Jump to content

Xam Wilson Cartier

From Wikipedia, the free encyclopedia

Xam Wilson Cartiér (born 1949) is an American writer from St. Louis, Missouri, author of two critically acclaimed novels, Be-Bop, Re-Bop and Muse-Echo Blues.[1] She incorporates the language and rhythm of jazz music into her narratives. Her work is a criticism of racism and promotes black speech and music in her narrative. Cartier is also a pianist, artist and dancer. Her name "Xam" means harmony in Senegalese.[1]

Cartier's 1987 book Be-Bop, Re-Bop focuses on the role of jazz in helping the narrator to adapt to the struggles of building a new life and identity. Her other book, Muse-Echo Blues (1991), examines the impact of jazz on black culture. She has been compared[by whom?] to other African-American authors such as Ralph Ellison and Ntozake Shange, whose works examine the connection between music and culture.

Bibliography

[edit]
  • Be-Bop, Re-Bop, Available Press/Ballantine, 1987, ISBN 978-0345348333, 1990 ISBN 978-0345367648.
  • "Be-Bop, Re-Bop & All Those Obligates", New American Short Stories 2, anthology, New American Library, 1989.
  • Muse-Echo Blues, Harmony, 1991.
  • "Be-Bop, Re-Bop", Moment’s Notice: Jazz in Poetry and Prose, anthology, Coffee House Press, 1993.
  • "From Be-Bop, Re-Bop," Ain’t But a Place: An Anthology of African American Writings About St. Louis, Missouri Historical Society Press, 1998.
  • "A Gypsy in Germany", Essence, 1992.

References

[edit]
  1. ^ a b Alic, Margaret. "Cartier, Xam Wilson". Encyclopedia.com.