User:Jackrenaud33/sandbox

Homework: 9/16

Unlike many other works of literature, Wikipedia articles are able to follow a set framework and structure that determines their success. This structure incorporates a variety of literary elements, including “balanced content”, “neutral tone”, and “good sourcing”. In this activity, I analyzed three random Wikipedia Articles: Port of Albany-Rensselaer (place), Claire Redfield (fictional character), and William L. Uanna (historical figure). While each article is substantially different in terms of topic, each displays the required elements necessary for a “good” Wikipedia article. Each article contains a lead section that is explanatory without being overly detailed, and the information in each article is showcased in an objective and impartial voice.  Furthermore, the sections of each article are topical to their subject; the Port of Albany-Rensselaer article displays geography, history, governance, while Claire Redfield’s article showcases her appearances both in fiction and in real-life representation. Moreover, William L. Uanna’s commentary focuses on his education and career achievements. Additionally, each article incorporates visual graphics that augment the aesthetic of professionalism that each article is trying to cultivate.

Articles List (in order)

1. Surfboard shaper
2. Peahi, Hawaii
3. Z-Boys
4. Gerry Lopez
5. Skateboarder (magazine)

Prioritized Articles (9/23/2020)

1. Z-Boys
2. Surfboard shaper

Comprehensive Assessment: "Surfboard shaper"

The article I have chosen for this activity is “Surfboard Shaper”. The article has been rated as a “Start-Class” by Wikipedia. The article was flagged by Wikipedia for the following reasons: lack of inline citations, inadequate lead section, absence of literary clarity and topicality, and inability to follow the Manual of Style in regards to headings. These tags originated in 2013, and the last edits made to the article occurred in 2019. Furthermore, in the talk page, the article is associated with both WikiProject Water sports and WikiProject Occupations.

Following a comparison of articles classified as “Good” or “Featured”[1] with my own chosen article, I noticed that the GA and FA articles differ greatly in content, structure, and overall design aesthetic. Compared to “Surfboard Shaper”, both articles listed by WikiProjects Water sports not only incorporate content that is both clearer and more explanatory, but the overall literary tone is substantially more objective as well. Furthermore, the references and citations of these articles are clearly correlated with the included information, and the integrated graphics are both more informative and more visually appealing.

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[1] The GA and FA articles I viewed were “Scuba Diving” and “Jesus College Boat Club (Oxford)”.

The purpose of the analyzed article seems to be to define what a “surfboard shaper” is as well as discuss the variations in surfboard construction over the years. However, Wikipedia does address that the included section on surfboard construction may be more topical to a different article. Furthermore, the subject addressed in the article “Surfboard shaper” is incredibly niche; thus, the audience it addresses limited due to a lack of general interest. Furthermore, due to the lack of subject interest, the majority of edits made in regards to the selected article has not been updated since 2013. While the information present in the article follows a relatively strong structure, the article fails to maintain an objective tone as per Wikipedia standards.

Overall, in terms of edits, the selected article “Surfboard Shaper” is rated as a “Start-Class” and requires both substantive and syntactical revision. In order to augment the literary effectiveness of the article, the editor needs to focus on rewriting the content to fit a more unbiased tone, restructuring the content to add to literary clarity, and solidify that the citations and references are both credible and spread out throughout the article.

Major Issue 2:

Article 1: Surfboard Shaper

1.     First, a large section of the information introduced in the article ‘Surfboard Shaper” does not pertain to the title; the article incorporates several sections regarding the history of the construction of surfboards. However, this article specifically focuses on surfboard shapers as people, rather than the shaping process itself. The inclusion of this information muddles the focus of the overall article.

2.     The information in this article, while avoiding making outlandish claims, is inherently biased, and the overall tone is far from neutral. The previous author of the article failed to construct the article with an objective vernacular; for example, in a description of surfboard technology (which does not even have any application to the article), the author writes, “…Considering that surfboards are relatively simple things, being made out of fiberglass and foam, it may be difficult to imagine just how far surfboard technology has come since the first recorded surfboards seen in Hawaii”. This statement encapsulates the non-objective tone of the article; defining surfboards as “simple” is an opinion does not have any basis of fact.

3.     In this article, the information that is being overrepresented, in fact, does not have to be included at all in the article. The sections on surfboard construction can be moved to a more topical article; however, in order to revitalize the substance of the article, the editor needs to focus on the underrepresented sections, specifically the introductory paragraph.

4.     Overall, a large majority of the information reads more as “original opinion” than “original research”. Thus, a large majority of the content, specifically the lead section, will have to be re-structured in order for the content to be displayed in a objective and neutral fashion.

5.     The overall citations attributed to this article are relatively incomplete; while certain incorporated references do remain topical to the presented content, a large majority of information either does not have attributed references or the included citations are not from reputable sources.

6.     The primary information that needs to be added to the article focuses on the lead section. In order to augment the substance and clarity of the article, more background needs to be presented on the topic in question.

Article 2: Z-Boys

1. Fortunately, the primary content presented throughout this article is topical to the subject; however, the most distracting element of the article centralizes around its lack of structural organization. Excluding the introductory paragraph (which presents issues of its own), the bulk of the primary content is conglomerated into one section; this lack of separation damages both the clarity and flow of the article.
2. While some of the information presented in this article can be defined as objective, a large majority of the content is written with the tone of a "personal description" While it is clear that a large majority of the "original research" completed for the article was influenced heavily by the movie "Lords of Dogtown", which showcases a fictional adaptation of the Z-Boys history, the movie is barely mentioned throughout the article. Furthermore, the article somewhat glorifies skateboarding, when it, in fact, needs to introduce the topic without personal bias.
3. While there are no sections that overrepresent any information, the two segments of the article that are definitely underrepresented are the lead section and the film adaptation section. The information presented in the introductory paragraph barely provides enough background regarding the subject, and the film adaptation section consists of a short list with no exemplifying information. Both sections need to be augmented in order to increase the literary substance of the article.
4. A large portion of the information, specifically located in the main content section, is written under the influence of personal bias. Thus, the overall information presented does not read in a completely objective and neutral tone.
5. While the references and citations listed in the article are relatively professional, they are by no means utilized evenly throughout the article. Due to this lack of homogenous distribution, the article does not maintain a professional tone, and the information presented without proper references is inherently discredited.
6. In terms of additional information, the editor primarily needs to focus on the introductory paragraph. The opening section needs to be supplemented by both additional background information as well as topical references.

Article Edits

Article 1: Surfboard Shaper

Edit Round 1: Lead Section

First, I made significant revision to both the content and the style of the introductory segment. The article’s lead section was initially flagged by Wikipedia for not “adequately [summarizing]” the content of the article; while the original section did introduce the topic of the article, it lacked supplemental information that introduces history and notability of the subject. I retained the presented information concerning the summarization of the actual process of surfboard shaping; however, I also consolidated and revised this information into a subsequent paragraph.Furthermore, in terms of added content, I continued the summarization of surfboard shaping. I believe that both supplementary statements provide a more detailed and explanatory summary of the article while maintaining an unbiased and objective tone as per Wikipedia standards. Specifically, I altered the following elements:

• The phrase "by hand" was deleted due to lack of factuality. While some surfboards are shaped completely by hand, other shapers utilize various machinery to complete the construction of a surfboard.
• The order of "designs" and "builds" was switched to improve literary flow.
• Sentences 2 and 3 added to enhance the substance of the lead section.
• The lead section is split into two separate paragraphs. I believe that this fragmentation allows for a more detailed summarization of the article.
• "Sanding machines" and "power planers" altered to "sanders" and "planes". This change was made so that each tool could be linked its corresponding Wikipedia page.

Additionally, the original lead section lacked both proper references and in-line citations. Following Wikipedia guidelines, I utilized a mix of original and new sources and incorporated them within the lead section. While the original references are not necessarily considered biased or lacking in credibility, I believe that the new sources I have provided may more closely adhere to Wikipedia guidelines. Specifically, I altered the following:

·      All defining statements are properly referenced

·      All listed materials or tools involved in the shaping process are linked to their related Wikipedia article.

Any additional sources that I utilized will be listed below.

Revised Lead Section:

A surfboard shaper is someone who designs and builds surfboards. The process of surfboard shaping has evolved over the years, and the shaper often tailors his or her work to meet the requirements of a client or a certain wave. Surfboard shapers can be independent or work in collaboration with mass-production companies.

While originally made from wood, most modern surfboards are now constructed from pre-formed polyurethane or Styrofoam blanks. The surfboard is then shaped using an array of tools, including but not limited to the following: surforms, rasps, sanders, and planes. After the form of the surfboard is sculpted from the blank, the shaper can lay fiberglass sheets over the top and bottom of the surfboard, and laminate each sheet with a thermosetting substance, such as polyester resin.

Additional Sources:

1. Kampion, Drew (2007). Greg Noll; The Art of the Surfboard. Layton, Utah: Gibbs Smith. ISBN 978-1-58685-776-9.
2. Miller, Steven Daniel (2007). Surfboard Shaping and Glassing. Lulu.com. ISBN 9781847285348.

Edit Round 2: Structural Revisions

Hello fellow Wikipedians!

For this specific editing post, I will be focusing on any large-scale structural revisions that could be made to the article. While the organization of the article promotes literary flow, I believe that there are several alterations that could be made to augment the overall aesthetic of the article.

The first major edit that I have suggested focuses on the consolidation of the “history” section. While informative, the opening content presented in the “history” section of the novel lacks topicality. The information presented by the original author more closely relates to the notability and applicability of the subject to the contemporary world. The original information is presented below.

"Most shapers today design surfboards using computer programs to generate data that can be supplied to a computer cutting facility which will mill the raw foam blank within 90% of the finished shape, leaving the shaper to fine-tune the blank to its final state before glassing. This method allows the shaper to have a very exacting and reproducible design which can be easily fine-tuned and adjusted. Wooden surfboards are making a comeback as an eco-friendly alternative, requiring ultra-light boatbuilding skills.

Many professional shapers outsource the highly specialized task of lamination to specialized "glassers", who laminate fiberglass to the foam core of the surfboard using thermosetting resins like polyester or epoxy. Fins and assorted plugs are usually installed after this process and the final product is fine sanded and often glossed with buffing compound and special glossing resin. When shaping, the shaper often takes into account the specifications of the client surfer, and molds his medium to best accommodate the user's personal surfing style and wave of choice.

Shapers play a design role in some companies that mass-produce surfboards ".''

I suggest that, in order to improve literary clarity, the “History” section be denoted as “Surfboard shaping in modern society”, and moved to the bottom of the article. I also suggest that each subsequent section (Ancient Hawaiian surfboards, The Hollow Board, The Hot Curl Board, New Construction), be consolidated into sub-sections to more accurately represent the “history” of surfboard shaping. Since each of these original sections showcases the evolution of surfboard shaping, I believe that they would be more applicable when located directly under the "history" section.

The second major edit that I have suggested centralizes around the “Notable shapers” section of the article. I suggest that the primary elements of the list (Hobie Atler, Skip Engblom, Donald Takayama, Simon Anderson, Robert August) be consolidated into sub-sections. However, while I do suggest that the supplemental content of these sections be seriously condensed in later edits, I believe that this initial alteration will improve the ease of reading within the article.

While I believe that my revisions are both beneficial and justified, I am open to any and all suggestions or comments regarding content, structure, or source

Edit Round 3: History Section

Content Revisions: “History Section”

Hello fellow Wikipedians!

For this specific editing post, I will be focused on the large-scale revision of the information presented in the “History” section of the article. Primarily, the edits I have made centralize around several key issues that I noticed when analyzing the article. The issues are listed as the following:

1.     A large majority of the body content does not remain topical to the article.

2.     Sub-section titles do not accurately represent their contents.

3.     The sources listed at the bottom of the article are not necessarily considered as “professional.”

4.     Each section does not include a single inline citation.

The primary source of a large majority of the issues with the article focus on the topic itself. The article was originally flagged by Wikipedia for “[lacking] focus or [being] about more than one topic”; the issue is most notably evident in the article’s excess discussion of related topics, including Surfboards and Surfboard shaping. The purpose of this article is to not discuss surfing itself, but to rather highlight the history and innovation of shapers. I have separated my revisions into listed sections below.

Section I: Ancient Hawaiian Surfboards

The section, titled “Ancient Hawaiian Surfboards” showcases the majority of my revisions. The original version of this section includes an excess of information that does not directly relate to “surfboard shaping” itself. In my revisions, I re-structured the purpose of each paragraph to focus more on the actual construction/shaper involvement in ancient Hawaii; this change is evident in my expansion of the information regarding the base materials and surfboard design difference. Moreover, I split this section into two sperate paragraphs in order to both mitigate any visual clutter as well as promote the literary flow of the article. I have attached the revised section below:

Ancient Hawaiian Surfboards:

There exists very little evidence to pinpoint the exact location of the first surfboard shaper; however, the majority of evidence suggests that surfboarding itself first originated in Hawaii. The Hawaiian islanders most likely utilized only three species of tree as the base for their surfboards: the wiliwili (Erythrina monosperma), ulu (Artocarpus incisa), and koa (Acacia koa). After the chosen tree was cut, Hawaiian shapers used sea coral and oahi stones for light reduction; subsequently, the root of the ti plant and the bark of the kukui plant were used for the final burnish of the surfboard.  Surfboard shaping was regarded by the Hawaiian islanders as a ceremonial rite; Hawaiian islanders often offered fish to surfriding trees as offerings.

Three foundational templates for surfboard shaping were utilized by the Hawaiian islanders: the alaia, the paipo, and the olo. The type of surfboard shape was actually indicative of Hawaiian social structure; the alaia and paipo boards were used by the commoners, while the olo boards were reserved for the royal class. However, the primary distinction between each ancient Hawaiian surfboard shape is their length and weight; paipo boards ranged from 3-6 feet long, alaia boards ranged from 7 to 12 feet long, and olo boards measured up to 20 feet long.

Section II: The Hollow Board

The majority of the original information presented in this section stayed the same throughout my revision process in terms of base content; however, I added additional information regarding the advent of Tom Blake and the Hollow Board. Furthermore, I also adjusted the tone of the section to fit a more objective framework. I also re-defined the title of the section, changing it from “The Hollow Board” to “The Hollow Board era”. I believe that this revision steers the purpose of the article away from “surfboards” and more towards the historical context of surfboard shaping. I have attached the revised section below:

The “Hollow Board” era

The next technological change in the surfboard shaping industry came with the introduction of the “Hollow Board” by Hawaiian resident Tom Blake. In 1926, Blake acquired an ancient olo surfboard from Honolulu’s Bishop Museum; the board was originally 16 feet long and had a weight of 150 pounds. In an effort to replicate the structure of the olo board, Blake drilled holes in a redwood blank and sealed the top of with wood with sheets of veneer, effectively creating the first “hollow” surfboard. Blake’s innovative design drastically reduced the weight of the surfboard, and by 1930 the “Hollow Board” became the first mass-produced surfboard in the world.

Section III: The Hot Curl Board

This section also witnessed significant change throughout the revision process. The original information presented in this section was short and not backed by any historical evidence; in my revisions, I both provided sources as well as depicted a clearer picture of the shaping innovation that occurred in congruence with the construction of the hot curl board. Moreover, while the original content mentions the usage of balsa wood in the subsequent section, the “Balsa Era” actually occurred before the advent of the hot curl board; I ultimately decided to combine this information into this section in order to maintain the chronological timeline presented throughout the article.  I have attached the revised section below:

The Balsa Era and the Hot Curl board

The advent of the 1930s marks the next technological revolutions in the history of the surfboard shaper. Balsa wood began to emerge as the most versatile base for the modernizing shaper; the balsa wood drastically reduced the weight of the surfboard, and allowed for surfers to move in the water with more speed and agility

The addition of balsa wood subsequently led to the surfboard shaper’s move towards the “Hot Curl Design.” By shaving off parts of the tail and shaping the sides of the board, surfboard shapers were able to produce surfboards that allowed surfers to pull into the “curl” of a wave.

Section IV: New Construction

The section originally titled “New Construction” was presented in an initially confusing framework; the original author jumps back and forth from “balsa wood” to “rocker” design in a way that does not necessarily align with the chronological history of surfboard shaping. Moreover, the last two paragraphs of this section are completely off-topic in regards to this article; while “fins” and “leashes” do have applicability to surfboards themselves, they are not an integral part of the process of the surfboard shaper.

In terms of revisions, I removed the last two paragraphs of the section, and re-focused the original content in a way that is clear and concise. I also introduced the “Shortboard Revolution”- an era that marks distinct change in shaping innovation, yet was unmentioned in the original section. I have attached the revised section below:

Modern Construction

The beginning of the 1940s marked the introduction of fiberglass resin, which allowed shapers to construct surfboards that were strong, light, and waterproof. Furthermore, surfboard shapers began to utilize alternate base materials, including both plastic and polyurethane foam. The addition of the new materials as well as fiberglass gave surfboard shapers more freedom and allowed them to incorporate both fins and rocker design in the construction of surfboards.

In the 1960s, the design of surfboard began to significantly shrink in size. In the era known as the "Shortboard Revolution", surfboard shapers, most notably George Greenough and Bob McTavish, reduced the length of the surfboard, promoting a higher level of maneuverability. This innovation serves as the foundation for contemporary performance surfing.

Sources:

As mentioned in the beginning of this post, the original article did not utilize a single in-line citation in any of the sections. Furthermore, a large majority of the sources referenced at the end of the article did not corroborate with the information that was presented in each section. Thus, in terms of revisions, I utilized a combination of both new and old sources to provide each section with ample verification. I have listed the sources utilized below:

- History Of Surfboards: From 150lb/68kg Straight Planks To Modern Quads

- The Fascinating Evolution of the Surfboard

- A Brief History of the Surfboard

- Greg Noll: The Art of the Surfboard

- Hawaiian Almanac and Annual for 1896

- What is a paipo?

- Ancient Surfboard Style Is Finding New Devotees

Edit Round 4: "Surfboard shaping today" and "How Surfboards are Shaped"

Hello fellow Wikipedians!

For this editing post, I have specified the major revisions that I have made to the article; this post will focus on both the enhancement of the "Surfboard shaping today" section as well as the deletion of the "How Surfboards are Shaped". First, while the information presented in the "Surfboard shaping today" section is both clear and explanatory, the content lacks the inline citations necessary for verification. In terms of revisions for this section, I have incorporated several of the article's original references that adequately verify the majority of the information in the article; however, I would suggest for a more in-depth research to discover references that fully verify the included content, as per WP:NOR standards. to meet Wikipedia standards set in WP:CITE. The following sources that I have utilized for this verification are listed below.

- Surfboard Shaping Guide

- Shaped by Software

I also conducted a minor copyediting run-through of both paragraphs in the section, focusing on syntax, sentence structure, and adherence to WP:NPV guidelines. I have attached a copy of the revised section below:

Surfboard shaping today

Currently, many surfboard shapers design surfboards using computer programs that are used to expedite the design process, especially in relation to mass-production. These computer programs allow the shaper to have an exacting and reproducible design that can be easily fine-tuned and adjusted.

Many professional shapers outsource the highly specialized task of lamination to “glassers”; “glassers” laminate fiberglass to the foam core of the surfboard using thermosetting resins, such as polyester or epoxy. Fins and assorted plugs are usually after lamination, and the final product is sanded and glossed down with buffing compounds and glossing resins.

The surfboard shaper often designs their surfboards based on the specifications of their client; the shaper will adjust the dimensions, and concave of the board to tailor to different styles of surfing and various types of waves.

The "How surfboards are shaped" section, however, is an entirely different matter. The article was originally flagged by Wikipedia for "...[lacking] focus or [being] about more than one topic"; furthermore, I believe that the section completely diverts the overall purpose of the article. This focus of this article should centralize around "shapers" themselves and their innovations, not the actual construction process itself. Furthermore, the information presented in this section violates the guidelines set by WP:NPV and WP:NOR ; the "steps" in the surfboard shaping process read as imperative commands, rather than objective description. Furthermore, a large majority of the original information can be read as blatantly opinionated and completely lacking in sources for verification. I propose to delete this entire section from the article; "How Surfboards are Shaped" could either be linked to Surfboard or created as a new article, titled "Surfboard Shaping". However, I recognize that it would be unjust to delete this amount of content without the opinion of the Wiki community. Thus, in lieu of deletion, I am open to suggestions or comments regarding the topicality of this section within the greater purpose of the article.

Edit Round 5: "Notable shapers" section

Hello fellow Wikipedians!

For this specific editing post, I will be focusing on the revision of the "Notable shapers" section in order to fulfill the requirements set by Wikipedia. The original article was flagged by Wikipedia for issues regarding both WP:NOR and WP:NPV. Specifically, the fully-fledged sub-sections (Hobie Atler, Skip Engblom, Donald Takayama, Simon Anderson, Robert August) lack inline citations, thus restricting the verification of the presented information. Furthermore, I would suggest the reduction of information regarding the biographies of the shapers themselves; in order to remain topical, each sub-section needs to address the shaper's presence and impact within the surfing community without over-exemplification.

In terms of revisions, I have incorporated the necessary references needed to adhere to WP:NOR guidelines. The sources I have utilized are listed below:

- Hobie Atler

- Jeff Ho

- Donald Takayama

- Simon Anderson

Moreover, I also deleted excess information in each sub-section that strayed away from the primary purpose of the article. These revisions provide a more clear and concise framework for each subsection; furthermore, I believe that the deletion of excess information also enhances the literary flow of the article. I also removed "Skip Engblom" title and replaced it with "Jeff Ho"; while Skip Engblom was a co-founder of Zephyr surfboards, it was, in reality, Jeff Ho who acted as the pioneer in shaping innovation.

I have attached a copy of the revised sections below. The links and references have been implemented into the Wikipedia page.

Hobart "Hobie" Atler:

Hobart Atler, also known as “Hobie", was a prominent surfboard shaper from Dana Point, California who is known for his experimentation with polyurethane foam as a base material for surfboards.  In 1950, Hobie first began shaping balsa-wood surfboards in his family’s Laguna Beach garage; however, it wasn’t until a few years later that he opened the first Southern California surf shop in Dana Point.  Hobie was a pioneer in 20^th century surfboard construction and design; his most famous legacy lies in his creation of the polyurethane foam surfboard in 1958. The Hobie company continues to manufacture surfboards today.

Jeff Ho:

Jeff Ho had a formative impact on surfboard shaping design and style in mid-20th century California. Ho shaped his first surfboard at the age of 14, and he soon began repairing and re-designing old boards found on the coast. In 1966, Ho began working as an apprentice to Bob Milner at Robert's Surfboards in Playa del Ray, California. It was here that Ho developed both the skillset to design high-performance surfboards; Ho's innovation led to the creation of the swallowtail board, which would later become a signifier of his shaping. In 1972, Ho, purchased the a surf shop on the corner of Main and Bay Streets in Venice, California; he rebranded the shop as "Jeff Ho Surfboards and Zephyr Productions." While the Zephyr shop has been closed since 1976, Jeff Ho continues to shape surfboards as a personal Hobby to this day.

Donald Takayama:

Donald Takayama was a professional surfer and acclaimed shaper from Hawaii. He began shaping surfboards out of wooden railway ties as a young boy; however, in 1957, he moved to California to apprentice under the legendary shaper Dale Velzy. Takayama eventually began to shape for Jacobs' Surfboards; his visually-clean longboard design became one of the most popular surfboard models in the mid 20th century. Takayama's knowledge and skill in regards to surfboard design have defined him as one of the most influential surfboard shapers of all time.

Simon Anderson:

Simon Anderson is a surfer and shaper from Sydney, Australia who is most known for his innovation of the "thruster" board. In 1980, after viewing the work of shaper Frank Williams, Anderson constructed a surfboard with a square tail and three identical fins. Anderson's innovation, colloquially known as the "thruster", produced surfboards with enhanced stability and improved manuveribility. Anderson's "thruster" design is still utilized in the contemporary shaping world.

Note: I have deleted the excess information present in the "Robert August" section; The large majority of this information cannot be corroborated by any sources. Furthermore, the majority of the content in this sub-section does not remain topical to the purpose of the article; the sub-section reads like a biography of August, rather than an explanation of his contributions to the shaping world. Simply, this sub-section violates the guidelines set by WP:NOR.

Edit Round 6: Final Grammar and Structural Copyediting

Hello fellow Wikipedians!

This final editing post focuses on the final syntactical revisions made to the document. The article was originally flagged by Wikipedia for issues regarding the guidelines set by WP:MOS. Thus, I analyzed the document to make sure that the titles, references, and syntax of the article adhered to the Manual of Style. I am not going to discuss every minor change that I made; however, I have listed the larger revisions below.

• Revised heading and section titles to follow sentence case, as detailed in the Manual of Style.
• Corrected punctuation, capitalization, and other syntactical errors in body content.

I have also incorporated an invisible comment regarding both the References and External Links of the article. Following the revisions made to the document, a large majority of the original references and links are no longer applicable to the article; however, rather than deleting them, I have simply commented on this issue.

Article 2: Z-Boys

Edit Round 1: Lead Section

Hello fellow Wikipedians!

This first editing post focuses on the minor revisions made to the style, content, and references of the lead section of the article. While it was not flagged by Wikipedia, I believe that the article's lead section does not adequately summarize the contents of the article. Furthermore, in regards to WP:NOR issues, the introductory section lacks proper in-line citations. In terms of revisions, while I retained the basis of the original content, I supplemented the introductory section with both additional information and references. Overall, I believe that my revisions not only provide a clearer depiction of the article, but they certify that the article adheres to the guidelines set by WP:NOR and WP:NPV I have provided the revised lead section as well as a list of sources below.

Revised Lead Section

The Zephyr Competition Team (or Z-Boys) were a group of skateboarders in the mid-1970s from Santa Monica and Venice, California. Originally consisting of 12 members, the Z-boys were originally sponsored by the Jeff Ho Surfboards and Zephyr Productions surf and skate shop. Their innovative surfing-based style and aerial moves formed the foundations of contemporary vert and transition skateboarding. The story of the Z-boys and Zephyr shop have been popularized in feature films such as Lords of Dogtown and Dogtown and Z-Boys.

Sources:

• The Z-Boys: The Skateboarding Pioneers of Dogtown
• The History of Dogtown and the Z-Boys
• The boys of Dogtown

Edit Round 2: Structural Revision

Hello fellow Wikipedians!

This specific editing post focuses on the structural framework, or lack of, that is evident in the article. Specifically, the majority of these revisions focus on the "History" section of the article. The original version of this section is presented in a continuous fashion; however, the lack of sub-sections contributes to a decline in the clarity and literary flow of the article. Furthermore, the lack of sub-sections showcases a lack of adherence to the guidelines defined in the WP:MOS. Thus, I have introduced 5 sub-section titles to more accurately guide the chronological timeline of the history of the Z-Boys. I primarily relied on The Z-Boys: The Skate Pioneers of Dogtown for this separation. I have listed the edited sub-section titles (in order) below.

1. Initial Beginnings
2. Formation of the Zephyr Competition Team
3. The Del Mar Nationals
4. Backyard Pool Skating
5. Later Years

While I believe that these sub-section titles accurately summarize their corresponding information, I am open to suggestions and comments regarding my revisions.

Edit Round 3: WP:NOV and WP:NOR

Hello fellow Wikipedians!

This specific editing post centralizes around the WP:NOV snd WP:NOR issues that exist throughout the body content of the article. The original version of this article was flagged by Wikipedia for being, "...written like a personal reflection, personal essay, or argumentative essay" as well as "...not [reflecting] the encyclopedic tone used on Wikipedia". These issues are primarily evident in the "History" section of the article; moreover, I analyzed the entire article with a specific focus on objective tone. I have provided the revised "History" section below for reference.

Revised "History" Section

Initial Beginnings

The Z-boys began as a surf team for the Zephyr surfboard shop in Santa Monica. Jeff Ho, Skip Engblom, and Craig Stecyk opened the shop, titled Jeff Ho Surfboards and Zephyr Production Team, in 1973, and they soon begin recruiting young locals to represent them in surfing competitions. 14 year old Nathaniel Pratt was the first member of the team; he originally had worked in the shop as an apprentice surfboard shaper under Ho, Engblom, and Stecyk. In an interview with Juice magazine, Pratt notes the following:

"Within our world, the surf team was primary and the skate team was secondary. Allen Sarlo, Tony Alva, Jay Adams, Stacy Peralta, Chris Cahill and myself were on the surf team before there was a skate team. We were junior members of the surf team along with John Baum, Jimmy and Ricky Tavarez and Brian Walker. Guys like Ronnie Jay, Wayne Inouye, Wayne Saunders, Pat Kaiser, Barry Amos, Jeff Sibley, Bill Urbany and Adrian Reif were the top dogs. The history, skill and accomplishments of all the team members was represented in those shirts. Then we added Bob Biniak, Wentzle Ruml, Paul Constantineau, Jim Muir, Shogo Kubo and Peggy Oki to the skate team so that a team shirt represented a decent number of people."

In 1974, Allen Sarlo, Jay Adams, Tony Alva, Chris Cahill, and Stacey Peralta joined the Zephyr team; these local youths were street style and aggressive mannerisms both on and off the surfboard. The majority of the team lived in the "Dogtown" area of California; their primary surfing spot was the Cove at Pacific Ocean Park. However, thanks to the invention of urethane wheels, the Z-boys began to transition their surfing style to skateboarding.

Formation of the Zephyr Competition Team

In 1975, Cahill, Pratt, Adams, Sarlo, Peralta, and Alva became the first members of the official Zephyr skateboarding team. Soon after, the Zephyr shop gained the final members of their team, making the total number 12 in all. These additional members were: Bob Biniak, Paul Constantineau, Jim Muir, Peggy Oki, Shogo Kubo and Wentzle Ruml. The team began to practice in the backs of four schools in the surrounding area; it was at these asphalt banks that the Z-boys showcased their ability to transition surfing style to skateboarding. Taking inspiration from surfer Larry Bertleman, the Z-boys would skate low to the ground, dragging their hands against the concrete as if they were riding a wave.

The Del Mar Nationals

The Z-Boys' first appearance at a skateboard competition occurred at the 1975 Del Mar Nationals; the contest was the first major skateboarding competition since the mid 1960s. Their low, aggressive style in the freestyle section of the competition, though innovative, was critiqued by the older establishment of skateboarding. However, half of the finalists at the end of the competition were members of the Zephyr Competition Team. The performance of Z-Boys such as Jay Adams marked the beginning of a national change in the style of skateboarding.

Backyard Pool Skating

From 1976 to 1977, Southern California experienced a major drought that contributed to the 1st and 4th driest years in Californian history. In an effort to conserve water, neighborhood homes were draining their backyard swimming pools, leaving empty bowls of smooth concrete. The Z-boys took advantage of the sloping walls of the pools to push the boundary of innovation when it came to aerial skateboarding. Craig Stecyk's photographs of the Z-Boys' aerial maneuvers appeared in Skateboarder Magazine under a series titled "Dogtown Articles"; Stecyk's collections aided in the spike of skateboard popularity in the late 20th century

Later Years

Following the success of the "Dogtown Articles", the Z-Boys witnessed an exponential rise in public popularity. Due to growing interest from rival companies, many Z-Boys left in favor of more lucrative sponsorships. By 1977, the Zephyr Competition Team had ceased to exist. While the existence of the Zephyr team was short-lived, the Z-Boys are still widely regarded as one of the most influential teams in skateboarding history.

Furthermore, this article was also flagged by Wikipedia as "...[needing] additional citations for verification." In order to mitigate this issue, I incorporated several additional sources into each sub-section as inline citations; I believe that this inclusion allows the article to more closely follow the guidelines specified by WP:NOR. I have listed the additional sources below:

Sources:

• The History of Dogtown and the Z-Boys
• When skateboarding shook the world
• The Z-Boys: The Skateboarding Pioneers of Dogtown
• How the 1970s California Drought Helped Invent Bowl Skating
• Dogtown Chronicles: Nathan Pratt

Edit Round 4: Minor Re-structuring and Revisions

Hello fellow Wikipedians!

This editing post focuses on the removal of excess information that cannot be verified in accordance with WP:NOR standards (primarily evident in the "Members" section). The removal of the information promotes a more visually-appealing and clear aesthetic for the article. I have included both the original and revised lists of the members to showcase my revisions.

Original

• Tony Alva
• Bob Biniak (June 2, 1958 - February 25, 2010)
• Chris Cahill (December 5, 1956 - June 24, 2011)
• Aspers Aspinall (only member of Z-Boys who started surfing and skateboarding on Scarborough's seafront)
• Jay Adams (February 3, 1961 - August 15, 2014)
• Jim Muir (older brother of Suicidal Tendencies' Mike Muir)
• Nathan Pratt
• Paul Constantineau
• Peggy Oki
• Shogo Kubo (September 19, 1959 - June 24, 2014)
• Stacy Peralta
• Wentzle Ruml IV
• Allen Sarlo

Revised

• Tony Alva
• Bob Biniak
• Chris Cahill
• Jay Adams (February 3, 1961 - August 15, 2014)
• Jim Muir
• Nathan Pratt
• Paul Constantineau
• Peggy Oki
• Shogo Kubo
• Stacy Peralta
• Wentzle Ruml IV
• Allen Sarlo

I also have changed the title of the "See also" section to "Representation in Media". I believe that this revision more accurately represents the contents of the section.

Edit Round 5: Final Revisions

Hello Fellow Wikipedians!

This final editing post focuses on the final syntactical revisions made to the document. The article was originally flagged by Wikipedia for issues regarding the guidelines set by WP:MOS. Thus, I analyzed the document to make sure that the titles, references, and syntax of the article adhered to the Manual of Style. I am not going to discuss every minor change that I made; however, I have listed the larger revisions below.

• Restructuring of "Members" section to adhere to WP:MOS guidelines regarding sections and sub-sections
• Corrected punctuation, capitalization, and other syntactical errors in body content.

I have also incorporated an invisible comment regarding both the References and External Links of the article. Following the revisions made to the document, a large majority of the original references and links are no longer applicable to the article; however, rather than deleting them, I have simply commented on this issue.