 F214a {{LinkWorkN|Gib dich zufrieden und sei stille|BWV 511|Bach|Johann Sebastian|0}} G minor 1725 Chorales For voice, continuo
512 F214b Gib dich zufrieden und sei stille (II) E minor 1725 Chorales For voice, continuo
513 F216 O Ewigkeit, du Donnerwort 1725 Chorales For voice, continuo
514 F216 Schaffs mit mir, Gott, nachdeinem Willen ? Chorales For voice, continuo
515 H2 Schaffs mit mir, Gott, nachdeinem Willen 1725 Arias For voice, continuo see also BWV 515a
515a H2 Schaffs mit mir, Gott, nachdeinem Willen 1725 Arias For voice, continuo alternative version of BWV 515
516 F215 Warum betrübst du dich 1725 Arias For voice, continuo
517 Wie wohl ist mir, O Freund der Seelen 1725 Arias For voice, continuo Bach's authorship uncertain
518 Willst du dein Herz mir schenken 1725 Arias For voice, continuo Bach's authorship uncertain
519 {{LinkWorkN|Hier lieg’ ich nun|BWV 519|Bach|Johann Sebastian|0}} Sacred songs For voice, continuo spurious
520 {{LinkWorkN|Das walt’ mein Gott|BWV 520|Bach|Johann Sebastian|0}} Sacred songs For voice, continuo spurious
521 {{LinkWorkN|Gott mein Herz dir Dank zusendet|BWV 521|Bach|Johann Sebastian|0}} Sacred songs For voice, continuo spurious
522 {{LinkWorkN|Meine Seele, laß es gehen|BWV 522|Bach|Johann Sebastian|0}} Sacred songs For voice, continuo spurious
523 {{LinkWorkN|Ich gnüge mich an meinem Stande|BWV 523|Bach|Johann Sebastian|0}} Sacred songs For voice, continuo spurious
524 H1 {{LinkWorkN|Quodlibet|BWV 524|Bach|Johann Sebastian|0}} ("Was sind das für große Schlösser") 1708? Quodlibets For 4 voices, continuo incomplete

Works for Instruments (BWV 525-1080, 1085-1087, 1090-1126, 1128, Anh. deest)

[edit]
BWV BC VBN Other Catalogue Title Dedicatee Date Event (if any) Venue Key Genre Instrumentation Modern Editions Notes
945 -- -- -- Fugue in E minor, BWV 945 -- Possibly from the Ohrdruf period, before 1700(?) -- -- E minor Fugues For Keyboard instrument Full Score: BGA XXXVI/155, NBA V/12 (Critical Report), Breitkopf und Härtel EB 1854 (ed. Reinecke) and EB 4321 (ed. Mugellini), Peters Nr. 212, Steingräbner Nr. 117b (ed. Bischoff), Bärenreiter BA 5249 Bach's authorship uncertain, perhaps by Johann Christoph Graupner; Recorded
766 K94 -- -- Chorale partita "Christ, der du bist der helle Tag", BWV 766 -- Lüneburg about 1700 (or yet in Ohrdruf?) -- -- F minor Chorale variations For Organ (music) Full Score: BGA XL/107, NBA IV/1: 114, Breitkopf und Härtel EB 3177, NBG XXII1, p. 3, Peters Organ Works Band V, p. 60, Bärenreiter BA 5171 Recorded
767 K95 -- -- Chorale partita "O Gott, du frommer Gott", BWV 767 -- Lüneburg about 1700 (or yet in Ohrdruf?) -- -- C minor Chorale variations For Organ Full Score: BGA XL/114, NBA IV/1: 122, Breitkopf und Härtel EB 3177, NBG XXII1, p. 6, Peters Organ Works Band V, p. 68, Bärenreiter BA 5171 Recorded
768 K96 -- -- Chorale partita "Sei gegrüsset, Jesu gütig", BWV 768 -- Lüneburg (or yet in Ohrdruf?) -- -- G minor Chorale variations For Organ Full Score: BGA XL/122, NBA IV/1: 132 & 152, Breitkopf und Härtel EB 3177, NBG XXII1, p. 12, Peters Organ Works Band V, p. 76, Bärenreiter BA 5171 Partitas I, II, IV, and X; Recorded
770 K93 -- -- Chorale partita "Ach, was soll ich Sünder machen?", BWV 770 -- Lüneburg about 1700-1702 -- -- E minor Chorale variations For Organ Full Score: BGA XL/189, NBA IV/1: 104, Peters Organ Works Band IX, p. 26, Bärenreiter BA 5171 Bach's authorship uncertain; Recorded
549a -- -- Prelude and Fugue in D minor, BWV 549a -- Arnstadt about 1703/1704 (or already in Lüneburg 1700-1703?) -- -- D minor Prelude and Fugues For Organ Full Score: NBA IV/6: 101, Bärenreiter BA 5176 First manuscript copy in the "Möller Manuscript" (Scribe: Johann Christoph Bach (1671–1721)); Recorded
531 J9 -- -- Prelude and Fugue in C major, BWV 531 -- Lüneburg or Arnstadt, about 1700-1707 -- -- C major Preludes and Fugues For Organ Full Score: BGA XV/81, NBA IV/5: 3, Breitkopf und Härtel EB 3174, p. 2, Peters Organ Works Band IV, p. 2, Bärenreiter BA 5175 First manuscript copy in the "Möller Manuscript" (Scribe: Johann Christoph Bach); Recorded
532 Prelude and Fugue D major 1710? Preludes
Fugues
For organ see also BWV 532a
532a J13
J 54
J 70
Prelude and Fugue D major 1710? Preludes
Fugues
For organ alternative version of BWV 532
533 J18 Prelude and Fugue ("Cathedral") E minor 1705? Preludes
Fugues
For organ see also BWV 533a
533a Prelude and Fugue E minor 1705? Preludes
Fugues
For organ alternative version of BWV 533
534 J20 Prelude and Fugue F minor 1710? Preludes
Fugues
For organ
535 J23 Prelude and Fugue G minor 1708–17? Preludes
Fugues
For organ see also BWV 535a
535a J23 Prelude and Fugue G minor 1705? Preludes
Fugues
For organ alternative version of BWV 535; incomplete
536 J24 Prelude and Fugue A major 1708–17? Preludes
Fugues
For organ see also BWV 536a
536a Prelude and Fugue A major ? Preludes
Fugues
For organ alternative version of BWV 536; Bach's authorship uncertain
537 J40 Fantasia and Fugue C minor 1723? Fantasias
Fugues
For organ
538 J38 Toccata and Fugue (“Dorian”) D minor 1712–17 Toccatas
Fugues
For organ
539 J15
J 71
Prelude and Fugue D minor 1720? Preludes
Fugues
For organ Fugue based on part of BWV 1001
540 J39
J 55
J 73
Toccata and Fugue F major 1713–31 Toccatas
Fugues
For organ
541 J22 Prelude and Fugue G major 1712?, rev. 1724–25 Preludes
Fugues
For organ
542 J42
J 57
J 67
Fantasia and Fugue (“Great”) G minor 1720–25? Fantasias
Fugues
For organ
543 J42 Prelude and Fugue A minor 1715? Preludes
Fugues
For organ Fugue based on part of BWV 944
544 J27 Prelude and Fugue B minor 1727–31 Preludes
Fugues
For organ
545 J51 Prelude and Fugue C major 1712–17? Preludes
Fugues
For organ see also BWV 545a, BWV 545b
545a Prelude and Fugue C major 1708? Preludes
Fugues
For organ alternative version of BWV 545
545b Prelude, Trio and Fugue C major ? Preludes
Trios
Fugues
For organ alternative version of BWV 545; Bach's authorship is uncertain; possibly composed by {{LinkComp|Johann Tobias|Krebs}}
546 J12
J 53
J 69
Prelude and Fugue C minor 1723–29? Preludes
Fugues
For organ
547 J11 Prelude and Fugue C major 1725? Preludes
Fugues
For organ
548 J19 Prelude and Fugue E minor 1727–31 Preludes
Fugues
For organ
549 J14 Prelude and Fugue ("Arnstadt") C minor 1723? Preludes
Fugues
For organ see also BWV 549a
549a J14 Prelude and Fugue ("Arnstadt") D minor 1703–07 Preludes
Fugues
For organ alternative version of BWV 549
550 J21 Prelude and Fugue G major 1710? Preludes
Fugues
For organ
551 J25 Prelude and Fugue A minor 1707? Preludes
Fugues
For organ
552 J16 Prelude and Fugue ("St. Anne") E major 1739? Preludes
Fugues
For organ
553–560 Kleine Präludien und Fugen (8): ? Preludes
Fugues
For organ Bach's authorship uncertain
553 J28
    Prelude and Fugue
C major ? Preludes
Fugues
For organ Bach's authorship uncertain
554 J29
    Prelude and Fugue
D minor ? Preludes
Fugues
For organ Bach's authorship uncertain
555 J30
    Prelude and Fugue
E minor ? Preludes
Fugues
For organ Bach's authorship uncertain
556 J31
    Prelude and Fugue
F major ? Preludes
Fugues
For organ Bach's authorship uncertain
557 J32
    Prelude and Fugue
G major ? Preludes
Fugues
For organ Bach's authorship uncertain
558 J33
    Prelude and Fugue
G minor ? Preludes
Fugues
For organ Bach's authorship uncertain
559 J34
    Prelude and Fugue
A minor ? Preludes
Fugues
For organ Bach's authorship uncertain
560 J35
    Prelude and Fugue
B major ? Preludes
Fugues
For organ Bach's authorship uncertain
561 Fantasia and Fugue A minor Fantasias
Fugues
For organ spurious; composer unidentified
562 J41
J56
Fantasia and Fugue C minor 1730–45 Fantasias
Fugues
For organ Fugue incomplete
563 J43 Fantasia with Imitation B minor 1707 Fantasias For organ Bach's authorship uncertain
564 J36 Toccata, Adagio and Fugue C major 1712? Toccatas
Adagios
Fugues
For organ
565 J37 Toccata and Fugue D minor 1708? Toccatas
Fugues
For organ Bach's authorship uncertain
566 J17 Toccata and Fugue E major 1708? Toccatas
Fugues
For organ Bach's authorship uncertain; 1st version of BWV 566a
566a J17 Toccata and Fugue C major 1708? Toccatas
Fugues
For organ Bach's authorship uncertain; 2nd version of BWV 566
567 Prelude C major Preludes For organ spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}
568 J47 Prelude G major 1705? Preludes For organ
569 J48 Prelude A minor 1705? Preludes For organ
570 J49 Fantasia C major 1705–08? Fantasias For organ
571 J82 Fantasia G major 1720? Fantasias For organ
572 J83 Fantasia ("Pièce d'orgue") G major 1712? Fantasias For organ
573 J50 Fantasia C major 1722? Fantasias For organ incomplete
574 J63 {{LinkWorkN|Fugue on a Theme by Giovanni Legrenzi|BWV 574|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Giovanni Legrenzi) C minor 1708? Fugues For organ see also BWV 574a, BWV 574b
574a {{LinkWorkN|Fugue on a Theme by Giovanni Legrenzi|BWV 574|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Giovanni Legrenzi) C minor 1708? Fugues For organ alternative version of BWV 574
574b {{LinkWorkN|Fugue on a Theme by Giovanni Legrenzi|BWV 574|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Giovanni Legrenzi) C minor 1708? Fugues For organ alternative version of BWV 574
575 J60 Fugue C minor 1708–17 Fugues For organ
576 Fugue G major Fugues For organ spurious; composer unidentified
577 J61 Fugue G major ? Fugues For organ
578 J66 Fugue ("Little") G minor 1707? Fugues For organ
579 J68 {{LinkWorkN|Fugue on a Theme by Corelli|BWV 579|Bach|Johann Sebastian|0}} (Fuge über ein Thema von Corelli) B minor 1710? Fugues For organ
580 J65 Fugue D major Fugues For organ Bach's authorship uncertain
581 Fugue G major Fugues For organ spurious; composed by {{LinkComp|Gottfried August|Homilius}}
582 J79 Passacaglia C minor 1708–12? Passacaglias For organ
583 J8 Trio D minor 1723–29? Trios For organ
584 Trio G minor Trios For organ Bach's authorship uncertain
585 Trio C minor Trios For organ spurious; composed by {{LinkComp|Johann Friedrich|Fasch}}
586 Trio G major Trios For organ spurious; based on music by {{LinkComp|Georg Philipp|Telemann}}
587 Aria F major Arias For organ spurious; based on Les nations by {{LinkComp|François|Couperin}}
588 J80 Canzona D minor 1705? Canzonas For organ
589 J64 Alla breve D major 1709? Pieces For organ Bach's authorship uncertain
590 J81 Pastorale F major after 1720 Pastorales For organ incomplete
591 J78 {{LinkWorkN|Kleines harmonisches Labyrinth|BWV 591|Bach|Johann Sebastian|0}} C major 1714 Pieces For organ Bach's authorship uncertain; possibly composed by {{LinkComp|Johann David|Heinichen}}
592 J88 Organ Concerto G major 1713–14 Concertos For organ arrangement of a lost violin concerto by Prince Johann Ernst of Saxe-Weimar; arranged for harpsichord as BWV 592a
592a J92 Harpsichord Concerto G major 1713–14 Concertos For harpsichord arrangement of BWV 592
593 J86 Organ Concerto A minor 1713–14 Concertos For organ arrangement of the {{LinkWork|Concerto for 2 Violins in A minor|RV 522|Vivaldi|Antonio}}
594 J84 Organ Concerto C major 1713–14 Concertos For organ arrangement of the Violin Concerto in D major, RV 208, by {{LinkComp|Antonio|Vivaldi}}
595 J87 Organ Concerto C major 1713–14 Concertos For organ arrangement of No.4 of the 6 Violiin Concertos, Op.1, by Prince Johann Ernst of Saxe-Weimar; see also BWV 987
596 J85 Organ Concerto D minor 1713–14 Concertos For organ arrangement of the {{LinkWork|Concerto for 2 Violins and Cello in D minor|RV 565|Vivaldi|Antonio}}
597 Organ Concerto E major Concertos For organ arrangement of a concerto by an unidentified composer; Bach's authorship uncertain
598 {{LinkWorkN|Pedal-Exercitium|BWV 598|Bach|Johann Sebastian|0}} G minor 1735? Studies For organ Bach's authorship uncertain; possbily composed by {{LinkComp|Carl Philipp Emanuel|Bach}}
{{LinkWorkN|Das Orgel-Büchlein|BWV 599-644|Bach|Johann Sebastian|0}} ("Little Organ Book") 1713–15 Chorale preludes For organ
599 K28
    Nun komm der Heiden Heiland (I)
A major 1713–15 Chorale preludes For organ
600 K29
    Gott, durch deine Güte ("Gottes Sohn ist kommen")
F major 1713–15 Chorale preludes For organ
601 K30
    Herr Christ, der einge Gottessohn (I) ("Herr Gott, nun sei gepreiset")
A major 1713–15 Chorale preludes For organ
602 K31
    Lob sei dem allmächtigen Gott (I)
D minor 1713–15 Chorale preludes For organ
603 K32
    Puer natus in Bethlehem
G minor 1713–15 Chorale preludes For organ
604 K33
    Gelobet seist du, Jesu Christ (I)
G major 1713–15 Chorale preludes For organ
605 K34
    Der Tag, der ist so freudenreich (I)
G major 1713–15 Chorale preludes For organ
606 K35
    Vom Himmel hoch, da komm ich her (I)
D major 1713–15 Chorale preludes For organ
607 K36
    Vom Himmel kam der Engel schar
G mnor 1713–15 Chorale preludes For organ
608 K37
    In dulci jubilo (I)
A major 1713–15 Chorale preludes For organ
609 K38
    Lobt Gott, ihr Christen, allzugleich (I)
G major 1713–15 Chorale preludes For organ
610 K39
    Jesu, meine Freude (I)
C minor 1713–15 Chorale preludes For organ
611 K40
    Christum wir sollen loben schon
E minor 1713–15 Chorale preludes For organ
612 K41
    Wir Christenleut' (I)
G minor 1713–15 Chorale preludes For organ
613 K42
    Helft mir Gottes Güte preisen (I)
B minor 1713–15 Chorale preludes For organ
614 K43
    Das alte Jahr vergangen ist (I)
A minor 1713–15 Chorale preludes For organ
615 K44
    In dir ist Freude
G major 1713–15 Chorale preludes For organ
616 K45
    Mit Fried' und Freud' ich fahrdahin
D minor 1713–15 Chorale preludes For organ
617 K46
    Herr Gott, nun schleuss den Himmel auf (I)
A minor 1713–15 Chorale preludes For organ
618 K47
    O Lamm Gottes unschuldig (I)
F major 1713–15 Chorale preludes For organ
619 K48
    Christe, du Lamm Gottes
F major 1713–15 Chorale preludes For organ
620 K49
    Christus, der uns selig macht (I)
A minor 1713–15 Chorale preludes For organ
620a
    Christus, der uns selig macht (II)
A minor 1713? Chorale preludes For organ
621 K50
    Da Jesus an dem Kreuze stund'
A minor 1713–15 Chorale preludes For organ
622 K51
    O Mensch, bewein' dein' Sünde groß
E major 1713–15 Chorale preludes For organ
623 K52
    Wir danken dir, Herr Jesu Christ
G major 1713–15 Chorale preludes For organ
624 K53
    Hilf Gott, daß mir's gelinge
G minor 1713–15 Chorale preludes For organ
625 K55
    Christ lag in Todesbanden (I)
D minor 1713–15 Chorale preludes For organ
626 K56
    Jesus Christus, unser Heiland (I)
A minor 1713–15 Chorale preludes For organ
627 K57
    Christ ist erstanden (I)
D minor 1713–15 Chorale preludes For organ
628 K58
    Erstanden ist der heil'ge Christ (I)
D major 1713–15 Chorale preludes For organ
629 K59
    Erschienen ist der herrliche Tag
D minor 1713–15 Chorale preludes For organ
630 K60
    Heut triumphieret Gottes Sohn (I)
D minor 1713–15 Chorale preludes For organ
630a
    Heut triumphieret Gottes Sohn (II)
D minor 1718? Chorale preludes For organ
631 K61
    Komm, Gott Schöpfer, heiliger Geist (I)
G major 1713–15 Chorale preludes For organ
631a
    Komm, Gott Schöpfer, heiliger Geist (II)
G major 1727–30 Chorale preludes For organ
632 K62
    Herr Jesu Christ, dich zu unswend (I)
F major 1713–15 Chorale preludes For organ
633 K63b
    Liebster Jesu, wir sind hier (I)
A major 1713–15 Chorale preludes For organ
634 K63a
    Liebster Jesu, wir sind hier (II)
A major 1713–15 Chorale preludes For organ
635 K64
    Dies sind die heilgen zehn Gebot (I)
C major 1713–15 Chorale preludes For organ
636 K65
    Vater unser im Himmelreich (I)
D minor 1713–15 Chorale preludes For organ
637 K66
    Durch Adams Fall ist ganzverderbt (I)
A minor 1713–15 Chorale preludes For organ
637 K144
    Durch Adams Fall ist ganzverderbt (II)
A minor ? Chorale preludes For organ
638 K67
    Es ist das Heil uns kommen her (I)
D major 1713–15 Chorale preludes For organ
638a
    Es ist das Heil uns kommen her (II)
D major 1710–14 Chorale preludes For organ
639 K68
    Ich ruf zu dir, Herr Jesu Christ (I)
F minor 1713–15 Chorale preludes For organ
640 K69
    Ich dich hab ich gehoffet, Herr
E minor 1713–15 Chorale preludes For organ
641 K70
    Wenn wir in höchsten Nöten sein
G major 1713–15 Chorale preludes For organ
642 K71
    Wer nur den lieben Gott läßt walten (I)
A minor 1713–15 Chorale preludes For organ
643 K72
    Alle Menschen müssen sterben (I)
G major 1713–15 Chorale preludes For organ
644 K73
    Ach wie nichtig, ach wie flüchtig
G minor 1713–15 Chorale preludes For organ
Chorale Preludes (6) ("Choräle von verschiedener Art" or "Schubler Chorales") 1748–49 Chorale preludes For organ  
645 K22
    Wachet auf, ruft uns die Stimme
E major 1748–49 Chorale preludes For organ based on movt.IV of BWV 140
646 K23
    Wo soll ich fliehen hin (I)
E minor 1748–49 Chorale preludes For organ
647 K24
    Wer nur den lieben Gott lässt walten (II)
C minor 1748–49 Chorale preludes For organ based on movt.IV of BWV 93
648 K25
    Meine Seele erhebet den Herren
D minor 1748–49 Chorale preludes For organ based on movt.V of BWV 10
649 K26
    Ach bleib' bei uns, Herr Jesu Christ
B major 1748–49 Chorale preludes For organ based on movt.III of BWV 6
650 K27
    Kommst du nun, Jesu, vom Himmelherunter
G major 1748–49 Chorale preludes For organ based on movt.II of BWV 137
Chorale Preludes (18) ("Choräle von verschiedener Art" or "The Great Eighteen") 1723? Chorale preludes For organ
651 K74
    Fantasia super "Komm, Heiliger Geist"
F major 1723? Chorale preludes For organ
651a
    Fantasia super "Komm, Heiliger Geist"
F major 1714? Chorale preludes For organ
652 K75
    Komm, heiliger Geist (I)
G major 1723? Chorale preludes For organ
652a
    Komm, heiliger Geist (II)
G major 1718? Chorale preludes For organ
653 K76
    An Wasserflüssen Babylon (I)
G major 1723? Chorale preludes For organ
653a
    An Wasserflüssen Babylon (II)
G major 1719? Chorale preludes For organ
653b G major 1723? Chorale preludes For organ
654 K77
    Schmücke dich, o liebe Seele (I)
E major 1723? Chorale preludes For organ
654a
    Schmücke dich, o liebe Seele (II)
E major 1715? Chorale preludes For organ
655 K78
    Trio super "Herr Jesu Christ, dichzu uns wend" (I)
G major 1723? Chorale preludes For organ
655b
    Trio super "Herr Jesu Christ, dichzu uns wend" (III)
G major 1735–45? Chorale preludes For organ
655c
    Trio super "Herr Jesu Christ, dichzu uns wend" (IV)
G major ? Chorale preludes For organ
656 K79
    O Lamm Gottes unschuldig (II)
A major 1723? Chorale preludes For organ
657 K80
    Nun danket alle Gott
G major 1723? Chorale preludes For organ
658 K81
    Von Gott will ich nicht lassen
F minor 1723? Chorale preludes For organ
658a
    Von Gott will ich nicht lassen
F minor 1718? Chorale preludes For organ
659 K82
    Nun komm der Heiden Heiland (II)
G minor 1723? Chorale preludes For organ
659a
    Nun komm der Heiden Heiland (III)
G minor 1715? Chorale preludes For organ
660 K83
    Trio super "Nun komm der Heiden Heiland" (I)
G minor 1723? Chorale preludes For organ
660a
    Trio super "Nun komm der HeidenHeiland" (II)
G minor 1718? Chorale preludes For organ
660b
    Trio super "Nun komm der HeidenHeiland" (III)
G minor ? Chorale preludes For organ Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Ludwig|Krebs}}
661 K84
    Nun komm der Heiden Heiland (IV)
G minor 1723? Chorale preludes For organ
661a
    Nun komm der Heiden Heiland (V)
G minor 1715? Chorale preludes For organ
662 K85
    Allein Gott in der Höh sei Ehr (I)
A major 1723? Chorale preludes For organ
663 K86
    Allein Gott in der Höh sei Ehr (III)
G major 1723? Chorale preludes For organ
664 K87
    Trio super "Allein Gott in der Höh sei Ehr"
A major 1723? Chorale preludes For organ
665 K88
    Jesus Christus, unser Heiland (II)
E minor 1723? Chorale preludes For organ
665a
    Jesus Christus, unser Heiland (III)
E minor 1740? Chorale preludes For organ
666 K89
    Jesus Christus, unser Heiland (IV)
E minor 1723? Chorale preludes For organ
666a
    Jesus Christus, unser Heiland (V)
E minor 1740? Chorale preludes For organ
667 K90
    Komm, Gott Schöpfer, heiliger Geist (III)
C major 1723? Chorale preludes For organ
667a
    Komm, Gott Schöpfer, heiliger Geist (IV)
C major 1749? Chorale preludes For organ
667b
    Komm, Gott Schöpfer, heiliger Geist (V)
C major 1718? Chorale preludes For organ
668 K91
    Vor deinen Thron tret ich hiermit (I)
G major 1723? Chorale preludes For organ incomplete
668a
    Vor deinen Thron tret ich hiermit (II) ("Wenn wir in höchsten Nöten")
G major 1750 Chorale preludes For organ
Chorale Preludes ("Clavier-Übung III") 1739 Chorale preludes For organ
669 K1
    Gott Vater in Ewigkeit (I)
1739 Kyrie For organ
670 K2
    Christe, aller Welt Trost (I)
1739 Chorale preludes For organ
671 K3
    Gott heiliger Geist (I)
1739 Kyrie For organ
672 K4
    Gott Vater in Ewigkeit (II)
1739 Kyrie For organ
673 K5
    Christe, aller Welt Trost (II)
1739 Chorale preludes For organ
674 K6
    Gott heiliger Geist (II)
1739 Kyrie For organ
675 K7
    Allein Gott in der Höh sei Ehr (V)
1739 Chorale preludes For organ
676 K8
    Allein Gott in der Höh sei Ehr (VI)
1739 Fughettas For organ
677 K9
    Fughetta super "Allein Gott in der Höh sei Ehr"
1739 Chorale preludes For organ
678 K10
    Dies sind die heilgen zehn Gebot (II)
1739 Chorale preludes For organ
679 K11
    Fughetta super "Dies sind dieheilgen zehn Gebot"
1739 Chorale preludes For organ
680 K12
    Wir glauben all an einen Gott (I)
1739 Chorale preludes For organ
681 K13
    Fughetta super "Wir glauben all aneinen Gott"
1739 Fughettas For organ
682 K14
    Vater unser im Himmelreich (II)
1739 Chorale preludes For organ
683 K15
    Vater unser im Himmelreich (III)
1739 Chorale preludes For organ
684 K16
    Christ, unser Herr, zum Jordankam (I)
1739 Chorale preludes For organ
685 K17
    Christ, unser Herr, zum Jordankam (II)
1739 Chorale preludes For organ
686 K18
    Aus tiefer Not schrei ich zu dir (I)
1739 Chorale preludes For organ
687 K19
    Aus tiefer Not schrei ich zu dir (II)
1739 Chorale preludes For organ
688 K20
    Jesus Christus, unser Heiland (VI)
1739 Chorale preludes For organ
689 K21
    Fuga super "Jesus Christus unserHeiland"
1739 Fugues For organ
Chorale Preludes ("Kirnberger") Chorale preludes For organ
690 K127
    Wer nur den lieben Gott lässt walten (III)
1705? Chorale preludes For organ
691 K99
    Wer nur den lieben Gott lässt walten (IV)
1720 Chorale preludes For organ see also BWV 691
691a
    Wer nur den lieben Gott lässt walten (V)
1749? Chorale preludes For organ alternative version of BWV 691; Bach's authorship uncertain
692
    Ach Gott und Herr (I)
Chorale preludes For organ spurious; composed by {{LinkComp|Johann Gottfried|Walther}}
692a
    Ach Gott und Herr (I)
Chorale preludes For organ spurious; composed by {{LinkComp|Johann Gottfried|Walther}}
693
    Ach Gott und Herr (II)
Chorale preludes For organ spurious; composed by {{LinkComp|Johann Gottfried|Walther}}
694 K139
    Wo soll ich fliehen hin (II)
1708? Chorale preludes For organ
695 K136
    Fantasia super "Christ lag in Todes Banden"
1708? Chorale preludes For organ
695a
    Fantasia super "Christ lag in Todes Banden"
1708 Chorale preludes For organ Bach's authorship uncertain
696 K142
    Christum wir sollen loben schon
1739–42 Chorale preludes For organ
697 K147
    Gelobet seist du, Jesu Christ (II)
1739–42 Chorale preludes For organ
698 K149
    Herr Christ, der einge Gottessohn
1739–42 Fughetta For organ
699 K155
    Nun komm der Heiden Heiland (VI)
1739–42 Chorale preludes For organ
700 K156
    Vom Himmel hoch, da komm ich her (II)
1708? Chorale preludes For organ
701 K157
    Vom Himmel hoch, da komm ich her (III)
1739–42 Chorale preludes For organ
702 K143
    Das Jesulein soll doch mein Trost
? Fughetta For organ
703 K148
    Gottes Sohn ist kommen
1739–42 Chorale preludes For organ
704 K153
    Lob sei dem allmächtigen Gott (II)
1739–42 Chorale preludes For organ
705
    Durch Adams Fall ist ganz verderbt (IV)
D minor 1708 Fughetta For organ
706 K116
    Liebster Jesu, wir sind hier (III)
1708–14 Chorale preludes For organ
707 K137
    Ich hab mein Sach Gottheimgestellt (I)
? Chorale preludes For organ
708 K158
    Ich hab mein Sach Gottheimgestellt (II)
1731? Chorale preludes For organ
708a
    Ich hab mein Sach Gottheimgestellt (III)
1731? Chorale preludes For organ
709 K150
    Herr Jesu Christ, dich zu unswend (II)
1708–17 Chorale preludes For organ
710
    Wir Christenleut habn jetz und Freud, chorale prelude for organ
1708 Chorale preludes For organ spurious; composer unidentfied
711 K140
    Allein Gott in der Höh sei Ehr (VII)
1708–17 Chorale preludes For organ
712 K151
    In dich hab ich gehoffet, Herr
? Chorale preludes For organ
713 K138
    Fantasia super "Jesu, meine Freude"
? Chorale preludes For organ
714 K172 Ach Gott und Herr ("per canonem") 1715? Chorale preludes For organ
715 K128 Allein Gott in der Höh sei Ehr (VIII) 1727? Chorale preludes For organ
716 K141 Fuga super "Allein Gott in der Höh sei Ehr" Fugues For organ
717 K106 Allein Gott in der Höh sei Ehr (IX) 1710–14 Chorale preludes For organ
718 K119 Christ lag in Todesbanden (II) 1712–13 Chorale preludes For organ
719 K34 Der Tag, der ist so freudenreich (II) 1710? Chorale preludes For organ
720 K103 Ein feste Burg ist unser Gott Chorale preludes For organ spurious; composed by {{LinkComp|Johann Michael|Bach}}
721 K107 Erbarm dich mein, o Herre Gott 1740? Chorale preludes For organ
722 K114 Gelobet seist du, Jesu Christ (III) ? Chorale preludes For organ
723 Gelobet seist du, Jesu Christ Chorale preludes For organ spurious; composed by {{LinkComp|Johann Michael|Bach}}
724 K29 Gott, durch deine Güte ("Gottes Sohn ist kommen") 1705? Chorale preludes For organ
725 K99 Herr Gott, dich loben wir ? Chorale preludes For organ
726 K130 Herr Jesu Christ, dich zu unswend (III) 1726 Chorale preludes For organ
727 K109 Herzlich tut mich verlangen 1740 Chorale preludes For organ
728 K101 Jesus, meine Zuversicht 1722 Chorale preludes For organ
729 K115 In dulci jubilo (II) ? Chorale preludes For organ
729a In dulci jubilo (III) 1730? Chorale preludes For organ
730 K133 Liebster Jesu, wir sind hier (IV) ? Chorale preludes For organ
731 K134 Liebster Jesu, wir sind hier (V) ? Chorale preludes For organ
732 K117 Lobt Gott, ihr Christen,allzugleich (II) 1718? Chorale preludes For organ
733 K120 MeineSeele erhebet den Herren (Fuga sopra il Magnificat) ? Fugues For organ spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}
734 K125 Nun freut euch, lieben Christen gmein (I) ? Chorale preludes For organ
734a Nun freut euch, lieben Christen gmein (II) 1715? Chorale preludes For organ Bach's authorship uncertain
735 K104 Fantasia super Valet will ich dirgeben 1708–17? Chorale preludes For organ
736 K131 Valet will ich dir geben 1715? Chorale preludes For organ
737 K112 Vater unser im Himmelreich (IV) 1710? Chorale preludes For organ
738 K118 Vom Himmel hoch, da komm ich her (IV) 1718? Chorale preludes For organ
738a Vom Himmel hoch, da komm ich her (V) 1718? Chorale preludes For organ
739 K97 Wie schön leuchtet uns der Morgenstern (I) 1705? Chorale preludes For organ
740 Wir glauben all an einen Gott (IV) Chorale preludes For organ spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}
741 K135 Ach Gott vom Himmel sieh darein ? Chorale preludes For organ
742 K173 Ach Herr, mich armen Sünder 1733? Chorale preludes For organ
743 K121 Ach, was ist doch unser Leben 1740? Chorale preludes For organ
744 K122 Auf meinen lieben Gott Chorale preludes For organ Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Ludwig|Krebs}}
745 Aus der Tiefe rufe ich Chorale preludes For organ spurious; probably composed by {{LinkComp|Carl Philipp Emanuel|Bach}}
746 Christ ist erstanden (II) Chorale preludes For organ spurious; composed by {{LinkComp|Johann Caspar Ferdinand|Fischer}}
747 K102 Christus, der uns selig macht (III) 1731–40? Chorale preludes For organ
748 Gott der Vater wohn uns bei Chorale preludes For organ spurious; composed by {{LinkComp|Johann Gottfried|Walther}}; see also BWV 748a
748a Gott der Vater wohn uns bei Chorale preludes For organ variant of BWV 748; spurious; composed by {{LinkComp|Johann Gottfried|Walther}}
749 K195 Herr Jesu Christ, dich zu uns wend (IV) 1700? Chorale preludes For organ
750 K196 Herr Jesu Christ, meins Lebens Licht 1700? Chorale preludes For organ
751 In dulci jubilo (IV) Chorale preludes For organ spurious; composed by {{LinkComp|Johann Michael|Bach}}
752 Jesu, der du meine Seele 1740? Chorale preludes For organ Bach's authorship uncertain
753 K124 Jesu, meine Freude (II) 1723? Chorale preludes For organ incomplete
754 Liebster Jesu, wir sind hier (VI) 1740? Chorale preludes For organ
755 Nun freut euch, lieben Christengmein (III) ? Chorale preludes For organ Bach's authorship uncertain
756 K197 Nun ruhen alle Wälder 1700? Chorale preludes For organ
757 K126 O Herre Gott, dein göttlich's Wort (I) ? Chorale preludes For organ
758 K198 O Vater, allmächtiger Gott ? Chorale preludes For organ
759 Schmücke dich, o liebe SeeleI Chorale preludes For organ spurious; composed by {{LinkComp|Gottfried August|Homilius}}; see also BWV Anh.74
760 Vater unser im Himmelreich (VI) Chorale preludes For organ spurious; composed by {{LinkComp|Georg|Böhm}}
761 Vater unser im Himmelreich (VII) Chorale preludes For organ spurious; composed by {{LinkComp|Georg|Böhm}}
762 K113 Vater unser im Himmelreich (V) 1715? Chorale preludes For organ
763 Wie schön leuchtet uns der Morgenstern (II) 1737? Chorale preludes For organ Bach's authorship uncertain
764 K98 Wie schön leuchtet uns der Morgenstern (III) 1705? Chorale preludes For organ incomplete
765 K105 Wir glauben all an einen Gott (II) 1718 Chorale preludes For organ
766 K94 {{LinkWorkN|Christ, der du bist der helle Tag|BWV 766|Bach|Johann Sebastian|0}} 1700? Chorales
Partitas
For organ
767 K95 {{LinkWorkN|O Gott, du frommer Gott|BWV 767|Bach|Johann Sebastian|0}} ? Chorales
Partitas
For organ
768 K96 {{LinkWorkN|Sei gegrüsset, Jesu gütig|BWV 768|Bach|Johann Sebastian|0}} 1710? Chorales
Partitas
For organ
769 {{LinkWorkN|Vom himmel hoch, da komm ich her|BWV 769|Bach|Johann Sebastian|0}} (I) 1747 Canons
Variations
For organ see also BWV 769a
769a {{LinkWorkN|Vom himmel hoch, da komm ich her|BWV 769|Bach|Johann Sebastian|0}} (I) 1747 Canons
Variations
For organ alternative version of BWV 768
770 K93 {{LinkWorkN|Ach, was soll ich Sünder machen|BWV 770|Bach|Johann Sebastian|0}} ? Chorales
Partitas
For organ
771 {{LinkWorkN|Allein Gott in der Höh sei Ehr'|BWV 771|Bach|Johann Sebastian|0}} Chorales
Variations
For organ spurious; composed by {{LinkComp|Nicolaus|Vetter}}

|- | 772–786 | — | Inventions (15): | C major | 1720–23 | Inventions | For keyboard | |- | 772 | L27

|

    Invention No.1

| C major | 1720–23 | Inventions | For keyboard | see also BWV 772a |- | 772a | —

|

    Invention No.1

| C major | 1720–23 | Inventions | For keyboard | alternative version of BWV 772; Bach's authorship uncertain |- | 773 | L28

|

    Invention No.2

| C minor | 1720–23 | Inventions | For keyboard | |- | 774 | L29

|

    Invention No.3

| D major | 1720–23 | Inventions | For keyboard | |- | 775 | L30

|

    Invention No.4

| D minor | 1720–23 | Inventions | For keyboard | |- | 776 | L31

|

    Invention No.5

| E major | 1720–23 | Inventions | For keyboard | |- | 777 | L32

|

    Invention No.6

| E major | 1720–23 | Inventions | For keyboard | |- | 778 | L33

|

    Invention No.7

| E minor | 1720–23 | Inventions | For keyboard | |- | 779 | L34

|

    Invention No.8

| F major | 1720–23 | Inventions | For keyboard | |- | 780 | L35

|

    Invention No.9

| F minor | 1720–23 | Inventions | For keyboard | |- | 781 | L36

|

    Invention No.10

| G major | 1720–23 | Inventions | For keyboard | |- | 782 | L37

|

    Invention No.11

| G minor | 1720–23 | Inventions | For keyboard | |- | 783 | L38

|

    Invention No.12

| A major | 1720–23 | Inventions | For keyboard | |- | 784 | L39

|

    Invention No.13

| A minor | 1720–23 | Inventions | For keyboard | |- | 785 | L40

|

    Invention No.14

| B major | 1720–23 | Inventions | For keyboard | |- | 786 | L41

|

    Invention No.15

| B minor | 1720–23 | Inventions | For keyboard | |- | 787–801 | — | Sinfonias (15): | | 1720–23 | Sinfonias | For keyboard | |- | 787 | L42

|

    Sinfonia No.1

| C major | 1720–23 | Sinfonias | For keyboard | |- | 788 | L43

|

    Sinfonia No.2

| C minor | 1720–23 | Sinfonias | For keyboard | |- | 789 | L44

|

    Sinfonia No.3

| D major | 1720–23 | Sinfonias | For keyboard | |- | 790 | L45

|

    Sinfonia No.4

| D minor | 1720–23 | Sinfonias | For keyboard | |- | 791 | L46

|

    Sinfonia No.5

| E major | 1720–23 | Sinfonias | For keyboard | |- | 792 | L47

|

    Sinfonia No.6

| E major | 1720–23 | Sinfonias | For keyboard | |- | 793 | L48

|

    Sinfonia No.7

| E minor | 1720–23 | Sinfonias | For keyboard | |- | 794 | L49

|

    Sinfonia No.8

| F major | 1720–23 | Sinfonias | For keyboard | |- | 795 | L50

|

    Sinfonia No.9

| F minor | 1720–23 | Sinfonias | For keyboard | |- | 796 | L51

|

    Sinfonia No.10

| G major | 1720–23 | Sinfonias | For keyboard | |- | 797 | L52

|

    Sinfonia No.11

| G minor | 1720–23 | Sinfonias | For keyboard | |- | 798 | L53

|

    Sinfonia No.12

| A major | 1720–23 | Sinfonias | For keyboard | |- | 799 | L54

|

    Sinfonia No.13

| A minor | 1720–23 | Sinfonias | For keyboard | |- | 800 | L55

|

    Sinfonia No.14

| B major | 1720–23 | Sinfonias | For keyboard | |- | 801 | L56

|

    Sinfonia No.15

| B minor | 1720–23 | Sinfonias | For keyboard | |- | 802 | J74 | Duetto No.1 | E minor | 1739 | Duets | For keyboard | No.23 in Clavier-Übung III |- | 803 | J75 | Duetto No.2 | F major | 1739 | Duets | For keyboard | No.24 in Clavier-Übung III |- | 804 | J76 | Duetto No.3 | G major | 1739 | Duets | For keyboard | No.25 in Clavier-Übung III |- | 805 | J77 | Duetto No.4 | A minor | 1739 | Duets | For keyboard | No.26 in Clavier-Übung III |- | 806 | L13 | English Suite No.1 | A major | 1720–22? | Suites | For keyboard | |- | 807 | L14 | English Suite No.2 | A minor | 1720–22? | Suites | For keyboard | |- | 808 | L15 | English Suite No.3 | G minor | 1720–22? | Suites | For keyboard | |- | 809 | L16 | English Suite No.4 | F major | 1720–22? | Suites | For keyboard | |- | 810 | L17 | English Suite No.5 | E minor | 1720–22? | Suites | For keyboard | |- | 811 | L18 | English Suite No.6 | D minor | 1720–22? | Suites | For keyboard | |- | 812 | L19 | French Suite No.1 | D minor | 1722–25? | Suites | For keyboard | |- | 813 | L20 | French Suite No.2 | C minor | 1722–25? | Suites | For keyboard | see also BWV 813a |- | 813a | L20 | French Suite No.2 | C minor | 1722–25? | Suites | For keyboard | alternative version of BWV 813 |- | 814 | L21 | French Suite No.3 | B minor | 1722–25? | Suites | For keyboard | see also BWV 814a |- | 814a | L21 | French Suite No.3 | B minor | 1722–25? | Suites | For keyboard | alternative version of BWV 814 |- | 815 | L22 | French Suite No.4 | E major | 1722–25? | Suites | For keyboard | see also BWV 815a |- | 815a | L22 | French Suite No.4 | E major | 1722–25? | Suites | For keyboard | alternative version of BWV 815 |- | 816 | L23 | French Suite No.5 | G major | 1722–25? | Suites | For keyboard | |- | 817 | L24 | French Suite No.6 | E major | 1722–25? | Suites | For keyboard | |- | 818 | L25 | Suite | A minor | 1720–22? | Suites | For keyboard | see also BWV 818 |- | 818a | L25 | Suite | A minor | 1720–22? | Suites | For keyboard | alternative version of BWV 818 |- | 819 | L26 | Suite | E major | 1725? | Suites | For keyboard | see also BWV 819 |- | 819a | L26 | Suite | E major | 1725–28? | Suites | For keyboard | alternative version of BWV 819 |- | 820 | L173 | Overture | F major | 1705? | Overtures | For keyboard | |- | 821 | L169 | Suite | B major | ? | Suites | For keyboard | Bach's authorship uncertain |- | 822 | L168 | Suite | G minor | 1705? | Suites | For keyboard | |- | 823 | L167 | Suite | F minor | 1715? | Suites | For keyboard | incomplete |- | 824 | — | Suite | A major | — | Suites | For keyboard | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 32:14) |- | 825 | L1 | Partita No.1 | B major | 1726 | Partitas | For keyboard | No.1 in Clavier-Übung I |- | 826 | L2 | Partita No.2 | C minor | 1727 | Partitas | For keyboard | No.2 in Clavier-Übung I |- | 827 | L3 | Partita No.3 | A minor | 1725–27 | Partitas | For keyboard | No.3 in Clavier-Übung I |- | 828 | L4 | Partita No.4 | D major | 1728 | Partitas | For keyboard | No.4 in Clavier-Übung I |- | 829 | L5 | Partita No.5 | G major | 1730 | Partitas | For keyboard | No.5 in Clavier-Übung I |- | 830 | L6 | Partita No.6 | E minor | 1725–30 | Partitas | For keyboard | No.6 in Clavier-Übung I |- | 831 | L8 | Ouverture nach Französischer Art (Overture in the French Style) | B minor | 1735 | Overtures
Partitas | For keyboard | 2nd version of BWV 831a; No.2 in Clavier-Übung II |- | 831a | L8 | Ouverture nach Französischer Art (Overture in the French Style) | C minor | 1733 | Overtures
Partitas | For keyboard | 1st version of BWV 831 |- | 832 | L174 | Suite | A major | 1708? | Suites | For keyboard | |- | 833 | L172 | Praeludium et Partita dei Tuono Terzo | F major | 1708–14? | Preludes
Partitas | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Bernardo|Pasquini}} |- | 834 | — | Allemande | C minor | — | Allemandes | For keyboard | Bach's authorship uncertain |- | 835 | — | Allemande | A minor | — | Allemandes | For keyboard | spurious; composed by {{LinkComp|Johann Philipp|Kirnberger}} |- | 836 | A40 | Allemande | G minor | 1720–22 | Allemandes | For keyboard | composed with {{LinkComp|Wilhelm Friedemann|Bach}} |- | 837 | A41 | Allemande | G minor | 1720–22 | Allemandes | For keyboard | composed with {{LinkComp|Wilhelm Friedemann|Bach}}; incomplete |- | 838 | — | Allemande and Courante | A major | — | Allemandes
Courantes | For keyboard | spurious; composed by {{LinkComp|Christoph|Graupner}} (GWV 149/2–3) |- | 839 | — | Sarabande | G minor | 1735? | Sarabandes | For keyboard | Bach's authorship uncertain |- | 840 | — | Courante | G major | — | Courantes | For keyboard | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 32:13) |- | 841 | L176/1 | Minuet | G major | 1720 | Minuets | For keyboard | |- | 842 | L176/2 | Minuet | G minor | 1720 | Minuets | For keyboard | |- | 843 | L176/3 | Minuet | G major | 1720 | Minuets | For keyboard | |- | 844 | — | Scherzo | D minor | ? | Scherzos | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}}; see also BWV 844a |- | 844a | — | Scherzo | E minor | — | Scherzos | For keyboard | alternative version of BWV 844; Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}} |- | 845 | — | Gigue | F minor | ? | Gigues | For keyboard | Bach's authorship uncertain |- | 846-869 | | {{LinkWorkN|Das wohltemperierte Klavier I|BWV 846-869|Bach|Johann Sebastian|0}} (The Well-Tempered Clavier, Part I) | | 1722 | Preludes
Fugues | For keyboard | |- | 846 | L80

|

    Prelude and Fugue

| C major | 1722 | Preludes
Fugues | For keyboard | see also BWV 846a |- | 846a | L80

|

    Prelude and Fugue

| C major | 1722 | Preludes
Fugues | For keyboard | alternative version of BWV 846a |- | 847 | L81

|

    Prelude and Fugue

| C minor | 1722 | Preludes
Fugues | For keyboard | |- | 848 | L82

|

    Prelude and Fugue

| C major | 1722 | Preludes
Fugues | For keyboard | |- | 849 | L83

|

    Prelude and Fugue

| C minor | 1722 | Preludes
Fugues | For keyboard | |- | 850 | L84

|

    Prelude and Fugue

| D major | 1722 | Preludes
Fugues | For keyboard | |- | 851 | L85

|

    Prelude and Fugue

| D minor | 1722 | Preludes
Fugues | For keyboard | |- | 852 | L86

|

    Prelude and Fugue

| E major | 1722 | Preludes
Fugues | For keyboard | |- | 853 | L87

|

    Prelude and Fugue

| E minor | 1722 | Preludes
Fugues | For keyboard | |- | 854 | L88

|

    Prelude and Fugue

| E major | 1722 | Preludes
Fugues | For keyboard | |- | 855 | L89

|

    Prelude and Fugue

| E minor | 1722 | Preludes
Fugues | For keyboard | see also BWV 855a |- | 855a | L89

|

    Prelude and Fugue

| E minor | 1722 | Preludes
Fugues | For keyboard | alternative version of BWV 855 |- | 856 | L90

|

    Prelude and Fugue

| F major | 1722 | Preludes
Fugues | For keyboard | |- | 857 | L91

|

    Prelude and Fugue

| F minor | 1722 | Preludes
Fugues | For keyboard | |- | 858 | L92

|

    Prelude and Fugue

| F major | 1722 | Preludes
Fugues | For keyboard | |- | 859 | L93

|

    Prelude and Fugue

| F minor | 1722 | Preludes
Fugues | For keyboard | |- | 860 | L94

|

    Prelude and Fugue

| G major | 1722 | Preludes
Fugues | For keyboard | |- | 861 | L95

|

    Prelude and Fugue

| G minor | 1722 | Preludes
Fugues | For keyboard | |- | 862 | L96

|

    Prelude and Fugue

| A major | 1722 | Preludes
Fugues | For keyboard | |- | 863 | L97

|

    Prelude and Fugue

| G minor | 1722 | Preludes
Fugues | For keyboard | |- | 864 | L98

|

    Prelude and Fugue

| A major | 1722 | Preludes
Fugues | For keyboard | |- | 865 | L99

|

    Prelude and Fugue

| A minor | 1722 | Preludes
Fugues | For keyboard | |- | 866 | L100

|

    Prelude and Fugue

| B major | 1722 | Preludes
Fugues | For keyboard | |- | 867 | L101

|

    Prelude and Fugue

| B minor | 1722 | Preludes
Fugues | For keyboard | |- | 868 | L102

|

    Prelude and Fugue

| B major | 1722 | Preludes
Fugues | For keyboard | |- | 869 | L103

|

    Prelude and Fugue

| B minor | 1722 | Preludes
Fugues | For keyboard | |- | 870-893 | | {{LinkWorkN|Das wohltemperierte Klavier II|BWV 870-893|Bach|Johann Sebastian|0}} (The Well-Tempered Clavier, Part I) | | 1740 | Preludes
Fugues | For keyboard | |- | 870 | L104

|

    Prelude and Fugue

| C major | 1740 | Preludes
Fugues | For keyboard | see also BWV 870a, 870b |- | 870a | L104

|

    Prelude and Fugue

| C major | 1740 | Preludes
Fugues | For keyboard | alternative version of BWV 870 |- | 870b | L104

|

    Prelude and Fugue

| C major | 1740 | Preludes
Fugues | For keyboard | alternative version of BWV 870 |- | 871 | L105

|

    Prelude and Fugue

| C minor | 1740 | Preludes
Fugues | For keyboard | |- | 872 | L106

|

    Prelude and Fugue

| C major | 1740 | Preludes
Fugues | For keyboard | see also BWV 872a |- | 872a | L106

|

    Prelude and Fugue

| C major | 1740 | Preludes
Fugues | For keyboard | alternative version of BWV 872 |- | 873 | L107

|

    Prelude and Fugue

| C minor | 1740 | Preludes
Fugues | For keyboard | |- | 874 | L108

|

    Prelude and Fugue

| D major | 1740 | Preludes
Fugues | For keyboard | |- | 875 | L109

|

    Prelude and Fugue

| D minor | 1740 | Preludes
Fugues | For keyboard | see also BWV 875a |- | 875a | L109

|

    Prelude and Fugue

| D minor | 1740 | Preludes
Fugues | For keyboard | alternative version of BWV 875 |- | 876 | L110

|

    Prelude and Fugue

| E major | 1740 | Preludes
Fugues | For keyboard | |- | 877 | L111

|

    Prelude and Fugue

| E minor | 1740 | Preludes
Fugues | For keyboard | |- | 878 | L112

|

    Prelude and Fugue

| E major | 1740 | Preludes
Fugues | For keyboard | |- | 879 | L113

|

    Prelude and Fugue

| E minor | 1740 | Preludes
Fugues | For keyboard | |- | 880 | L114

|

    Prelude and Fugue

| F major | 1740 | Preludes
Fugues | For keyboard | |- | 881 | L115

|

    Prelude and Fugue

| F minor | 1740 | Preludes
Fugues | For keyboard | |- | 882 | L116

|

    Prelude and Fugue

| F major | 1740 | Preludes
Fugues | For keyboard | |- | 883 | L117

|

    Prelude and Fugue

| F minor | 1740 | Preludes
Fugues | For keyboard | |- | 884 | L118

|

    Prelude and Fugue

| G major | 1740 | Preludes
Fugues | For keyboard | |- | 885 | L119

|

    Prelude and Fugue

| G minor | 1740 | Preludes
Fugues | For keyboard | |- | 886 | L120

|

    Prelude and Fugue

| A major | 1740 | Preludes
Fugues | For keyboard | |- | 887 | L121

|

    Prelude and Fugue

| G minor | 1740 | Preludes
Fugues | For keyboard | |- | 888 | L122

|

    Prelude and Fugue

| A major | 1740 | Preludes
Fugues | For keyboard | |- | 889 | L123

|

    Prelude and Fugue

| A minor | 1740 | Preludes
Fugues | For keyboard | |- | 890 | L124

|

    Prelude and Fugue

| B major | 1740 | Preludes
Fugues | For keyboard | |- | 891 | L125

|

    Prelude and Fugue

| B minor | 1740 | Preludes
Fugues | For keyboard | |- | 892 | L126

|

    Prelude and Fugue

| B major | 1740 | Preludes
Fugues | For keyboard | |- | 893 | L127

|

    Prelude and Fugue

| B minor | 1740 | Preludes
Fugues | For keyboard | |- | 894 | L130 | Prelude and Fugue | A minor | 1715–25 | Preludes
Fugues | For keyboard | revised in BWV 1044 |- | 895 | L129 | Prelude and Fugue | A minor | 1709 | Preludes
Fugues | For keyboard | |- | 896 | L128 | Prelude and Fugue | A minor | 1710? | Preludes
Fugues | For keyboard | |- | 897 | — | Prelude and Fugue | A minor | — | Preludes
Fugues | For keyboard | prelude composed by {{LinkComp|Cornelius Heinrich|Dretzel}}; composer of fugue uncertain |- | 898 | — | Prelude and Fugue (on the name of "B-A-C-H") | B major | ? | Preludes
Fugues | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Christian|Kittel}} |- | 899 | — | Prelude and Fughetta | D minor | 1725–26? | Preludes
Fughettas | For keyboard | Bach's authorship uncertain |- | 900 | L77 | Prelude and Fughetta | E minor | 1725–26? | Preludes
Fughettas | For keyboard | |- | 901 | L78 | Prelude and Fughetta | F major | 1730? | Preludes
Fughettas | For keyboard | |- | 902 | L79 | Prelude and Fughetta | G major | 1730? | Preludes
Fughettas | For keyboard | see also BWV 902/1a |- | 902/1a | — | Prelude | G major | 1730? | Preludes
Fughettas | For keyboard | alternative version of prelude from BWV 902 |- | 903 | L34 | Chromatic Fantasia | D minor | 1723? | Fantasias
Fugues | For keyboard | see also BWV 903a |- | 903a | — | Fantasia | D minor | 1723? | Fantasias
Fugues | For keyboard | alternative version of BWV 903 |- | 904 | L136 | Fantasia and Fugue | A minor | 1725? | Fantasias
Fugues | For keyboard | |- | 905 | — | Fantasia and Fugue | D minor | ? | Fantasias
Fugues | For keyboard | Bach's authorship uncertain |- | 906 | L133
L138 | Fantasia and Fugue | C minor | 1704? | Fantasias
Fugues | For keyboard | fugue incompete |- | 907 | — | Fantasia and Fughetta | B major | ? | Fantasias
Fughettas | For keyboard | spurious; composed by {{LinkComp|Gottfried|Kirchhoff}} |- | 908 | — | Fantasia and Fughetta | D major | ? | Fantasias
Fughettas | For keyboard | spurious; composed by {{LinkComp|Gottfried|Kirchhoff}} |- | 909 | — | Concerto and Fugue | C minor | 1703 | Concertos
Fugues | For keyboard | Bach's authorship uncertain |- | 910 | L146 | Toccata | F minor | 1712 | Toccatas | For keyboard | |- | 911 | L142 | Toccata | C minor | 1714? | Toccatas | For keyboard | |- | 912 | L143 | Toccata | D major | 1710? | Toccatas | For keyboard | see also BWV 912 |- | 912a | L143 | Variations (2) | D major | 1710? | Toccatas | For keyboard | early version of the Adagio from BWV 912 |- | 913 | L144 | Toccata | D minor | 1708? | Toccatas | For keyboard | |- | 914 | L145, 163 | Toccata | E minor | 1710 | Toccatas | For keyboard | |- | 915 | L148 | Toccata | G minor | 1710 | Toccatas | For keyboard | |- | 916 | L147 | Toccata | G major | 1714? | Toccatas | For keyboard | |- | 917 | L140 | Fantasia | G minor | 1710? | Fantasias | For keyboard | |- | 918 | L139 | Fantasia (Fantasia über ein rondo) | C minor | 1740? | Fantasias | For keyboard | |- | 919 | — | Fantasia | C minor | — | Fantasias | For keyboard | spurious; by {{LinkComp|Johann Bernhard|Bach}} |- | 920 | — | Fantasia | G minor | ? | Fantasias | For keyboard | Bach's authorship uncertain |- | 921 | J44
J52 | Prelude (Fantasia) | C minor | 1713 | Preludes
Fantasias | For keyboard | |- | 922 | L141 | Prelude (Fantasia) | A minor | 1710–14? | Preludes
Fantasias | For keyboard | |- | 923 | L131 | Prelude | B minor | — | Preludes | For keyboard | Bach's authorship uncertain; possibly composed by Wilhelm Heironymous Pachelbel; see also BWV 923a |- | 923a | L131 | Prelude | A minor | — | Preludes | For keyboard | alternative version of BWV 923; Bach's authorship uncertain |- | 924–932 | | Kleine Präluden (9): | | 1720 | Preludes | For keyboard | |- | 924 | L57

|

Prelude

| C major | 1720 | Preludes | For keyboard | see also BWV 924a |- | 924a | L57

|

Prelude

| C major | 1720 | Preludes | For keyboard | alternative version of BWV 924; Bach's authorship uncertain |- | 925 | —

|

Prelude

| D major | 1720 | Preludes | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}} |- | 926 | L58

|

Prelude

| D minor | 1720 | Preludes | For keyboard | |- | 927 | L59

|

Prelude

| F major | 1720 | Preludes | For keyboard | |- | 928 | L60

|

Prelude

| F major | 1720 | Preludes | For keyboard | |- | 929 | L61

|

Prelude

| G minor | 1720 | Preludes | For keyboard | |- | 930 | L62

|

Prelude

| G minor | 1720 | Preludes | For keyboard | |- | 931 | —

|

Prelude

| A minor | 1720 | Preludes | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}} |- | 932 | L63

|

Prelude

| E minor | 1720 | Preludes | For keyboard | incomplete; Bach's authorship uncertain; possibly composed by {{LinkComp|Wilhelm Friedemann|Bach}} |- | 933–938 | | Kleine Präluden (6): | | 1717 | Preludes | For keyboard | |- | 933 | L64

|

Prelude

| C major | 1717 | Preludes | For keyboard | |- | 934 | L65

|

Prelude

| C minor | 1717 | Preludes | For keyboard | |- | 935 | L66

|

Prelude

| D minor | 1717 | Preludes | For keyboard | |- | 936 | L67

|

Prelude

| D major | 1717 | Preludes | For keyboard | |- | 937 | L68

|

Prelude

| E major | 1717 | Preludes | For keyboard | |- | 938 | L69

|

Prelude

| E minor | 1717 | Preludes | For keyboard | |- | 939–943 | | Kleine Präluden (5): | | 1717 | Preludes | For keyboard | |- | 939 | L70

|

Prelude

| C major | 1717 | Preludes | For keyboard | |- | 940 | L71

|

Prelude

| D major | 1717 | Preludes | For keyboard | |- | 941 | L72

|

Prelude

| E minor | 1717 | Preludes | For keyboard | |- | 942 | L73

|

Prelude

| A minor | 1717? | Preludes | For keyboard | |- | 943 | L74

|

Prelude

| C major | 1703–07 | Preludes | For keyboard | |- | 944 | L135 | Fantasia and Fugue | A minor | 1714? | Fantasias
Fugues | For keyboard | Fugue revised in BWV 543 |- | 945 | — | Fugue | E minor | 1695–1700? | Fugues | For keyboard | Bach's authorship uncertain (possibly composed by {{LinkComp|Christoph|Graupner}} |- | 946 | L160 | Fugue | C major | 1708? | Fugues | For keyboard | on a theme by {{LinkComp|Tomaso|Albinoni}} |- | 947 | L157 | Fugue | A minor | ? | Fugues | For keyboard | |- | 948 | L151 | Fugue | D minor | 1727? | Fugues | For keyboard | |- | 949 | L154 | Fugue | A major | 1715? | Fugues | For keyboard | |- | 950 | L161 | Fugue | A major | 1710 | Fugues | For keyboard | on a theme by {{LinkComp|Tomaso|Albinoni}} |- | 951 | L162 | Fugue | B minor | 1712 | Fugues | For keyboard | on a theme by {{LinkComp|Tomaso|Albinoni}}; see also BWV 951a |- | 951a | — | Fugue | B minor | 1712 | Fugues | For keyboard | alternative version of BWV 951 |- | 952 | L150 | Fugue | C major | ? | Fugues | For keyboard | |- | 953 | L149 | Fugue | C major | 1723? | Fugues | For keyboard | |- | 954 | L163 | Fugue | B major | 1730? | Fugues | For keyboard | on a theme by {{LinkComp|Johann Adam|Reincken|0}} |- | 955 | — | Fugue | B major | ? | Fugues | For keyboard | previously thought to have been arranged from a work by {{LinkComp|Johann Christoph|Erselius}}; see also BWV 955a |- | 955a | — | Fugue | G major | ? | Fugues | For keyboard | early variant of BWV 955 |- | 956 | L152 | Fugue | E minor | ? | Fugues | For keyboard | |- | 957 | K191 | {{LinkWorkN|Machs mit mir, Gott, nach deiner Güt|BWV 957|Bach|Johann Sebastian|0}} | G major | 1705? | Chorale preludes | For organ | previously believed to be a fugue for harpsichord |- | 958 | L155 | Fugue | A minor | ? | Fugues | For keyboard | |- | 959 | L156 | Fugue | A minor | ? | Fugues | For keyboard | |- | 960 | — | Fugue | E minor | ? | Fugues | For keyboard | incomplete; Bach's authorship uncertain |- | 961 | L158 | Fughetta | C minor | 1712? | Fughettas | For keyboard | |- | 962 | — | Fugue | E minor | 1783 | Fugues | For keyboard | spurious; composed by {{LinkComp|Johann Georg|Albrechtsberger}} |- | 963 | L182 | Sonata | D major | 1704? | Sonatas | For keyboard | |- | 964 | L184 | Sonata | D minor | ? | Sonatas | For keyboard | arrangement of BWV 1003 |- | 965 | L187 | Sonata | A minor | 1705? | Sonatas | For keyboard | arrangement of the Sonata No.1 from {{LinkWork|Hortus Musicus||Reincken|Johann Adam}} |- | 966 | L186 | Sonata | C major | 1705? | Sonatas | For keyboard | arrangement of the Sonata No.3 from {{LinkWork|Hortus Musicus||Reincken|Johann Adam}} |- | 967 | L183 | Sonata | A minor | 1705? | Sonatas | For keyboard | arrangement of an unidentified work by an unknown composer |- | 968 | L185 | Adagio | G major | 1720? | Adagios | For keyboard | arrangement of the first movement of BWV 1005 |- | 969 | — | Andante | G minor | ? | Andantes | For keyboard | Bach's authorship uncertain |- | 970 | — | Presto | D minor | — | Prestos | For keyboard | spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.25/2) |- | 971 | L7 | Italienisches Konzert (Italian Concerto) | F major | 1735 | Concertos | For keyboard | No.1 in Clavier-Übung II |- | 972–987 | — | Konzerte nach verschiedenen Meistem (Concertos by Various Maestros) (16): | | 1713–14 | Concertos | For keyboard | arrangements of works by other composers |- | 972 | L189

|

    Concerto No.1

| D major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in D major|RV 230|Vivaldi|Antonio}} |- | 973 | L191

|

    Concerto No.2

| G major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in G major|RV 299|Vivaldi|Antonio}} |- | 974 | L194

|

    Concerto No.3

| D minor | 1713–14 | Concertos | For keyboard | arrangement of the Oboe Concerto in D minor by Alessandro Marcello |- | 975 | L193

|

    Concerto No.4

| G minor | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in G minor, RV 316, by {{LinkComp|Antonio|Vivaldi}} |- | 976 | L188

|

    Concerto No.5

| C major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in E major|RV 265|Vivaldi|Antonio}} |- | 977 | L202

|

    Concerto No.6

| C major | 1713–14 | Concertos | For keyboard | source unidentified |- | 978 | L190

|

    Concerto No.7

| F major | 1713–14 | Concertos | For keyboard | arrangement of the {{LinkWork|Violin Concerto in G major|RV 310|Vivaldi|Antonio}} |- | 979 | L196

|

    Concerto No.8

| B minor | 1713–14 | Concertos | For keyboard | arrangement of a Violin Concerto in D minor by {{LinkComp|Giuseppe|Torelli}} |- | 980 | L192

|

    Concerto No.9

| G major | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in B minor, RV 381, by {{LinkComp|Antonio|Vivaldi}} |- | 981 | L195

|

    Concerto No.10

| C minor | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in C minor, Op.1 No.2, by {{LinkComp|Benedetto|Marcello}} |- | 982 | L200

|

    Concerto No.11

| B major | 1713–14 | Concertos | For keyboard | arrangement of No.1 of the 6 Violin Concertos, Op.1, by Prince Johann Ernst of Saxe-Weimar |- | 983 | L204

|

    Concerto No.12

| G minor | 1713–14 | Concertos | For keyboard | source unidentified |- | 984 | L197

|

    Concerto No.13

| C major | 1713–14 | Concertos | For keyboard | arrangement of a lost concerto by Prince Johann Ernst of Saxe-Weimar |- | 985 | L201

|

    Concerto No.14

| G minor | 1713–14 | Concertos | For keyboard | arrangement of the Violin Concerto in G minor, TWV 51:g21, by {{LinkComp|Georg Philipp|Telemann}} |- | 986 | L203

|

    Concerto No.15

| G major | 1713–14 | Concertos | For keyboard | source unidentified |- | 987 | L198

|

    Concerto No.16

| D minor | 1713–14 | Concertos | For keyboard | arrangement of No.4 of the 6 Violin Concertos, Op.1, by Prince Johann Ernst of Saxe-Weimar; see also BWV 595 |- | 988 | L9 | {{LinkWorkN|Goldberg-Variationen|BWV 988|Bach|Johann Sebastian|0}} (Goldberg Variations) | G major | 1741–42 | Variations | For keyboard | published in Clavier-Übung IV |- | 989 | L179 | Aria variata ("alla maniera italiana") | A minor | 1714? | Variations | For keyboard | |- | 990 | — | Sarabande con partite | C major | ? | Sarabandes
Partitas | For keyboard | |- | 991 | — | Air with Variations | C minor | 1722 | Variations | For keyboard | incomplete |- | 992 | L181 | Capriccio ("sopra la lotananza delsuo fratello dilettissimo") | B major | 1704? | Capriccios | For keyboard | |- | 993 | L180 | Capriccio ("in honorem Johann Christoph Bachii") | E major | 1721? | Capriccios | For keyboard | |- | 994 | Q1 | Applicatio | C major | 1720–21 | Pieces | For keyboard |- | 995 | — | Suite | G minor | 1727–31? | Suites | For lute | arrangement of BWV 1011 |- | 996 | L166 | Suite | E minor | 1712–17? | Suites | For lute-harpsichord | |- | 997 | L170 | Suite | C minor | 1740? | Suites | For lute, lute-harpsichord | |- | 998 | L132 | Prelude, Fugue and Allegro | E major | 1740–45? | Preludes
Fugues
Allegros | For lute or keyboard | |- | 999 | L175 | Prelude | C minor | 1725? | Preludes | For lute | |- | 1000 | — | Fugue | G minor | 1720? | Fugues | For lute | arrangement of 2nd movement from BWV 1001 |- | 1001–1006 | — | Sonatas and Partitas (6) | | 1720 | Sonatas
Partitas | For violin | |- | 1001 | —

|

    Sonata No.1

| G minor | 1720 | Sonatas | For violin | partly revised in BWV 539; 2nd movement arranged for lute as BWV 1000 |- | 1002 | —

|

    Partita No.1

| B minor | 1720 | Partitas | For violin | |- | 1003 | —

|

    Sonata No.2

| A minor | 1720 | Sonatas | For violin | arranged for keyboard as BWV 964 |- | 1004 | —

|

    Partita No.2

| D minor | 1720 | Partitas | For violin | |- | 1005 | —

|

    Sonata No.3

| C major | 1720 | Sonatas | For violin | 1st movement arranged for keyboard as BWV 968 |- | 1006 | —

|

    Partita No.3

| E major | 1720 | Partitas | For violin | arranged for lute as BWV 1006a |- | 1006a | L171 | Suite | E major | 1736–37 | Suites | For lute | arrangement of BWV 1006 |- | 1007–1012 | — | Cello Suites (6): | | 1720 | Suites | For cello | |- | 1007 | —

|

    Suite No.1

| G major | 1720 | Suites | For cello | |- | 1008 | —

|

    Suite No.2

| D minor | 1720 | Suites | For cello | |- | 1009 | —

|

    Suite No.3

| C major | 1720 | Suites | For cello | |- | 1010 | —

|

    Suite No.4

| E major | 1720 | Suites | For cello | |- | 1011 | —

|

    Suite No.5

| C minor | 1720 | Suites | For cello | arranged for lute as BWV 995 |- | 1012 | —

|

    Suite No.6

| D major | 1720 | Suites | For cello | |- | 1013 | — | Partita | A minor | 1722–23 | Partitas | For flute | |- | 1014–1019 | — | Violin Sonatas (6): | | 1720 | Sonatas | For violin, keyboard | |- | 1014 | —

|

    Sonata No.1

| B minor | 1720 | Sonatas | For violin, keyboard | |- | 1015 | —

|

    Sonata No.2

| A major | 1720 | Sonatas | For violin, keyboard | |- | 1016 | —

|

    Sonata No.3

| E major | 1720 | Sonatas | For violin, keyboard | |- | 1017 | —

|

    Sonata No.4

| C minor | 1720 | Sonatas | For violin, keyboard | |- | 1018 | —

|

    Sonata No.5

| F minor | 1720 | Sonatas | For violin, keyboard | |- | 1019 | —

|

    Sonata No.6

| G major | 1720 | Sonatas | For violin, keyboard | see also BWV 1019a |- | 1019a | —

|

    Sonata No.6

| G major | 1720 | Sonatas | For violin, keyboard | alternative version of BWV 1019 |- | 1020 | — | Violin Sonata | G minor | — | Sonatas | For violin (or flute, keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.542.5) |- | 1021 | — | Violin Sonata | G major | 1730–34? | Sonatas | For violin, continuo | |- | 1022 | — | Violin Sonata | F major | ? | Sonatas | For violin, keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}} |- | 1023 | — | Violin Sonata | E minor | 1714–17? | Sonatas | For violin, continuo | |- | 1024 | — | Violin Sonata | C minor | ? | Sonatas | For violin, continuo | |- | 1025 | — | Suite | A major | 1740 | Suites | For violin, keyboard | arrangement of the Lute Sonata in A major, SC 47, by Silvius Leopold Weiss |- | 1026 | — | Fugue | G minor | before 1712 | Fugues | For violin, continuo | |- | 1027–1029 | — | Sonatas for Viola da Gamba and Harpsichord (3): | | ? | Sonatas | For viola da gamba, harpsichord | |- | 1027 | —

|

    Sonata No.1

| G major | ? | Sonatas | For viola da gamba, harpsichord | see also BWV 1027a |- | 1028 | —

|

    Sonata No.2

| D major | ? | Sonatas | For viola da gamba, harpsichord | |- | 1029 | —

|

    Sonata No.3

| G minor | ? | Sonatas | For viola da gamba, harpsichord | |- | 1027a | — | Trios (3) | G major | ? | Trios | For organ | arrangements of movements 1, 2 and 4 from BWV 1027a; Bach's authorship uncertain |- | 1030 | — | Flute Sonata | B minor | 1736–37 | Sonatas | For flute, harpsichord | |- | 1031 | — | Flute Sonata | E major | 1730–34? | Sonatas | For flute, harpsichord | |- | 1032 | — | Flute Sonata | A major | 1736? | Sonatas | For flute, harpsichord | |- | 1033 | — | Flute Sonata | C major | 1736 | Sonatas | For flute, continuo | |- | 1034 | — | Flute Sonata | E minor | 1724 | Sonatas | For flute, continuo | |- | 1035 | — | Flute Sonata | E major | 1741 | Sonatas | For flute, continuo | |- | 1036 | — | Trio Sonata | D minor | — | Sonatas | For 2 violins, continuo | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.145, H.569) |- | 1037 | — | Trio Sonata | C major | — | Sonatas | For 2 violins, continuo | spurious; composed by {{LinkComp|Johann Gottlieb|Goldberg}} |- | 1038 | — | Trio Sonata | G major | ? | Sonatas | For flute, violin, continuo | Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.590.5) |- | 1039 | — | Trio Sonata | G major | 1736–41? | Sonatas | For 2 flutes, continuo | |- | 1040 | — | Trio Sonata | F major | 1713–16? | Sonatas | For oboe, violin, continuo | |- | 1041 | — | Violin Concerto | A minor | ? | Concertos | For violin, strings, continuo | arranged for harpsichord, strings, continuo as BWV 1058 |- | 1042 | — | Violin Concerto | E major | 1720? | Concertos | For violin, strings, continuo | |- | 1043 | — | Concerto for 2 Violins ("Double Concerto") | D major | 1718–20? | Concertos | For 2 violins, strings, continuo | arranged or 2 harpischords, strings, continuo as BWV 1062 |- | 1044 | — | Concerto for Flute, Violin and Harpsichord ("Triple Concerto") | A minor | 1738–40? | Concertos | For flute, violin, harpsichord, strings, continuo | movements based on BWV 894/1, 527/2, 894/3 respectively |- | 1045 | A193 | Sinfonia | D major | 1743–46? | Sinfonias | For violin, orchestra | from a lost cantata |- | 1046 | — | Brandenburg Concerto No.1 | F major | 1721 | Concerti grossi | For orchestra | 2nd version of BWV 1046 |- | 1046a
(1071) | — | Sinfonia | F major | 1718 | Symphonies concertantes | For orchestra | 1st version of BWV 1046 |- | 1047 | — | Brandenburg Concerto No.2 | F major | 1718 | Concerti grossi | For orchestra | |- | 1048 | — | Brandenburg Concerto No.3 | G major | 1718 | Concerti grossi | For harpsichord, strings | |- | 1049 | — | Brandenburg Concerto No.4 | G major | 1719–20 | Concerti grossi | For orchestra | arranged for harpsichord, 2 recorders, strings and continuo as BWV 1057 |- | 1050 | — | Brandenburg Concerto No.5 | D major | 1720–21 | Concerti grossi | For orchestra | see also BWV 1050a |- | 1050a | — | Brandenburg Concerto No.5 | D major | 1719? | Concerti grossi | For orchestra | early version of BWV 1050 |- | 1051 | — | Brandenburg Concerto No.6 | B major | 1718 | Concerti grossi | For harpsichord, strings | |- | 1052 | — | HarpsichordConcerto No.1 | D minor | 1738 | Concertos | For harpsichord, strings, continuo | arrangement of a lost Violin Concerto (see BWV 1052R); partly re-used inBWV 146, BWV 188; see also BWV 1052a |- | 1052a | — | Harpsichord Concerto No.1 | D minor | 1734 | Concertos | For harpsichord, strings, continuo | earlier version of BWV 1052 |- | 1052R | — | Violin Concerto | D minor | 1730–34? | Concertos | For violin, strings, continuo | lost, but reconstructed from BWV 1052 |- | 1053 | — | Harpsichord Concerto No.2 | E major | 1738 | Concertos | For harpsichord, strings, continuo | arrangement of a lost Oboe Concerto (see BWV 1053R); partly re-used in BWV49, BWV 69 |- | 1053R | — | Oboe Concerto | F major | 1730–38? | Concertos | For oboe, strings, continuo | lost, but reconstructed from BWV 1053 |- | 1054 | — | Harpsichord Concerto No.3 | D major | 1738 | Concertos | For harpsichord, strings, continuo | arrangement of a lost violin concerto in E major |- | 1055 | — | Harpsichord Concerto No.4 | A major | 1738 | Concertos | For harpsichord, strings, continuo | arrangement of a lost concerto for oboe d'amore (see BWV 1055R) |- | 1055R | — | Oboe d'Amore Concerto | A major | 1730–38? | Concertos | For oboe damore, strings, continuo | lost, but reconstructed from BWV 1055 |- | 1056 | — | Harpsichord Concerto No.5 | F minor | 1738 | Concertos | For harpsichord, strings, continuo | arrangement of a lost violin concerto; partly re-used in BWV 156 |- | 1056R | — | Violin Concerto | G minor | 1730–38? | Concertos | For violin, strings, continuo | lost, but reconstructed from BWV 1056 |- | 1057 | — | Harpsichord Concerto No.6 | F major | 1738 | Concertos | For harpsichord, 2 recorders, strings, continuo | arrangement of BWV 1049 |- | 1058 | — | Harpsichord Concerto No.7 | G minor | 1738 | Concertos | For harpsichord, strings, continuo | arrangement of BWV 1041 |- | 1059 | — | Harpsichord Concerto No.8 | D minor | ? | Concertos | For harpsichord, strings, continuo | arrangement of a lost oboe concerto (see BWV 1059R); incomplete; partlyrevised as BWV 35 |- | 1059R | — | Oboe Concerto | D minor | ? | Concertos | For oboe, strings, continuo | lost, but reconstructed from BWV 1059 |- | 1060 | — | Concerto for 2 Harpsichords | C minor | 1730–45? | Concertos | For 2 harpsichords, strings, continuo | arrangement of a lost concerto for oboe and violin (see BWV 1060R) |- | 1060R | — | Concerto for Oboe and Violin | C minor | 1719? | Concertos | For oboe, violin, strings, continuo | lost, but reconstructed from BWV 1060 |- | 1061 | — | Concerto for 2 Harpsichords | C major | 1733–34 | Concertos | For 2 harpsichords, strings, continuo | 2nd version of BWV 1061a |- | 1061a | — | Concerto for 2 Harpsichords | C major | 1732–33 | Concertos | For 2 harpsichords | 1st version of BWV 1061 |- | 1062 | — | Concerto for 2 Harpsichords | C minor | 1736 | Concertos | For 2 harpsichords, strings, continuo | arrangement of BWV 1043 |- | 1063 | — | Concerto for 3 Harpsichords | D minor | 1735–45? | Concertos | For 3 harpsichords, strings, continuo | |- | 1064 | — | Concerto for 3 Harpsichords | C major | 1735–45? | Concertos | For 3 harpsichords, strings, continuo | arrangement of a lost concerto for 3 violins (see BWV 1064R) |- | 1064R | — | Concerto for 3 Violins | D major | ? | Concertos | For 3 violins, strings, continuo | lost, but reconstructed from BWV 1064 |- | 1065 | — | Concerto for 4 Harpsichords | A minor | 1730? | Concertos | For 4 harpsichords, strings, continuo | arrangement of the {{LinkWork|Concerto for 4 Violins and Cello in B minor|RV 580|Vivaldi|Antonio}} |- | 1066 | — | Orchestral Suite No.1 (Overture) | C major | 1718? | Suites
Overtures | For orchestra | |- | 1067 | — | Orchestral Suite No.2 (Overture) | B minor | 1738–39 | Suites
Overtures | For orchestra | |- | 1068 | — | Orchestral Suite No.3 (Overture) | D major | 1731 | Suites
Overtures | For orchestra | |- | 1069 | — | Orchestral Suite No.4 (Overture) | D major | 1725 | Suites
Overtures | For orchestra | |- | 1070 | — | Overture ("Orchestral Suite No.5") | G minor | ? | Overtures
Suites | For orchestra | Bach's authorship uncertain |- | 1071 | — | Sinfonia | F major | — | — | For orchestra | see BWV 1046a |- | 1072 | — | Canon ("Canon trias harmonica") | D major | ? | Canons | For 8 instruments | |- | 1073 | — | Canon ("Canon a 4 perpetuus") | A minor | 1713 | Canons | For 4 instruments | |- | 1074 | — | Canon ("Canon a 4") | A minor | 1727 | Canons | For 4 instruments | |- | 1075 | — | Canon  ("Canon a 2 perpetuus") | D major | 1734 | Canons | For 2 instruments | |- | 1076 | — | Canon ("Canon triplex a 6") | G major | 1746 | Canons | For 4 instruments | |- | 1077 | — | Canon ("Canone doppio sopr' il soggetto") | G major | 1747 | Canons | For 3 instruments | |- | 1078 | — | Canon ("Canon super fa miá 7 post tempus musicum") | F major | 1749 | Canons | For 7 instruments | |- | 1079 | — | {{LinkWorkN|Musikalisches Opfer|BWV 1079|Bach|Johann Sebastian|0}} ("Musical Offering") | | 1747 | Fugues
Canons
Sonatas | For flute, harpsichord, 2 violins | |- | 1080 | — | {{LinkWorkN|Die Kunst der Fugue|BWV 1080|Bach|Johann Sebastian|0}} ("The Art of the Fugue") | D minor | 1748–49 | Fugues
Canons | For keyboard | incomplete |- | 1081 | — | Credo in unum Deum | F major | ? | Credo | For mixed chorus, continuo | chorale for a Missa brevis by {{LinkComp|Giovanni Battista|Bassani}} |- | 1082 | E15 | Suscepit Israel puerum suum | E minor | 1740–42 | Magnificats | For mixed chorus, strings, continuo | arrangement of the 3rd movement of the Magnificat in C major by {{LinkComp|Antonio|Caldara}} |- | 1083 | — | Tilge, Höchster, meine Sünden (Psalm 51) | | 1745–47 | Psalms | For 2 voices, strings, continuo | adaptation of the {{LinkWork|Stabat Mater||Pergolesi|Giovanni Battista}} |- | 1084 | D5 | O hilf, Christe, Gottes Sohn | | 1726 | Chorales | For mixed chorus | |- | 1085 | K110 | O Lamm Gottes unschuldig (IV) | | 1715–18? | Chorale preludes | For organ | |- | 1086 | — | Canon ("Concordia discors") | D major | ? | Canons | For 2 instruments | |- | 1087 | — | Canons (14) | G major | 1747–48 | Canons | For 6 instruments | based on the theme of BWV 988 |- | 1088 | D10 | So heb ich denn mein Augesehnlich auf | G minor/ E major | ? | Arias | For voice, 2 bassoons (or 2 cellos), continuo | intended for the Passions-Pasticcio by {{LinkComp|Karl Heinrich|Graun}}; Bach's authorship uncertain |- | 1089 | F109.1 | Da Jesus an dem Kreuze stund | | ? | Chorales | For mixed chorus | |- | 1090–1120 | — | Chorale Preludes ("Neumeister Chorales") (31): | | 1703–07? | Chorale preludes | For organ | |- | 1090 | K161

|

    Wir Christenleut' (II)

| | 1703–07? | Chorale preludes | For organ | |- | 1091 | K162

|

    Das alte Jahr vergangen ist (II)

| | 1703–07? | Chorale preludes | For organ | |- | 1092 | K163

|

    Herr Gott, nun schleuss den Himmel auf (II)

| | 1703–07? | Chorale preludes | For organ | |- | 1093 | K164

|

    Herzliebster Jesu, was hast duverbrochen (I)

| | 1703–07? | Chorale preludes | For organ | |- | 1094 | K165

|

    O Jesu, wie ist dein Gestalt

| | 1703–07? | Chorale preludes | For organ | |- | 1095 | K166

|

    O Lamm Gottes unschuldig (V)

| | 1703–07? | Chorale preludes | For organ | |- | 1096 | K194

|

    Christ, der du bist Tag und Licht

| | 1703–07? | Chorale preludes | For organ | |- | 1097 | K168

|

    Ehre sei dir, Christe, der duleidest Not

| | 1703–07? | Chorale preludes | For organ | |- | 1098 | K169

|

    Wir glauben all an einen Gott (III)

| | 1703–07? | Chorale preludes | For organ | |- | 1099 | K170

|

    Aus tiefer Not schrei ich zu dir (III)

| | 1703–07? | Chorale preludes | For organ | |- | 1100 | K171

|

    Allein zu dir, Herr Jesu Christ

| | 1703–07? | Chorale preludes | For organ | |- | 1101 | K174

|

    Durch Adams Fall ist ganzverderbt (III)

| | 1703–07? | Chorale preludes | For organ | |- | 1102 | K175

|

    Du Friedenfürst, Herr Jesu Christ

| | 1703–07? | Chorale preludes | For organ | |- | 1103 | K181

|

    Erhalt uns, Herr, bei deinem Wort (I)

| | 1703–07? | Chorale preludes | For organ | |- | 1104 | K177

|

    Wenn dich Unglück tut greifen an

| | 1703–07? | Chorale preludes | For organ | |- | 1105 | K178

|

    Jesu, meine Freude (III)

| | 1703–07? | Chorale preludes | For organ | |- | 1106 | K179

|

    Gott ist mein Heil, mein Hilf undTrost

| | 1703–07? | Chorale preludes | For organ | |- | 1107 | K180

|

    Jesu, meines Lebens Leben (I)

| | 1703–07? | Chorale preludes | For organ | |- | 1108 | K181

|

    Als Jesus Christus in der Nacht

| | 1703–07? | Chorale preludes | For organ | |- | 1109 | K182

|

    Ach Gott, tu dich erbarmen

| | 1703–07? | Chorale preludes | For organ | |- | 1110 | K183

|

    O Herre Gott, dein göttlich's Wort (II)

| | 1703–07? | Chorale preludes | For organ | |- | 1111 | K184

|

    Nun lasst uns den Leib begraben

| | 1703–07? | Chorale preludes | For organ | |- | 1112 | K185

|

    Christus, der ist mein Leben

| | 1703–07? | Chorale preludes | For organ | |- | 1113 | K186

|

    Ich hab mein Sach Gottheimgestellt (IV)

| | 1703–07? | Chorale preludes | For organ | |- | 1114 | K187

|

    Herr Jesu Christ, du höchstes Gut

| | 1703–07? | Chorale preludes | For organ | |- | 1115 | K188

|

    Herzlich lieb hab ich dich, o Herr,

| | 1703–07? | Chorale preludes | For organ | |- | 1116 | K189

|

    Was Gott tut, das ist wohlgetan (I)

| | 1703–07? | Chorale preludes | For organ | |- | 1117 | K190

|

    Alle Menschen müssen sterben (II)

| | 1703–07? | Chorale preludes | For organ | |- | 1118 | K192

|

    Werde munter, mein Gemüte

| | 1703–07? | Chorale preludes | For organ | |- | 1119 | K193

|

    Wie nach einer Wasserquelle

| | 1703–07? | Chorale preludes | For organ | |- | 1120 | K194

|

    Christ, der du bist der helle Tag

| | 1703–07? | Chorale preludes | For organ | |- | 1121 | — | Fantasia | C minor | 1706–10 | Fantasias | For organ | formerly BWV Anh.205 |- | 1122–1126 | — | Chorale Preludes (5): | | 1703–07? | Chorale preludes | For organ | |- | 1122 | —

|

    Denket doch, ihr Menschenkinder

| | ? | Chorale preludes | For organ | |- | 1123 | —

|

    Wo Gott zum Haus nicht gibt sein' Gunst (II)

| | ? | Chorale preludes | For organ | |- | 1124 | —

|

    Ich ruf zu dir, Herr Jesu Christ

| | ? | Chorale preludes | For organ | |- | 1125 | —

|

    O Gott, du frommer Gott (III)

| | ? | Chorale preludes | For organ | |- | 1126 | —

|

    Lobet Gott, unseren Herren

| | ? | Chorale preludes | For organ | |- | 1127 | — | Alles mit Gott, nichts ohn' ihn | | 1713 | Sacred songs | For voice, continuo | |- | 1128 | — | Wo Gott der Herr nicht bei uns hält | B major | ? | Fantasias | For organ | formerly BWV Anh.71 |- | Anh.1 | — | Gesegnet ist die Zuversicht | | — | Sacred cantatas | For voices, 2 flutes, strings, continuo | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:617) |- | Anh.2 | A147 | Cantata | | 1729 | Sacred cantatas | For 4 voices, mixed chorus, strings, continuo | cantata for the 19th Sunday after Trinity; fragment only |- | Anh.3 | B7 | Gott, gib dein Gerichte dem Könige | | 1730 | Secular cantatas | ? | cantata for the inauguration of Leipzig town council; music lost |- | Anh.4 | B4a | Wünschet Jerusalem Glück | | 1726–28? | Secular cantatas | ? | cantata for the inauguration of Leipzig town council; 1st version of BWV Anh.4a; music lost |- | Anh.4a | B29 | Wünschet Jerusalem Glück | | 1730 | Secular cantatas | ? | cantata for the 3rd day of the 200th anniversary of the Augsburg Confession; 2nd version of BWV Anh.4; music lost |- | Anh.5 | B30 | Lobet der Herrn, alle seine Heerscharen | | 1718 | Secular cantatas | ? | cantata for the birthday of Prince Leopold of Anhalt-Cöthen; music lost |- | Anh.6 | G6 | Dich loben die lieblichen Strahlen | | 1719 | Sacred cantatas | ? | cantata for New Year's Day; music lost |- | Anh.7 | G7 | Heut ist gewiss ein guter Tag | | 1720 | Secular cantatas | ? | cantata for the birthday of Prince Leopold of Anhalt-Cöthen; music lost |- | Anh.8 | G10 | Cantata | | 1722 | Secular cantatas | ? | cantata for New Year's Day; lost; possibly the same as BWV 184a |- | Anh.9 | G14 | Entfernet euch, ihr heitern Sterne | | 1727 | Secular cantatas | ? | cantata for birthday of King August III; music lost |- | Anh.10 | G30 | So kämpfet nur, ihr muntern Töne | | 1731 | Secular cantatas | ? | cantata for the birthday of Joachim Friedrich, Graf von Flemming; music lost |- | Anh.11 | G16 | Es lebe der König, der Vater im Lande | | 1732 | Secular cantatas | ? | cantata for the nameday of King August II; music lost |- | Anh.12 | G17 | Frohes Volk, vergnügte Sachsen | | 1733 | Secular cantatas | ? | cantata for the nameday of King August II; based on BWV Anh.18; music lost |- | Anh.13 | G24 | Willkommen! Ihr herrschenden Götter | | 1738 | Secular cantatas | ? | cantata for the wedding of Prince Carl IV and Princess Maria Amalia; music lost |- | Anh.14 | B12 | Sein Segen fliesst daher wie ein Strom | | 1725 | Secular cantatas | ? | wedding cantata for Christoph Friedrich Lösner and Johanna Elisabetha Scherling; music lost |- | Anh.15 | B32 | Siehe, der Hüter Israel | | 1723–49? | Secular cantatas | For 4 voices, orchestra | cantata for a degree ceremony at Leipzig University; fragment only |- | Anh.16 | — | Schließt die Gruft! Ihr Trauerglocken | | 1735 | Secular cantatas | ? | funeral cantata; music lost |- | Anh.17 | — | Mein Gott, nimm die gerechte Seele | | ? | Secular cantatas | For 4 voices, orchestra | funeral cantata; fragments only |- | Anh.18 | G39 | Froher Tag, verlangte Stunden | | 1732 | Secular cantatas | ? | cantata for the the Thomasschule in Leipzig; music lost; revised as BWV Anh.12 |- | Anh.19 | G40 | Thomana saß annoch betrübt | | 1734 | Secular cantatas | ? | cantata for the the Thomasschule in Leipzig; music lost |- | Anh.20 | G33 | Cantata | | 1723 | Secular cantatas | ? | cantata (ode) for the birthday of Duke Friedrich II of Saxe-Gotha; music lost |- | Anh.21 | — | Magnificat ("Kleine Magnificat") | A minor | — | Magnificats | For voice, flute, strings, continuo | spurious; composed by {{LinkComp|Melchior|Hoffmann}} |- | Anh.22 | — | Concerto for Oboe and Violin | | ? | Concertos | For oboe, violin, orchestra | lost, only the theme remains |- | Anh.23 | — | Concerto | E minor | — | Concertos | For strings, continuo | continuo part only; spurious; composed by {{LinkComp|Tomaso|Albinoni}} |- | Anh.24 | — | Mass | A minor | — | Masses | For mixed chorus, strings, continuo | spurious; composed by {{LinkComp|Johann Christoph|Pez}} |- | Anh.25 | — | Mass | C major | ? | Masses | For mixed chorus, orchestra | Bach's authorship uncertain |- | Anh.26 | — | Mass | C minor | 1727–32 | Masses | For mixed chorus, orchestra | spurious; composed by {{LinkComp|Francesco|Durante}}, but Christe eleison adapted by Bach as BWV 242 |- | Anh.27 | — | Sanctus | F major | — | Sanctus | For mixed chorus, orchestra | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}}) |- | Anh.28 | — | Sanctus | B major | ? | Sanctus | For mixed chorus, orchestra | Bach's authorship uncertain |- | Anh.29 | — | Mass | C minor | ? | Masses | ? | bass part only; Bach's authorship uncertain |- | Anh.30 | — | Magnificat | C major | ? | Magnificats | For 2 mixed choruses, orchestra | Bach's authorship uncertain; possibly composed by {{LinkComp|Antonio|Lotti}} |- | Anh.31 | — | Herr Gott, dich loben alle wir | D major | ? | Chorales | For mixed chorus, 2 trumpets | Bach's authorship uncertain |- | Anh.32–39 | — | Geistliche Oden und ein Gedicht (7): | | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.32 | —

|

    Getrost mein Geist

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.33 | —

|

    Mein Jesus, spare nicht

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.34 | —

|

    Kann ich mit einem Tone

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.35 | —

|

    Meine Seele lass die Flügel

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.36 | —

|

    Ich stimm' itzund ein Straff-Lied an

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.37 | —

|

    Der schwarze Flügel trüber Nacht

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.38 | —

|

    Das Finsterniß tritt ein

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.39 | —

|

    Ach was wollt ihr trüben Sinnen

| | 1704? | Sacred songs | For voice, continuo | Bach's authorship uncertain |- | Anh.40 | — | {{LinkWorkN|Ich bin nun wie ich bin|BWV Anh.40|Bach|Johann Sebastian|0}} | | 1734? | Songs | For keyboard (or voice, keyboard) | Bach's authorship uncertain |- | Anh.41 | — | {{LinkWorkN|Dir zu Liebe, wertes Herze|BWV Anh.41|Bach|Johann Sebastian|0}} | | 1734? | Songs | For keyboard (or voice, keyboard) | Bach's authorship uncertain |- | Anh.42 | — | Fugue | F major | ? | Fugues | For organ | Bach's authorship uncertain |- | Anh.43 | — | Fugue | B minor | — | Fugues | For organ | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.233, H.776) |- | Anh.44 | — | Fugue | G major | — | Fugues | For organ | spurious; composed by {{LinkComp|Johann Peter|Kellner}} or {{LinkComp|Johann Christoph|Kellner}} |- | Anh.45 | — | Fugue (on "B-A-C-H") | B major | — | Fugues | For organ | spurious; composed by {{LinkComp|Justin Heinrich|Knecht}} |- | Anh.46 | — | Trio | C minor | — | Trios | For organ | spurious; composed by {{LinkComp|Johann Tobias|Krebs}} |- | Anh.47 | — | Ach Herr, mich armen Sünder | | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Peter|Kellner}} |- | Anh.48 | — | Allein Gott in der Höh sei Ehr | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.49 | — | Ein feste Burg ist unser Gott | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.50 | — | Erhalt uns, Herr, bei deinem Wort (II) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.51 | — | Erstanden ist der heil'ge Christ (II) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.52 | — | Freu dich sehr, o meine Seele | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.53 | — | Schlage doch, gewünschte Stunde | | ? | Arias | For voice, bells, strings, continuo | Bach's authorship uncertain; possibly composed by {{LinkComp|Melchior|Hoffmann}} |- | Anh.54 | — | Helft mir Gottes Güte preisen (II) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.55 | — | Herr Christ, der einge Gottessohn (II) | | 1714–17 | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.56 | — | Herr Jesu Christ, dich zu uns wend | | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} |- | Anh.57 | — | Jesu Leiden, Pein und Tod | | — | Chorale preludes | For organ | spurious; composed by Johann Caspar Vogler |- | Anh.58 | — | Jesu, meine Freude (IV) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.59 | — | Jesu, meine Freude (V) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.60 | — | Nun lob' meine Seele | | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Gottfried|Walther}} |- | Anh.61 | — | O Mensch bewein dein' Sünde groß | | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann|Pachelbel}} |- | Anh.62a | — | Sei Lob und Ehr (I) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.62b | — | Sei Lob und Ehr (II) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.63 | — | Vom Himmel hoch, da komm ich her (VI) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.64 | — | Vom Himmel hoch, da komm ich her (VII) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.66 | — | Wachet auf, ruft uns die Stimme | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.67 | — | Was Gott tut, das ist wohlgetan (II) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.68 | — | Wer nur den lieben Gott lässt walten (VI) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.69 | — | Wir glauben all an einen Gott (V) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.70 | — | Wir glauben all an einen Gott (VI) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.71 | — | see BWV 1128 | | | | | |- | Anh.72 | — | Canon | G minor | ? | Canons | For organ | Bach's authorship uncertain |- | Anh.73 | — | Ich ruf zu dir, Herr Jesu Christ (III) | | ? | Chorale preludes | For organ | Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}} |- | Anh.74 | — | Schmücke dich, o liebe Seele (III) | | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Gottfried August|Homilius}}; see also BWV 759 |- | Anh.75 | — | Herr Christ, der einge Gottessohn (III) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.76 | — | Jesu, meine Freude (VI) | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.77 | — | Herr Christ, der einge Gottessohn | | 1718? | Chorales
Variations | For organ | Bach's authorship uncertain |- | Anh.78 | — | Wenn wir in höchsten Nöten sein | | ? | Chorales
Variations | For organ | Bach's authorship uncertain |- | Anh.79 | — | Befiehl du deine Wege | | ? | Chorales
Variations | For organ | Bach's authorship uncertain |- | Anh.80 | — | Suite | F major | ? | Suites | For keyboard | Bach's authorship uncertain |- | Anh.81 | — | Gigue | | ? | Gigues | For keyboard | incomplete; Bach's authorship uncertain |- | Anh.82 | — | Chaconne | B major | — | Chaconnes | For keyboard | spurious; composed by {{LinkComp|Johann Bernhard|Bach}} |- | Anh.83 | — | Chaconne | A major | — | Chaconnes | For keyboard | spurious; composed by {{LinkComp|Johann Bernhard|Bach}} |- | Anh.84 | — | Chaconne | G major | — | Chaconnes | For keyboard | spurious; composed by {{LinkComp|Johann Bernhard|Bach}} |- | Anh.85 | — | Toccata and Fugue | F minor | ? | Toccatas
Fugues | For keyboard | Bach's authorship uncertain |- | Anh.86 | — | Fantasia | C minor | ? | Fantasias | For keyboard | Bach's authorship uncertain |- | Anh.87 | — | Fantasia | C major | ? | Fantasias | For keyboard | Bach's authorship uncertain |- | Anh.88 | — | Fugue | C major | — | Fugues | For keyboard | spurious; composed by {{LinkComp|Johann Christoph|Kellner}} |- | Anh.89 | — | Fugue | C major | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.90 | — | Fugue | C major | ? | Fugues | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.388) |- | Anh.91 | — | Fugue | G major | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.92 | — | Fugue | G major | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.93 | — | Fugue | E minor | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.94 | — | Fugue | E minor | ? | Fugues | For keyboard | spurious; composed by {{LinkComp|Johann Philipp|Kirnberger}} |- | Anh.95 | — | Fugue | E minor | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.96 | — | Fugue | D major | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.97 | — | Fugue | F major | — | Fugues | For keyboard | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}} |- | Anh.98 | — | Fugue | D minor | ? | Fugues | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.373.5) |- | Anh.99 | — | Fugue | D minor | ? | Fugues | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.373.5) |- | Anh.100 | — | Fugue | D minor | ? | Fugues | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.373.5) |- | Anh.101 | — | Fugue | G minor | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.102 | — | Fugue | G major | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.103 | — | Fugue | A minor | — | Fugues | For keyboard | spurious; composed by {{LinkComp|George Frideric|Handel}} |- | Anh.104 | — | Fugue | C minor | — | Fugues | For keyboard | spurious; composed by {{LinkComp|George Frideric|Handel}} |- | Anh.105 | — | Fugue | B major | — | Fugues | For keyboard | spurious; composed by {{LinkComp|George Frideric|Handel}} |- | Anh.106 | — | Fugue | G minor | — | Fugues | For keyboard | spurious; composed by {{LinkComp|George Frideric|Handel}} |- | Anh.107 | — | Fugue (on the theme "B-A-C-H") | C major | — | Fugues | For keyboard | spurious; composed by {{LinkComp|Georg Andreas|Sorge}} |- | Anh.108 | — | Fugue (on the theme "B-A-C-H") | C major | — | Fugues | For keyboard | spurious; composed by {{LinkComp|Georg Andreas|Sorge}} or {{LinkComp|Carl Philipp Emanuel|Bach}} |- | Anh.109 | — | Fugue (on the theme "B-A-C-H") | G minor | ? | Fugues | For keyboard | Bach's authorship uncertain |- | Anh.110 | — | Fugue (on the theme "B-A-C-H") | C minor | — | Fugues | For keyboard | spurious; probably composed by {{LinkComp|Georg Andreas|Sorge}} |- | Anh.111 | — | Largo and Allegro | G major | ? | Largos
Allegros | For keyboard | Bach's authorship uncertain |- | Anh.112 | — | Prelude (Grave) | E minor | — | Preludes | For keyboard | spurious; composed by {{LinkComp|Johann Philipp|Kirnberger}} |- | | — | Notebook II for Anna Magdalena Bach (20): | | 1725 | Pieces | For keyboard | 20 doubtful or spurious piees |- | Anh.113 | — | Minuet | F major | 1725 | Minuets | For keyboard | Bach's authorship uncertain |- | Anh.114 | — | Minuet | G major | — | Minuets | For keyboard | spurious; composed by {{LinkComp|Christian|Pezold}} |- | Anh.115 | — | Minuet | G minor | — | Minuets | For keyboard | spurious; composed by {{LinkComp|Christian|Pezold}} |- | Anh.116 | — | Minuet | G major | 1725 | Minuets | For keyboard | Bach's authorship uncertain |- | Anh.117 | — | Polonaise | F major | 1725 | Polonaises | For keyboard | Bach's authorship uncertain; see also BWV Anh.117a |- | Anh.117a | — | Polonaise | F major | 1725 | Polonaises | For keyboard | alternate version of BWV Anh.117; Bach's authorship uncertain |- | Anh.118 | — | Minuet | B major | 1725 | Minuets | For keyboard | Bach's authorship uncertain |- | Anh.119 | — | Polonaise | G minor | 1725 | Polonaises | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Carl Philipp Emanuel|Bach}} |- | Anh.120 | — | Minuet | A minor | 1725 | Minuets | For keyboard | Bach's authorship uncertain |- | Anh.121 | — | Minuet | C minor | 1725 | Minuets | For keyboard | Bach's authorship uncertain |- | Anh.122 | — | March | D major | — | Marches | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/1) |- | Anh.123 | — | Polonaise | G minor | — | Polonaises | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/2) |- | Anh.124 | — | March | G major | — | Marches | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/3) |- | Anh.125 | — | Polonaise | G minor | — | Polonaises | For keyboard | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.1/4) |- | Anh.126 | — | Musette | D major | 1725 | Pieces | For keyboard | Bach's authorship uncertain |- | Anh.127 | — | March | E major | 1725 | Marches | For keyboard | spurious |- | Anh.128 | — | Polonaise | D minor | 1725 | Polonaises | For keyboard | Bach's authorship uncertain |- | Anh.129 | — | Harpsichord Sonata | E major | — | Sonatas | For harpsichord | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.65/7, H.16) |- | Anh.130 | — | Polonaise | G major | — | Polonaises | For keyboard | spurious; composed by {{LinkComp|Johann Adolph|Hasse}} |- | Anh.131 | — | March | F major | — | Marches | For keyboard | spurious; composed by {{LinkComp|Johann Christian|Bach}} (W.A22); incomplete |- | Anh.132 | — | Minuet | D minor | 1725 | Minuets | For keyboard | Bach's authorship uncertain |- | Anh.133–150 | — | Pieces for a Musical Clock (18) | | — | Pieces | For mechanical organ | spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.207) |- | Anh.151 | — | Concerto | C major | ? | Concertos | For keyboard | Bach's authorship uncertain |- | Anh.152 | — | Concerto | G major | ? | Concertos | For keyboard | Bach's authorship uncertain |- | Anh.153 | — | Violin Sonata | A major | ? | Sonatas | For violin, continuo | Bach's authorship uncertain |- | Anh.154 | — | Violin Sonata | E major | ? | Sonatas | For violin, keyboard | Bach's authorship uncertain |- | Anh.155 | — | Concerto | A major | ? | Concertos | For keyboard, strings, continuo | Bach's authorship uncertain |- | Anh.156 | — | Herr Christ, der einge Gottessohn | | — | Sacred cantatas | For mixed chorus, strings, continuo | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:732) |- | Anh.157 | — | Ich habe Lust zu scheiden | | — | Sacred cantatas | For mixed chorus, orchestra | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 1:836) |- | Anh.158 | — | Andrò dall' colle aI Prato | | — | Arias | For voice, flute, strings, continuo | spurious; composed by {{LinkComp|Johann Christian|Bach}} (part of the operaOrione, ossia Diana vendicata, W.G4) |- | Anh.159 | C9 | {{LinkWorkN|Ich lasse dich nicht|BWV Anh.159|Bach|Johann Sebastian|0}} | | 1713? | Motets | For 2 mixed choruses | formerly attributed to {{LinkComp|Johann Christoph|Bach}} |- | Anh.160 | C7 | Jauchzet dem Herrn, alle Welt | | — | Motets | For 2 mixed choruses | spurious; composed by {{LinkComp|Georg Philipp|Telemann}} (TWV 8:10) |- | Anh.161 | — | Kündlich groß ist das gottselige Geheimnis | | — | Motets | For 2 mixed choruses (strings, continuo?) | spurious; composed by {{LinkComp|Karl Heinrich|Graun}} (GraunWV 10) |- | Anh.162 | — | Lob und Ehre und Weisheit und Dank | | — | Motets | For 2 mixed choruses | spurious; composed by Georg Gottfried Wagner |- | Anh.163 | — | Merk auf, mein Herz und sieh dorthin | | — | Motets | For 2 mixed choruses | spurious; composed by {{LinkComp|Johann Christoph|Bach}} |- | Anh.164 | — | Nun danket alle Gott | | — | Motets | For mixed chorus | spurious; composed by {{LinkComp|Johann Christoph|Altnikol}} |- | Anh.165 | — | Unser Wandel ist im Himmel | | — | Motets | For mixed chorus | spurious; composed by {{LinkComp|Johann Ernst|Bach}} |- | Anh.166 | — | Mass | E minor | — | Masses | For mixed chorus, strings, continuo | spurious; composed by {{LinkComp|Johann Ludwig|Bach}} |- | Anh.167 | — | Mass | G major | — | Masses | For 4 voices, mixed chorus, orchestra | spurious; composed by {{LinkComp|Johann Ludwig|Bach}} or {{LinkComp|Antonio|Lotti}} |- | Anh.168 | — | Kyrie | G minor | — | Kyrie | For 4 voices, strings | spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.100) |- | Anh.169 | — | Erbauliche Gedanken auf den Gruenen Donnerstag und Charfreitag ueber den Leidenden Jesum | | 1725? | Sacred cantatas | ? | music lost; probably never composed |- | Anh.170 | A138 | Welt ade, ich bin dein müde | | — | Chorales | For mixed chorus | spurious; composed by {{LinkComp|Johann|Rosenmüller}} |- | Anh.171 | — | Christ lag in Todesbanden | | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann|Pachelbel}} |- | Anh.172 | — | Herr Jesu Christ, dich zu uns wend | | — | Chorale preludes | For organ | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}} |- | Anh.173–176 | — | Inventions (4) | | — | Inventions | For violin, continuo | spurious; composed by {{LinkComp|Francesco Antonio|Bonporti}} (Nos.2, 5, 6, 7 from Op.10) |- | Anh.177 | — | Prelude and Fugue | E major | — | Preludes
Fugues | For keyboard | spurious; composed by {{LinkComp|Johann Christoph|Bach}} |- | Anh.178 | — | Toccata quasi Fantasia con Fuge | A major | — | Toccatas
Fantasias
Fugues | For organ | spurious; composer uncertain |- | Anh.179 | — | Fantasia durch alle Tonarten gehend | | — | Fantasias | For keyboard | spurious; composed by {{LinkComp|Johann David|Heinichen}} |- | Anh.180 | — | Fugue | D minor | — | Fugues | For keyboard | spurious; composed by {{LinkComp|Johann Peter|Kellner}} |- | Anh.181 | — | Fugue | A minor | — | Fugues | For keyboard | spurious; composed by {{LinkComp|Johann Ludwig|Krebs}} |- | Anh.182 | — | Passacaglia | D minor | — | Passacaglias | For keyboard | spurious; composed by {{LinkComp|Christian Friedrich|Witt}} |- | Anh.183 | — | Rondo | B major | — | Rondos | For keyboard | in Notebook II for Anna Magdalena Bach; spurious; composed by {{LinkComp|François|Couperin}} |- | Anh.184 | — | Violin Sonata | A minor | — | Sonatas | For violin, continuo | spurious; composed by {{LinkComp|Carlo|Zuccari}} (Op.1 No.10) |- | Anh.185 | — | Sonata for 2 Violins | D major | — | Sonatas | For 2 violins, continuo | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (H.585) |- | Anh.186 | — | Sonata for 2 Violins | F major | — | Sonatas | For 2 violins, continuo | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.154, H.576) |- | Anh.187 | — | Trio | F major | — | Sinfonias | For flute, bassoon, violin | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.159, H.587) |- | Anh.188 | — | Sonata (Concerto) | F major | — | Sonatas
Concertos | For 2 harpsichords | spurious; composed by {{LinkComp|Wilhelm Friedemann|Bach}} (F.10) |- | Anh.189 | — | Harpsichord Concerto | A minor | — | Concertos | For harpsichord, strings, continuo | spurious; composed by {{LinkComp|Carl Philipp Emanuel|Bach}} (Wq.1, H.403) |- | Anh.190 | — | Ich bin ein Pilgrim auf der Welt | | 1729 | Sacred cantatas | ? | cantata for Easter Monday; fragment only |- | Anh.191 | — | Leb ich oder leb ich icht | | 1715? | Sacred cantatas | ? | lost |- | Anh.192 | B2 | Cantata | | 1709 | Secular cantatas | ? | cantata for the inauguration of Mühlhausen town council; lost |- | Anh.193 | B9 | Herrscher des Himmels, König der Ehren | | 1740 | Secular cantatas | ? | cantata for the inauguration of Leipzig town council; last chorus based on BWV 208, otherwise lost |- | Anh.194 | — | Cantata | | 1722 | Secular cantatas | ? | cantata for the birthday of Johann August of Anhalt-Zerbst; lost |- | Anh.195 | — | Murmelt nur, ihr heitern Bäche | | 1723 | Secular cantatas | ? | cantata for Johann Florens Rivinus; lost |- | Anh.196 | — | Auf, süß entzückende Gewalt | | 1725 | Secular cantatas | ? | wedding cantata; lost |- | Anh.197 | — | Ihr wallenden Wolken | | ? | Secular cantatas | ? | cantata for New Year's Day; lost |- | Anh.198 | — | Sinfonia | | ? | Sacred cantatas | For mixed chorus, orchestra | cantata for the Feast of St. Michael; fragment only |- | Anh.199 | — | Siehe, eine Jungfrau ist schwanger | | 1724 | Sacred cantatas | ? | cantata for the Feast of the Annunciation; lost |- | Anh.200 | K54 | O Trauerigkeit, o Herzeleid | | 1713–15 | Chorale prelude | For organ | incomplete |- | Anh.201–204 | — | Chorales (4): | | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.201 | —

|

    Du Friedefürst, Herr Jesu Christ

| G minor | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.202 | —

|

    Gott has das Evangelium

| F major | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.203 | —

|

    Och hebe meine Augen auf

| A minor | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.204 | —

|

    O Traurigkeit, o Herzeleid

| B minor | ? | Chorales | For mixed chorus | Bach's authorship uncertain |- | Anh.205 | — | see BWV 1121 | | | | | |- | Anh.206 | — | Ach bleib mit deiner Gnade | | ? | Chorale preludes | For organ | Bach's authorship uncertain |- | Anh.207 | — | Fugue | E minor | ? | Fugues | For keyboard | Bach's authorship uncertain; possibly composed by {{LinkComp|Johann Peter|Kellner}} |- | Anh.208 | — | Fugue | E minor | — | Fugues | For keyboard | {{LinkComp|Johann Ernst|Eberlin}} |}